Netflix's "Dead To Me:" On Guilt, Grief, Friendship & Love

November 18, 2022 by Tara Meddaugh in Community, dark comedy, dramatic, Drama in real life, Grief, love, Shows, social, Streaming Videos, Television, What I'm Watching, women, women in the arts

I first discovered the Netflix show, Dead To Me, when my dear friend, Jessica, recommended it when it aired in 2019. Jessica and I became best friends when we were 14 and she went from home-schooling on her family farm to attending my small public school (she thrived and never looked back!). We acted in plays together, went on family vacations together, tons of sleepovers, visited each other at college and beyond, made crazy recordings, dated brothers once, spent every moment we could together. And for the next few decades, we shared almost daily phone calls as teens, to regular calls and letters as we made it through young-adulthood, to almost daily calls again, as we shared marriage and motherhood. We talked about anything and everything—relationships, society, philosophy, politics, families—and also cooking, cleaning hacks, books, tv. When I recommended the book Pachinko, she read it. When she recommended a recipe for a homemade ice cream cake, I made it. So when she recommended “Dead to Me,” I watched it. I remember her saying it was not like any other show she’d seen.

“Dead to Me” is a show about mistakes and consequences—and how you deal with both. It’s dark and funny. It’s tense and poignant. It’s a lot about guilt, but it’s also about motherhood and daughterhood. And at its core, it’s about friendship and love.

I’m actually a little shocked when I see that this show aired in May 2019 because Jessica was battling Stage 4 cancer at the time. She passed away 4 months later.

Shocked isn’t the right word.

Anyone who has lost a loved one knows that Grief kind of jumps up in your face and screams at you at any random moment it feels like.

New Christmas One-Act Play for a Large Cast: Chaos in a Christmas Snow Globe

November 30, 2021 by Tara Meddaugh in blind casting, children, Children's theatre, comedic, Community, family, gender neutral casting, holiday, inclusive casting, mystical creatures, one-act plays, Plays, pre-teen, Reader's Theater, Teen, tween, winter, Christmas

If you’re looking for a large cast Christmas play for young actors or young audiences, with lots of gender inclusive/neutral roles, check out Chaos in a Christmas Snow Globe. Yup, it takes place inside a Christmas Snow Globe, complete with Christmas Tree, train and ice skating pond. Designers can be as detailed or as representative as desired for this world which leaves lots of room for creativity.

The Christmas Gang loves their place of honor in 8-year-old Stella’s bedroom, come the Sunday after Thanksgiving when all the Christmas decorations are displayed, but they’re also getting a bit bored of the same routine. Luckily, they’re in a Snow Globe with Santa himself who has a pretty cool ability to evoke, oh, I don’t know…a little something called… Christmas Magic! CLICK FOR MORE

Pitfalls and Treasures: A new 10-minute comedy/drama for 2 actors

August 10, 2021 by Tara Meddaugh in absurdist theater, allegory, animal theater, comedic, Community, dark comedy, dramatic, one-act plays, outdoor theater, Plays, socially distant theater, Teen, ten-minute plays, theater of the absurd, theatre companies

Does the screech of a seagull symbolize Summer for anyone else here? What is a beach day without a seagull trying to snatch your french fry, right? Well, if you’re looking for a seagull perspective - and if you’re looking for a 2-person dark comedy/drama/comedy that can work for outdoor theater - check out my new 10-minute play, Pitfalls and Treasures. In it, Mary and Andrew are lonely and troubled seagulls, each ostracized by their former flocks. When Mary embarks on the desperate challenge of removing twine wrapped around Andrew’s leg, they both must decide how much to trust each other in the hope of finding a better life. Check out an excerpt or the complete play here.

This play is about, well, yes, seagulls. And being seagulls, in a parking lot, with a numb leg and no flock, the stakes are high. But it’s also about love and loss, hope and failure, trust and apprehension, desperation and resignation. And yes--also a seagull and a fry. It’s a bit dark, a bit funny and a bit sweet.

Giving Back Initiative Quarter: Fighting ALS and Supporting those with this disease

June 11, 2021 by Tara Meddaugh in activism, Community, family, Education, giving back

For May through July, my Giving Back Initiative supports the ALS Association and I Am ALS.

ALS is a progressive neurodegenerative disease. People with ALS gradually lose voluntary muscle function, resulting in the loss of mobility of legs, arms, speech, and eventually the ability to breathe. While people with ALS become paralyzed and often cannot speak, their minds are usually not affected so they remain aware. ALS is fatal and patients typically pass away in three (3) years. There is no cure. Yet.

This must change. And you will find this sentiment reiterated in my post.

Giving Back: Spotlight on Barbershop Books

February 04, 2021 by Tara Meddaugh in activism, children, Community, Education, family, giving back, social

From February through April, my Giving Back Initiative will support an impactful and innovative organization called Barbershop Books. A few months back, I heard a Ted Radio Hour, which spurred me to do a bit of research after the show (not terribly uncommon for the Ted Radio Hour!). This episode, School of Life, was about exploring “life lessons that teach us far more than any textbook.” Part three featured Alvin Irby, an educator, author, comedian and founder of the intuitive-upon-reflection, brilliantly modeled organization that captured me in an instant. Barbershop Books’ mission is this:

“Help Black boys ages 4-8 to identify as readers by connecting fun books to a male-centered space and by involving Black men in boys' early reading experiences.”

So how does Barbershop Books do this?

Irby came up with his idea, while watching one of his first-grade students in the Bronx squirm impatiently at a local barbershop. Irby kept wishing he’d had a book to lend the boy, which naturally led to the thought, someone should put books for kids at the barbershop… This idea, coupled with Irby’s impressive background in education and leadership, transformed into his nationally recognized organization.

Barbershop Books offers early literacy training to barbers while placing engaging children’s books into barbershops. Formerly antsy boys can read funny books while hanging at the barbershop! This may sound simple, but the thought behind it is well-researched and effective—which is why it’s so exciting and promising. Reading is power and when there is a stark reading gap among race or gender (see # 2 below), this inequity can follow these individuals for the rest of their lives. Barbershop Books is making progress to close the reading inequity gap, and in so doing, empower these boys for the rest of their lives. Here’s how:

Chat-n-Read Dramatic Read-Aloud of "Fly Guy and the Frankenfly" by Tedd Arnold

October 22, 2020 by Tara Meddaugh in chat-n-read, children, Community, Education, family, Literary

If Creepy Carrots are not creepy enough for you, what about a FRANKENFLY?? Or, just, how about a fly who can talk at all?

Enjoy my latest Chat-n-Read where I pose the most thought-provoking question yet…

Would you share your chemistry set…with a FLY???

In Fly Guy and the Frankenfly by Tedd Arnold, Buzz makes all sorts of fun creations for him and his best bud, Fly Guy. Fly Guy wants to make something special for Buzz too. But what happens when Fly Guy’s creation gets a little out of hand?

Find out in this fun Halloween-appropriate read-aloud!

Dramatic Halloween Read-Aloud from Chat-n-Read: Creepy Carrots by Aaron Reynolds, illustrated by Peter Brown

October 05, 2020 by Tara Meddaugh in children, comedic, Community, dark comedy, Drama in real life, dramatic, Education, family, holiday, Literary, social, Suspense

Of all the holidays, Halloween just might be the most dramatic! Anything can become spooky melodrama when you put on an eerie voice, add a bit of black-and-white illustration, and make inanimate objects start FOLLOWING YOU! Kids - enjoy this spooky and fun read-aloud from Chat-n-Read (one of my other adventures!) of Creepy Carrots written by Aaron Reynolds and illustrated by Peter Brown.

We’ll chat about what makes things creepy and then share the story of Jasper Rabbit and what happens to him when his favorite garden snack starts creeping him out! Make sure you stick around to the end, because it’s quite clever!

Now, say this in a spooky voice and wave your hands around all creepy-like: “Enjoooooooy!”

Hallmark Christmas Movies Announced: Are You Ready? Plus Theater Actors join MFTV Christmas Magic

September 24, 2020 by Tara Meddaugh in Community, Drama in real life, family, Film, Movies, romance, social, Television, holiday, christmas but not theater

Okay. It’s still September. SEPTEMBER. But I have been seeing social media posts and hearing friends talk about putting up Christmas trees and lights extra early this year. Not like, November 25 early. I’m talking September 25 early! And really, in this very tense, anxiety-filled, unprecedented, relentless season of our lives, who can blame anyone for wanting to elongate a traditional feel-good season?

The Christmas season is cozy, cold but warm; it brings us hot chocolate, eggnog and peppermint, calming lights, early dark evenings, soothing music, colors everywhere amidst a landscape of mainly brown. It is comforting and familiar, and those are two things that we all crave—especially now when both feel a bit out of reach. And so…you know what also brings comfort and familiarity around that time of year, right? Hallmark Made-For-TV (MFTV) Christmas Movies! Keeping pace with the Christmas trees going up in NYC apartments, they’ve announced their Holiday Season already! You can check out Hallmark’s Countdown to Christmas line-up here. And don’t worry, Netflix and Amazon will have their own Cheesy Christmas Movies coming too (“A Royal Toddler Goes to Virtual Preschool” perhaps?), but I have to give props to the originator, Hallmark.

Engulf The Evil Ashes: A dramatic monologue from the play, For My Silent Sisters by Tara Meddaugh

September 23, 2020 by Tara Meddaugh in Community, Drama in real life, dramatic, full-length plays, Grief, monologue for female acto, Monologues, Plays, social, Teen, women, activism

My full-length dramatic play, For My Silent Sisters, gives voice to four young people who struggle to escape the dark world of human trafficking. *Before I discuss the monologue and play, please note that while I write with great respect and care, this monologue contains references to human trafficking and violence and may not be suitable for all readers.* Please also note that while the play is fiction, there are many experiences, very similar to the ones I give voice to, which have happened to real people. No country is immune to this egregious crime. At the time I’m writing this, criminals are trafficking an estimated 25 million people worldwide. For more information on human trafficking in the USA, how to help or report, visit the Human Trafficking Hotline or Polaris.

For My Silent Sisters journeys how criminals use manipulation, lies, or force to commit this crime. But it mainly journeys how four teenagers survive within this world, hold onto hope, strength, friendship, and how they all eventually leave that world—one way or another.

Engulf the Evil Ashes is a monologue from Marta. Marta, an excellent student from a large family in Romania, sees her way to a brighter future by accepting a position as a translator in England. However, after leaving home with the job recruiter, she discovers the role she thought she would receive does not exist. Instead, she is taken to a “training facility” in the woods in Albania, a place where girls are “trained” for forced prostitution (enslavement), then sent to other countries to make money for their enslavers. While their situation is terrifying, Marta immediately bonds with a confident Romani girl, Tasaria. They share stories, looks, secrets; they become closer than sisters. Tasaria develops a plan for them to escape the facility, but when the moment comes, Marta does not follow her. Tasaria’s escape attempt fails and she is killed. Marta is devastated.

In this monologue, Engulf the Evil Ashes, Marta has been punished, by friendship association, for Tasaria’s escape attempt. She is placed in the ground, simulating being buried alive. Though grieving, her rage and determination give her strength, and Marta comes up with a plan for freedom. She hides sticks from the outdoors and brings them with her when she is placed in an isolated room inside. During the course of a few hours, she is able to start a fire and begin burning down the old wooden building. While the building goes up in flames and smoke, Marta only smells freedom.

This monologue is about 2.5 minutes long, suitable for a mature teenager or young adult looking to sink into a dramatic monologue. It is a moment of empowerment, a moment when a frightened and beaten-down person finds strength in righteous anger, a moment when she finds a powerful voice, not only in words, but in actions. A moment when she changes the fate for herself—and hundreds of other girls.

New Full Length Play: The Victory Garden Plays by Tara Meddaugh

August 20, 2020 by Tara Meddaugh in children, comedic, Community, dramatic, family, Plays, Teen, ten-minute plays, full-length plays

How many of you decided that Pandemic 2020 would be the year you started your own edible garden? Whether it was in a luscious back yard, an upper story deck, or a window sill (friends and I started seeing how many vegetables we could grow in water jars from mere root cuts!), people all over seemed to be growing vegetation to eat like no other time in the 21st Century. In March, many of us found flour, bread and toilet paper impossible to purchase and there was a panic as we contemplated our food supply chain breaking. Growing our own produce seemed to offer stability, predictability, a tiny sense of control and perhaps even purpose during our unsettling time staying at home. (click below for continued post or click here for The Victory Garden Plays)

New comedic/dramatic monologue: "The Best General Tso's" by Tara Meddaugh

August 18, 2020 by Tara Meddaugh in comedic, Community, Drama in real life, dramatic, monologue for female acto, Monologues, monologues for male actor

My short monologue, The Best General Tso’s is about finding old General Tso’s chicken in the refrigerator during stay-at-home measures. While losses are certainly felt in big moments, I’ve often found that it’s in mundane moments that our pains become acute. Because these moments are day-to-day, they’re also frequent and hard to escape. The Best General Tso's is, on one hand, a comedic moment between Larissa and her almond-bag-buying partner, but it also draws on the complex feelings and experiences underlying a simple mundane moment. Sometimes a leftover is not just a leftover.

Enjoy this new monologue for a female (or male) actor, older teens through adult, which runs about 1.5 minutes long. Check out an excerpt below and click at the end for the full piece.

Climbing the Walls Exhibition: Including new monologue by Tara Meddaugh, The Best General Tso's, featuring Sara Jean Ford

August 16, 2020 by Tara Meddaugh in comedic, Community, Drama in real life, dramatic, Festivals, monologue for female acto, Monologues, monologues for male actor, Monologue Performances

I’m happy to be a part of a joint exhibition between Studio Theater in Exile and Hudson Valley MOCA called Climbing the Walls. Artistic Director of Studio Theater, Mara Mills, envisioned the virtual exhibition as a vehicle to "explore the ways we are experiencing life right now and how we imagine the future” during this global pandemic.

My short (1.5 minute) monologue, “The Best General Tso’s features the fabulously talented actor, Sara Jean Ford (you may know her as Christine Daae in Phantom of the Opera on Broadway—and from lots more!). It’s about finding old General Tso’s chicken in the refrigerator during stay-at-home measures. While losses are certainly felt in big moments, I’ve often found that it’s in mundane moments that our pains become acute. Because these moments are day-to-day, they’re also frequent and hard to escape. The Best General Tso's is, on one hand, a comedic moment between partners, but it also draws on the complex feelings and experiences underlying a simple mundane moment. Sometimes a leftover is not just a leftover.

A Reading of New Plays by Tara Meddaugh: Free Virtual Theater August 7

August 05, 2020 by Tara Meddaugh in comedic, Community, dark comedy, dramatic, Plays, Streaming Videos, technology, ten-minute plays, theatre companies, Zoom plays

What are you doing this Friday? Wanna join me for some virtual theater and conversation?

It is not often I can invite you to a performance of my work which is open for all to see, from whatever part of the globe you call home. So I'm happy to share that Tagragg Productions is presenting an evening of four of my 10-minute plays, complete with a short discussion following each piece (we can chat!). The show is FREE and will be performed live via Zoom, 7pm Eastern Time, August 7.

To attend the performances, click the Zoom link here.

Honing your Acting skill: Monologues for actors under quarantine

May 06, 2020 by Tara Meddaugh in children, comedic, Community, dark comedy, dramatic, Education, monologue collections, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, romance, social, Teen

For many of us during this global pandemic, our theaters are closed down, acting classes are held virtually and auditions are video or streaming-only. Theater is a communal art-form by nature, so without the physical community, this distancing can be counter-intuitive and disheartening. However, artists are also resilient and creative by nature, and it did not take long for theater folks to form groups where readings and performances were held online, and actors, in their own isolation, have dedicated unanticipated space to honing their craft during this time of furlough….