9 Memorable Monologues about Scorned Love: Monologue Compilation Packet

Some people are lucky enough to hold onto beautiful romantic love all their adult lives, but if you’re looking for a dramatic piece more on the “sadder but wiser” side of love, check out these nine (9) monologues about “scorned love.” That’s right—all of these characters have had their loved one betray them, leave them or never love them back to begin with. ☹ Of course, their responses to a love lost are varied: we have hopeful or pleading, to angry or downright criminal. But in each case, these monologues make for a fun acting challenge. Whether you’re playing a man bleeding out at a hospital, a betrayed woman by a chopped down tree, or a teen whose truck-jumping-stunt did not quite win him the love of his dreams, enjoy these nine unique monologues about “scorned love!”

You can check out each monologue individually below, or you can purchase a monologue compilation packet containing all nine (9) unique, compelling and memorable monologues about “scorned love” (a great value at only $9 for all 9 monologues). Monologues range in length from 1 minute to 5 minutes, or more, depending on performance, and are suitable for adult, or older teen, actors.

Click “READ MORE” below for the 9 monologues about scorned love.

Unknown Playwrights Monologue Mondays Feature: Single Crutch by Tara Meddaugh

January 28, 2021 by Tara Meddaugh in comedic, dramatic, love, Monologue Performances, Monologues, monologues for male actor, outdoor theater, Playwriting, Teen, marching band

Thanks to Bryan Stubbles, playwright and blogger of Unknown Playwrights, for his feature of my comedic teen monologue, Single Crutch. In his series, Monologue Mondays, he shares several video performances of the monologue (and points out this is my second monologue which mentions a marching band! Hadn’t thought of that before).

After a bully steals Ben’s crutch, Ben begs his friend to lend him his old “Tiny Tim” crutch so he can make Marching Band auditions in time. Ben points out that his friend kind of owes him. After all, he wouldn’t have broken his leg if his friend hadn’t advised him to jump out of a moving truck to impress a girl in the first place (And it didn’t even work!).

Single Crutch is a monologue which was inspired by an actor at Carnegie Mellon University (where I received my MFA in Dramatic Writing). In one class, playwrights worked with actors to write monologues tailored to the actors’ specific talents/requests. In fact, March in Line, Rising Fast, Purple Banana Nose, Disappointing Hell, Ferret Envy and Crispy Leaves were all written for CMU actors in the same process (I’ve given the character names these talented actors’ first names.). One of the actors I was working with, Ben, told me he’d always wanted to walk out on stage with a crutch. So… I gave him a crutch! The crutch became my jumping off point, and coupled with his comedic talents, I was inspired to create this Single Crutch. Since then, Single Crutch has been performed by hundreds, if not thousands, of actors. It has been used in classrooms, theaters, universities, competitions, showcases and performances around the world. It was published in 2019 by London Academy of Music and Dramatic Arts (LAMDA), in Acting Anthology: Volume 4 (under the name “Lost Crutch”).

It was a joy to write and I hope it’s a joy to perform! The monologue is about 2 minutes along and great for teen actors. Check out an excerpt below!

Clippers by Tara Meddaugh: A dramatic monologue from the one-act play, Seventeen Stitches

January 21, 2021 by Tara Meddaugh in blind casting, dark comedy, dramatic, gender neutral casting, inclusive casting, monologue for female acto, Monologues, monologues for male actor, one-act plays, Teen, Suspense, thriller, Halloween

If you’re looking for a 2-minute dramatic monologue from a play, check out my newly released monologue, Clippers, from my one-act play, Seventeen Stitches. Clippers is appropriate for tweens, teens and young adults; it is suitable for actors of any gender. In this monologue, Peter struggles to make sense of his father’s actions and intentions. When Peter was attacked by a bully who wanted his bike, Peter’s father rescues his son, but lets the bully take the precious bike. Peter doesn’t understand why his loving father would not punish the bully, and from that moment on, feels abandoned by his father.

The Meaning of Plants by Tara Meddaugh: A Dramatic monologue from the play, Brush Them Fleas

January 14, 2021 by Tara Meddaugh in 1-minute monologue, comedic, dramatic, monologue for female acto, Monologues, monologues for male actor, inclusive casting, Teen, full-length plays

If you’re looking for a dramatic (slightly comedic) monologue from a full-length play, check out my 2-minute or 1-minute version of the monologue, The Meaning of Plants. In it, Stacy expresses her disdain for pretty flowers which hold meaning from the giver (like, “I love you,” “I’m sorry” or “you died”). She prefers the brightness and freedom of dandelions, but most of all, she loves potatoes. Their existence is hidden below the common world, but while humble, is very important.

Stacy is not entirely unlike the humble, but important potato, lying undiscovered. She is a hard working employee at a dog grooming salon. She’s awkward, a bit uncomfortable in her own skin. She endures harassment and lies from another employee, but has found Mr. Boland, the client she speaks to about plants, to be an unassuming, gentle soul. Through the play, Brush Them Fleas, Stacy struggles against accusations and lies, and ultimately finds her own voice and strength. Click here to read the full-length absurdist comedy, Brush Them Fleas or an excerpt from the play.

This monologue has a 1-minute version here (which ends before Stacy speaks about potatoes), as well as a longer 2-minute version here, including her musings on the potato.

Learn the brief description of the play, Brush Them Fleas, from which this monologue comes, then enjoy and excerpt below from the monologue, The Meaning of Plants.

Eiffel Tower Keychain by Tara Meddaugh: New dramatic children's monologue

January 12, 2021 by Tara Meddaugh in 30-second monologue, blind casting, children, dramatic, gender neutral casting, inclusive casting, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, tween

Cruelty continues to be a theme I explore in my work for adults, as well as for children and teens. It’s a theme that will always be examined in many mediums by many people—because, sadly, it happens from cradle to grave—from those with the least power to (quite dangerously) those with the most power.

While my writing often explores cruelty, more importantly, it explores those who experience cruelty and their journey to gain strength. This happens in outwardly large ways and it happens in seemingly small ways. Giving voice to those struggling against oppressors, whether this be from leaders, “frenemies,” manipulating criminals, or schoolyard bullies, is important because these voices are valuable, precious, and inspiring. They are the ones we need to hear.

In my short monologue, Eiffel Tower Keychain, Lindsey gains strength against her classroom bully. Lindsey’s father, who has moved and no longer lives with her, gave her a glass Eiffel Tower keychain, which now a bully has grabbed from her. Lindsey pleads with the taunting bully to give her back the keychain. At first she is meek, then she demands it back with the strength of deserved self-worth. This is a short dramatic monologue, only around 30 seconds in length, appropriate for children or tweens, gender-neutral.

Butterfly in the Tomato Plant by Tara Meddaugh: New 30-second children's dramatic monologue

January 08, 2021 by Tara Meddaugh in children, blind casting, dramatic, gender neutral casting, inclusive casting, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, pre-teen, tween, 30-second monologue, outdoor theater

If you’re looking for a short children’s monologue with a dramatic bent, consider my monologue, Butterfly in the Tomato Plant. It is a challenge to perform (or write) a monologue which shows arc and range in 30 seconds but rewarding to explore. In Butterfly in the Tomato Plant, Nicole observes an injured butterfly, bullied by the same children who had bullied her the previous day (they ripped her backpack and now they have ripped the butterfly’s wings). She reflects on her own desire to have wings and escape bullies, but then realizes the butterfly’s wings did not end up saving it. She decides to take the butterfly home to care for it in a windowsill plant she has been nurturing herself.

20 + Christmas Monologues

November 13, 2020 by Tara Meddaugh in 1-minute monologue, 5-minute play, blind casting, child monolog collection, children, Children's theatre, Christmas, comedic, comedy monolog collection, dark comedy, dramatic, dramatic monolog collecti, gender neutral casting, holiday, inclusive casting, monologue collections, monologue for child actor, monologue by child, monologue for female acto, monologue written by chil, Monologues, monologues for male actor, pre-teen, Teen, teen monologue collection, tween

Check out these twenty (20)+ Christmas monologues below, plus a packet of additional Christmas monologues for children, extracted from my one-act play, Christmas Superpowers and Believing in Blitzen. These monologues range in length from 30 seconds to 5 minutes, great for video/zoom or in person, comedic or dramatic, kids, male, female. Enjoy, be well, and enjoy the extended holiday season! (*This list is always being updated, so check back for new additions!)

Christmas Kale by Tara Meddaugh: a 1-minute children's comedic monologue

November 10, 2020 by Tara Meddaugh in blind casting, children, Children's theatre, Christmas, comedic, dramatic, gender neutral casting, holiday, inclusive casting, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, pre-teen, tween, 1-minute monologue

It’s Christmas morning and Sam has a problem. He is outraged that Santa has, yet again, given him oranges in his stocking, despite his previous complaints that he doesn’t like them. Since Santa has not heeded his requests, Sam devises a simple plan that will teach Santa a lesson.

Christmas Kale is a one-minute comedic children’s monologue, for an inclusive cast (not gender specific). It’s suitable for children or pre-teens.

Christmas Kale is from the one-act play, Christmas Superpowers and Believing in Blitzen.

Children/Teen Monologue: Second-Hand Dirt by Tara Meddaugh

October 14, 2020 by Tara Meddaugh in blind casting, children, Children's theatre, comedic, dramatic, gender neutral casting, inclusive casting, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, Teen, ten-minute plays, allegory, one-act plays, outdoor theater

In Sharing Soil (a 10-minute play within my longer vignette-style piece, Movements of the Wind), Carrot and Potato risk safety and rejection from their own garden cultures when they embark on a new friendship in the face of soil prejudices.

Carrot’s monologue, Second-Hand Dirt, from Sharing Soil, shows a moment of how hurt can be masked with scapegoating. Carrot has just been bullied by other carrots, even having her carrot tip bitten off by them. When Potato finds her crying, Carrot lashes out in misplaced anger toward the quizzical young vegetable. Potato does not stand for this, and Carrot shares how her attempts to be kind to other carrots have not been reciprocated, leading her to become “mean.”

17 Suspenseful Monologues

September 30, 2020 by Tara Meddaugh in comedy monolog collection, dark comedy, dramatic, dramatic monolog collecti, Halloween, monologue collections, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, mystical creatures, Suspense, teen monologue collection, thriller

Suspense is a powerful tool in theater. Who doesn’t want to keep the audience on the edge of their seat? Writers and directors can create entire plays or films that center on building suspense, ultimately paying off in the final scene. When you have only 1-2 minutes in a monologue to convey a scene or character, creating this world of suspense can be a challenge, but if you manage it, you’ll have your own payoff.

Here, I’ve compiled over 15 short monologues which cultivate a scenario of suspense, while conveying a memorable story and character. From murdered ferrets, floods and fangs, to guns, sirens and fires—these monologues are sure to keep your audience leaning in.

New dark comedy/Dramatic monologue: "What My Fangs Are For" by Tara Meddaugh

September 29, 2020 by Tara Meddaugh in children, dark comedy, dramatic, gender neutral casting, Halloween, monologue for child actor, monologue for female acto, monologues for male actor, Monologues, mystical creatures, outdoor theater, Teen, ten-minute plays, thriller, Suspense

My new monologue, What My Fangs Are For, is the story of a werewolf child telling his mom about his first squirrel kill; it’s darkly humorous, a bit creepy, a bit dramatic. But…it’s also the story of a boy discovering a new identity, trying to make his mother proud, then worrying, with horror, that his new identity may drive her to not love him anymore.

Maybe the whole “eating a raw squirrel” part is not so relatable, but Sammy is not the only child (or adult) to have to reveal a part of their identity which they worry a loved one may not accept.

"The Thing About Mermaids" by Tara Meddaugh: New children's comedic 1-minute monologue

September 21, 2020 by Tara Meddaugh in Children's theatre, comedic, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, gender neutral casting, children, mystical creatures, fairy tale, mermaids

Okay, so if you had to choose one mystical creature to be real, which would you choose? In my new monologue, The Thing About Mermaids, Riley encounters a real live mermaid…but is Riley excited by this discovery or does Riley think it’s a waste of a mystical creature?

Enjoy this free 45 second - 1 minute long comedic monologue for children, gender neutral casting. (For a dramatic 10-minute monologue play about mermaids, click here for Marsopa’s Tale).

Special thanks to Julian (and his mom), for inspiring this monologue!

Check out the excerpt below from, THE THING ABOUT MERMAIDS:

New dramatic monologue: "Birthday Balloons" by Tara Meddaugh

August 19, 2020 by Tara Meddaugh in dramatic, monologue for female acto, Monologues, monologues for male actor, Grief

If you’re looking for a dramatic, heartfelt monologue, approximately 2 minutes long, for a female actor (or male), consider my new monologue, Birthday Balloons. Grief has been an uninvited guest in my life the past 5 years, one which has also snuck into my writing in fits and starts. I wrote this a year ago, found it yesterday and edited—and…can I confess something? I almost don’t even want to look at this again. It becomes a little hard to breathe when I read it. Still, I share it with you. Because there are many things we don’t wish to sit in which find voice and connection in theater.

In this dramatic monologue, Adelaide, suffering from a terminal illness, tries to reconcile her desire to give her son a happy birthday next month with the impending hopelessness she feels. She speaks to her friend. You may read the excerpt below and click at the end for a free digital copy of the whole monologue, Birthday Balloons.

New comedic/dramatic monologue: "The Best General Tso's" by Tara Meddaugh

August 18, 2020 by Tara Meddaugh in comedic, Community, Drama in real life, dramatic, monologue for female acto, Monologues, monologues for male actor

My short monologue, The Best General Tso’s is about finding old General Tso’s chicken in the refrigerator during stay-at-home measures. While losses are certainly felt in big moments, I’ve often found that it’s in mundane moments that our pains become acute. Because these moments are day-to-day, they’re also frequent and hard to escape. The Best General Tso's is, on one hand, a comedic moment between Larissa and her almond-bag-buying partner, but it also draws on the complex feelings and experiences underlying a simple mundane moment. Sometimes a leftover is not just a leftover.

Enjoy this new monologue for a female (or male) actor, older teens through adult, which runs about 1.5 minutes long. Check out an excerpt below and click at the end for the full piece.

Climbing the Walls Exhibition: Including new monologue by Tara Meddaugh, The Best General Tso's, featuring Sara Jean Ford

August 16, 2020 by Tara Meddaugh in comedic, Community, Drama in real life, dramatic, Festivals, monologue for female acto, Monologues, monologues for male actor, Monologue Performances

I’m happy to be a part of a joint exhibition between Studio Theater in Exile and Hudson Valley MOCA called Climbing the Walls. Artistic Director of Studio Theater, Mara Mills, envisioned the virtual exhibition as a vehicle to "explore the ways we are experiencing life right now and how we imagine the future” during this global pandemic.

My short (1.5 minute) monologue, “The Best General Tso’s features the fabulously talented actor, Sara Jean Ford (you may know her as Christine Daae in Phantom of the Opera on Broadway—and from lots more!). It’s about finding old General Tso’s chicken in the refrigerator during stay-at-home measures. While losses are certainly felt in big moments, I’ve often found that it’s in mundane moments that our pains become acute. Because these moments are day-to-day, they’re also frequent and hard to escape. The Best General Tso's is, on one hand, a comedic moment between partners, but it also draws on the complex feelings and experiences underlying a simple mundane moment. Sometimes a leftover is not just a leftover.

11 Great Dramatic Monologues for Children

July 27, 2020 by Tara Meddaugh in child monolog collection, children, Children's theatre, dramatic, monologue collections, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, Reader's Theater, dramatic monolog collecti

Finding a dramatic children’s monologue that is thoughtful, relatable, and age-appropriate can be a challenge. Here, I’ve collected ten (10) dramatic children’s monologues for you that are unique, memorable and fun for kids to act. These monologues range from 30 seconds to around 2 minutes. From Goldilocks having second thoughts to Lindsey confronting a bully who took a precious souvenir to Jenna facing an angry sister and a floor of broken glass—enjoy these 10 monologues show which can showcase your child’s dramatic talent and range!

Thirteen (13) Great Comedic Children's Monologues Involving Child to Parent Confrontations

July 22, 2020 by Tara Meddaugh in children, Children's theatre, comedic, monologue by child, monologue collections, monologue for child actor, monologue for female acto, monologue written by chil, Monologues, monologues for male actor, star wars, Reader's Theater, child monolog collection, comedy monolog collection

Is there anything more comically dramatic than a child breaking the bad news to his dad that he doesn’t want to be a Jedi? Or a daughter justifying to her mom why she should have a pet skunk? Okay…maybe a few things are a bit more dramatic, but emotions are emotions, and these clever children’s monologues are full of fun, clean drama, comedic timing and relatability. Muster up your passion for Animal Crossing, iPads and candy, and showcase your acting talent with these twelve (12) great comedic children’s monologues where a child confronts a parent. And definitely, have fun doing it!

New children's comedic monologue about Animal Crossing: Your Crucian Carps are Blocking the Doorway, Mom

July 20, 2020 by Tara Meddaugh in children, comedic, Drama in real life, family, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, Video games

Okay, I’m not exactly a gamer, so my children were thrilled when I mentioned how Nintendo Switch’s Animal Crossing: New Horizons looked like a game I might be able to get into. A few adult friends shared how they were loving playing it and the idea of setting up my own paradise island amidst our pandemic quarantine near New York City sounded, well, pretty darn appealing. I wasn’t alone in that thought. Apparently, this game sold more than 13 million copies in the first 6 weeks after it was released in March. [Skip to my new comedic children’s monologue, Your Crucian Carps are Blocking the Doorway, Mom]

Honing your Acting skill: Monologues for actors under quarantine

May 06, 2020 by Tara Meddaugh in children, comedic, Community, dark comedy, dramatic, Education, monologue collections, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, romance, social, Teen

For many of us during this global pandemic, our theaters are closed down, acting classes are held virtually and auditions are video or streaming-only. Theater is a communal art-form by nature, so without the physical community, this distancing can be counter-intuitive and disheartening. However, artists are also resilient and creative by nature, and it did not take long for theater folks to form groups where readings and performances were held online, and actors, in their own isolation, have dedicated unanticipated space to honing their craft during this time of furlough….

The Beanstalk Monologue: Featured on Unknown Playwrights Monologue Monday

March 03, 2020 by Tara Meddaugh in children, comedic, dramatic, monologue for female acto, Monologue Performances, Monologues, monologues for male actor, Plays, Teen, ten-minute plays, fairy tale

Twisting up a classic tale from a new angle is a never-ending well, and I love it as much as the next fairy-tale-raised dramatist or thespian! So here is my monologue, The Beanstalk, edited from the 10-minute play of the same name, The Beanstalk, featured on Unknown Playwrights Monologue Monday series. This monologue has been dissected for years, being one of my earlier pieces, and I’ve loved seeing teachers and students analyze this, and the various unique performances and interpretations of the piece. From Monologue Mondays:

Meddaugh’s monologue is like a snapshot of Jack when he first tries to climb the beanstalk and dude is scared. He talks to a crow for comfort and what follows is a character-rich psychological study of fear with a bit of humor…Any way you cut it, Meddaugh’s monologue is a fresh take on a millennia-old story with a lot of physicality. Let’s see what our brave acting heroes have accomplished…