Mabel and the Talking Cat: A new one-act quirky comedy/drama

March 15, 2023 by Tara Meddaugh in absurdist theater, all female cast, animal theater, bechdel test, comedic, dark comedy, dramatic, fairy tale, gender neutral casting, inclusive casting, mystical creatures, one-act plays, outdoor theater, Plays, play for mature actors, theater of the absurd

“If I had opposable thumbs like you, I should rule the land!” ~Patches, the Talking Cat

How far are we willing to go to get the things that we want? How can doing a good thing enable a bad thing? How much would you sacrifice for a loved one? How long do you hold onto a far-fetched hope? How do you connect with those in the dark once you’ve been brought into a new light? Does guilt ever go away?

For a one-act play, Mabel and the Talking Cat sure brings up a lot of questions! On top of all that, we have a bit of magic, a witch in the neighborhood, an ogre, a missing husband and a talking cat! And you won’t find out until the end of the play which well-known fairy tale this play launches into…

Mabel and the Talking Cat is the story of a lonely baker, Mabel, who finally has the opportunity to adopt a child of her own. But her best friend, Patches, a talking cat, has grave hesitations about the questionable method she’s using to secure this precious child…

Plays About Sisters

February 25, 2023 by Tara Meddaugh in 10-minute play, all female cast, animal theater, bechdel test, children, comedic, dramatic, dark comedy, fairy tale, full-length plays, mature actors, Monologues, one-act plays, outdoor theater, play collection, play for mature actors, Plays, pre-teen, Teen, ten-minute plays, theater of the absurd, tween, women, women in the arts

Check out nine (9) plays plus a trio of monologues all featuring the sister relationship! From rabbits on the run to sisters contemplating marriage in the 1700s to adult sisters with a foster baby—and more—these 9 plays explore the challenges and connections of this unique sibling relationship. There are plays here for children, teens, young adults and mature adults, ranging from absurdist to dark comedies to dramas.

"The Prettiest Duckling" - To Be Published by YouthPLAYS

February 17, 2023 by Tara Meddaugh in all female cast, animal theater, allegory, bechdel test, comedic, dark comedy, fairy tale, gender neutral casting, inclusive casting, one-act plays, outdoor theater, Plays, Publications, Teen, tween

Happy to share that YouthPLAYS will be publishing my one-act play, The Prettiest Duckling. In this dark comedy, two “mean-girl style” ducklings plot the ousting of their gray-feathered sibling… But they’re always—only—always, thinking of her. Because they, you know, “love her so so much.”

Right?

This play was first performed as part of the production, When Fairy Tales Falter. Buchanan Highhouse and Jessica Caputo fabulously brought to life Gorgeous and Cutesy (yes, those are the names of the ducklings! What do you think Mama will name the gray-feathered duckling?), Nate Flower directed, and Georgia Evans did the costume design.

This play was a TON of fun to write. It went through lots of revisions and tweaks to really land it all (thank you, Kevin Christopher Snipes, Gabe Davis, Mike, Dylan, Luke, Nate, and team!). Can’t wait to see it take life beyond my local world soon. Stay tuned for more information when it’s published. But for now, I’l leave you with these empathetic words from Gorgeous:

“Being gorgeous is also, like, kind of a burden…I wouldn’t wish it on anyone.”

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Photos by JCP Images

Teen/Tween Monologue about Confronting a Bully from "What Happened at the Mud Puddle"

February 06, 2023 by Tara Meddaugh in 2-minute monologue, 3-minute monologue, dramatic, monologue for female acto, monologue for child actor, Monologues, one-act plays, pre-teen, Teen, tween

Have you heard the phrase, “hurt people hurt people?” It’s been used enough to sound a little cliche, but there’s truth to it. In my one-act play, What Happened at the Mud Puddle, our main tween antagonist is Taylor. She makes fun of others, steals boyfriends, hogs the spotlight, and acts out of spite in true “mean girl” fashion. She has a lot of learning and growing to do, well beyond this play. But even though she’s left a lot of people hurt in her wake, she has her own hurt and insecurity too.

This monologue takes place toward the end of the play, after Taylor has alienated all the guests at her extravagant yacht soiree and they’ve left to come to Chloe’s simple backyard birthday party. Taylor arrives at Chloe’s house—very angry and humiliated. Someone gets pushed in a mud puddle…And Taylor walks away, defeated. Chloe’s monologue recounts her final private confrontation with Taylor, where she realizes why this whole feud even started...and how Chloe is perhaps not entirely innocent either…

25 Plays That Pass the Bechdel Test

January 28, 2023 by Tara Meddaugh in 10-minute play, 5-minute play, absurdist theater, all female cast, animal theater, allegory, blind casting, Children's theatre, comedic, dark comedy, dramatic, fairy tale, full-length plays, gender neutral casting, inclusive casting, holiday, one-act plays, outdoor theater, Plays, pre-teen, Teen, theater of the absurd, ten-minute plays, thriller play, tween, women, women in the arts, bechdel test, play collection

The Bechdel Test or Bechdel-Wallace Test, is one measurement of how well women are represented in film, and has carried over into plays and other literary work. It was first written by cartoonist, Alison Bechdel and she credits her friend, Liz Wallace, for the test. The test is simple. Your writing passes the Bechdel-Wallace Test if you can answer YES to the following 3 questions:

Does your writing have at least 2 women in it?
Do the 2 women talk to each other?
Do the women talk to each other about something other than men?

Two One-Act/Ten-Minute Plays About Sisters - for Youth and Mature Adult Actors

January 27, 2023 by Tara Meddaugh in children, Children's theatre, comedic, dramatic, family, historical, one-act plays, outdoor theater, Plays, pre-teen, Teen, ten-minute plays, tween, women, all female cast, mature actors, play for mature actors, play collection

I’ve written about sister-relationships before (in The Bronze Lining and The Moon River Raft to name a few), but the relationship is especially unique in my two Ruby and Millie plays. These plays both feature the same sisters, but at two very different points in their lives.

In Ruby and Millie and the Dying Cucumbers, Ruby is a child around 9 years old and her older sister, Millie, is around 16. It’s 1943 and their father is a Prisoner of War in Europe. He has charged Ruby to lead her apartment building’s rooftop Victory Garden on the homefront in White Plains, NY. With their mother working long hours and their father gone, teenage Millie carries weighty responsibilities of her own. In the play, Millie has been searching for her little sister at night, and finally finds her on the rooftop. While Millie tries to convince Ruby to come inside to bed, Ruby discovers some of her vegetables are dying, and fears this is a harbinger of bad news for her father and the war.

In Ruby and Millie and The Old Chemical Plant, we fast forward 50+ years. The war is a distant memory while Seinfeld blares on the tv at night. Ruby has had a successful career but never married; Millie is a widow with children living all over the globe. The sisters live in the same senior apartments, and are tending to a fig tree in their 1990s community garden together. Ruby and Millie have always been close. Neither one can imagine life without the other by her side. But now they struggle with decisions that may, for the first time in 60+ years, take them very far away from each other.

Monologue from "When Marshmallows Burn" Published in The Best Men's Stage Monologues Anthology

January 25, 2023 by Tara Meddaugh in 1-minute monologue, absurdist theater, blind casting, comedic, dark comedy, dramatic, gender neutral casting, inclusive casting, monologue for child actor, monologue for female acto, monologues for male actor, Monologues, mystical creatures, one-act plays, outdoor theater, Plays, Publications, Teen, Suspense, ten-minute plays, theater of the absurd, thriller, tween

I’m honored that my monologue from When Marshmallows Burn has been published in Smith & Kraus’s anthology, The Best Men’s Stage Monologues 2022, edited by Debbie Lamedman. Did you know Smith & Kraus has been publishing anthologies of the best men’s and women’s stage monologues for over 30 years? Very cool! In my dark comedy/drama:

Sammy and his mom are enjoying roasting marshmallows over the fire under the full moon when something very strange starts to happen. Sammy’s arms look a little furry. His teeth look a lot like fangs. And he has a sudden urge to kill squirrels—and eat them raw. What (or who) else will he have an urge to kill? Is there anything his mother can do to stop him, or can she ultimately accept and love her wereson? Read the whole play here.

Missy Flower and Buchanan Highhouse in When Marshmallows Burn, directed by Nate Flower. Photography by @designbyraegan.

This is a play about a werewolf, yes. But moreover, it’s a play about a mom and her son. I recently read Celeste Ng’s new novel Our Missing Hearts and in it, a central mother character says, “But in the end every story I want to tell you is the same. Once upon a time, there was a boy. Once upon a time there was a mother. Once upon a time, there was a boy, and his mother loved him very much.”

This hits me hard.

And when I was telling my 2 sons basically the whole story of Our Missing Hearts, you can bet I was choking up relaying this part of the book (and then hugging them!).

When Marshmallows Burn is not only a dark comedy about a boy becoming a werewolf. It’s a story about familial acceptance and the love of a mom and a son, in the face of changing identity.

The monologue selected for the anthology (What My Fangs are For) takes place the moment Sammy has returned from his first kill in the woods. He is proud he found his late-night snack without troubling his mom for help. As he relays killing the squirrel to her, he realizes his mother is becoming increasingly scared of him and his pride turns to fear that she will no longer love him as a werewolf.

Sammy’s monologue runs about 1 minute long and is great for any gender actor. It gives the performer a significant journey from being proud of something new and exciting to being deeply worried and terrified to lose what matters most. It also lets an actor showcase both dark comedy as well as dramatic skills.

I was so lucky to have an outstanding team bring this play to life for the first time: Missy Flower as the mom, Buchanan Highhouse as the son, and Nate Flower as the director (produced by Free Space Theater, in collaboration with the Harrison Public Library). We performed the play around Halloween, at night in the great outdoors, and this was an absolute amazing backdrop for the play, which takes place at night, in the great outdoors…

Along with Sammy’s monologue, this anthology includes dozens of other wonderful monologues. As Ms. Lademan writes in her foreword, “These pieces present great acting challenges, and actors will have the pleasure of sinking their teeth into this sublime material while continuing to perfect their craft in their online or in-person workshops.”

Click here to get The Best Men’s Stage Monologues on amazon. You can also get Sammy’s monologue, What My Fangs are For, by itself here. Additionally, you can read an excerpt here of When Marshmallows Burn, or click below for the complete digital copy of that play:

When Marshmallows Burn, a 10-minute dark comedy by Tara Meddaugh

$5.99

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Teen/Tween Monologue about Bullying and Fitting In from “What Happened at the Mud Puddle”

January 23, 2023 by Tara Meddaugh in 2-minute monologue, dramatic, monologue for female acto, Monologues, pre-teen, Teen, tween, one-act plays

In my one-act play, What Happened at the Mud Puddle, Taylor, resident mean/popular girl, is creating a whole lot of uncomfortable drama for her entire grade. By the end of the play, we’ll realize, not everyone is quite as straight-forward as they seem (including Taylor), and the line of who is “mean” and who is “nice” sometimes get a little blurred in middle-school… What Happened at the Mud Puddle is a comedy that runs around 25 minutes, with a nice ensemble cast of 12 roles (8 female, 4 male). It has a lot of great monologues, so while it’s good in-person theater, it also transitions easily to zoom or virtual productions.

In this monologue, we learn about Amanda. Amanda is new to this middle school and it doesn’t take long for Taylor to humiliate her in front of the whole cafeteria. So why does Amanda still want to go to Taylor’s party?

Amanda’s monologue runs about 2 minutes. You can read an excerpt of Amanda’s monologue below and you can read the whole play, published by YouthPLAYS here.

The Moon River Raft: New Dark Comedy Play for 2 actors

January 06, 2023 by Tara Meddaugh in 10-minute play, allegory, animal theater, blind casting, comedic, dark comedy, dramatic, gender neutral casting, inclusive casting, one-act plays, outdoor theater, Plays, pre-teen, Teen, ten-minute plays, tween, Halloween

A wounded rabbit and her loyal sister, fleeing for their lives, hold onto hope that a secret Moon River Raft will carry them to a perfect land with no predators, filled with rainbows and radish tops as far as the eye can see… All they have to do is wait for this mysterious raft…in the middle of the night…in the woods…until Peak Full Moon…at a very creepy river bank…

You can check out what happens at this creepy river in my new one-act (miiiight slide by as a 10-minute) dark comedy, The Moon River Raft. It runs about 15+ minutes and has two great roles for ages teen through adult (the parts are written with female pronouns but the casting can be any gender). Yes, it’s dark, but it’s also funny as you lean into the cruelty, naivety and absurdity of the world these rabbits are in. It’s a play with minimal setting requirements and could adapt well to outdoor theater. CLICK BELOW TO READ MORE

Holiday Treats: Plays, Monologues, Movies and…Chocolates!

December 01, 2022 by Tara Meddaugh in 1-minute monologue, 2-minute monologue, 3-minute monologue, 5-minute monologue, 5-minute play, comedic, dramatic, holiday, inclusive casting, Monologues, monologues for male actor, one-act plays, Plays, pre-teen, socially distant theater, Teen, tween

It’s December 1st, friends! That means I can whip out our family’s 2022 Advent Calendars! Which would you choose? 1) Funko Marvel 2) Chocolates in a penguin 3) Cocktail truffles? Hm… Mind you, young folks, my advent calendar as a kid consisted of opening a door on Santa’s sleigh and the reward was viewing a drawing of a toy! And I had to rotate every third day, sharing with my 2 brothers. Ah, but since we didn’t know what chocolates we were missing, that paper sleigh was still so sweet.

December 1 also means that I can post sans judgment about all the fun Christmas and Holiday theater you’ve been emailing me about and downloading since August! And personally, I’m fine thinking Christmas in August—because holiday theater takes some prep. Auditions for Christmas plays started months ago, and seasonal rehearsals don’t rehearse themselves a week before they open, right?

JACK AND DEAR RAVEN: A new 10-minute 2-person comedy/drama

September 14, 2022 by Tara Meddaugh in 10-minute play, allegory, animal theater, children, Children's theatre, comedic, dramatic, fairy tale, family, gender neutral casting, inclusive casting, one-act plays, outdoor theater, Plays, pre-teen, Reader's Theater, Teen, ten-minute plays, tween

Jack is known as being a “dull boy” around the village. But would a “dull boy” impulsively climb up a random giant beanstalk that grew up in his back yard over night and then once he reached cloud-level, suddenly miss his mom and turkey and fence post, want to go back home, and now be too scared or stuck to climb back down?

Um…Maybe…

At least, this is one of Jack’s worries (besides being pecked to death, falling to death, starving to death—stuff like that!). He has something to prove to his village. He IS more than the boy who chased a baby bear thinking it was a sack of gold coins. He may get into more pickles than the average fairy tale boy, but he also always finds ways to get out of those pickles. He’s made it up this giant beanstalk because he has the spirit of adventure inside of him—and that passionate spirit will ultimately get him off this beanstalk too. It’s just might happen in the order he thinks it will…

In Jack and Dear Raven, high in the clouds, Jack begs for the help of a raven passing by—the only creature who has shown Jack any attention as he’s clung to this slippery beanstalk through the wee morning hours. This bird, whom Jack quickly dubs “Dear Raven,” has their own worries in raising a brood of birdlings while trying to finish their novel, Aviary Ethics (which no other bird seems to care about). Dear Raven is not only curious about this human in the sky, but also irritated as Jack and his giant beanstalk are blocking an important flight path. Jack and Dear Raven need to figure out a way for Jack to get off this beanstalk. Now. Before the hawks and eagles come to peck out his eyes after their morning mice.

Pitfalls and Treasures to be published in Smith & Kraus's "The Best Ten-Minute Plays"

January 04, 2022 by Tara Meddaugh in absurdist theater, animal theater, allegory, blind casting, comedic, dark comedy, dramatic, gender neutral casting, inclusive casting, one-act plays, outdoor theater, Plays, Publications, socially distant theater, Teen, ten-minute plays, theater of the absurd

I’m honored that my dark comedy play, PITFALLS AND TREASURES, has been selected to be published by Smith & Kraus in the anthology, “The Best Ten-Minute Plays 2022” (editor Debbie Lamedman).

In the 2-person play, Mary and Andrew are lonely and troubled parking lot seagulls, each ostracized by their former flocks. When Mary happens upon the injured Andrew, she embarks on the desperate challenge to remove twine wrapped around his leg. This play is about, well, yes, seagulls. And being seagulls, in a parking lot, with a numb leg and no flock, the stakes are high. But it’s also about love and loss, hope and failure, trust and apprehension, desperation and resignation. And of course, a seagull and a french fry! It’s a bit dark, a bit funny and a bit sweet.

Huge thanks to the super talented original team: actors Missy Flower and Rob McEvily, director Mel Nocera, and all those at Westchester Collaborative Theater for its first production.

The play will be published in the anthology toward the end of the year, but you can read an excerpt of Pitfalls and Treasures here or click below for a complete digital copy of the play.

New Christmas One-Act Play for a Large Cast: Chaos in a Christmas Snow Globe

November 30, 2021 by Tara Meddaugh in blind casting, children, Children's theatre, comedic, Community, family, gender neutral casting, holiday, inclusive casting, mystical creatures, one-act plays, Plays, pre-teen, Reader's Theater, Teen, tween, winter, Christmas

If you’re looking for a large cast Christmas play for young actors or young audiences, with lots of gender inclusive/neutral roles, check out Chaos in a Christmas Snow Globe. Yup, it takes place inside a Christmas Snow Globe, complete with Christmas Tree, train and ice skating pond. Designers can be as detailed or as representative as desired for this world which leaves lots of room for creativity.

The Christmas Gang loves their place of honor in 8-year-old Stella’s bedroom, come the Sunday after Thanksgiving when all the Christmas decorations are displayed, but they’re also getting a bit bored of the same routine. Luckily, they’re in a Snow Globe with Santa himself who has a pretty cool ability to evoke, oh, I don’t know…a little something called…

Christmas Magic!

Christmas Magic will bring some excitement to the snow globe, for sure! But what the friends don’t realize is that Christmas Magic has a mind of its own. And what it decides to bring is…um… well…

A Jack-o-Lantern (Whaaaa? Yes!) who has been pining away to join the Christmas Snow Globe for years! But can this Halloween decoration convince the Christmas Friends (especially the stickler Elf) that it truly belongs with them? Or will it be booted back to the dusty shelf? Enjoy this family-friendly one-act Christmas play about acceptance and appreciation.

This play runs approximately 20 minutes. The whole class, club, church or company can perform in this show! It has 11 speaking roles (9 gender inclusive/neutral roles, 1 female, 1 male), and an unlimited number of non-speaking reindeer. There’s some group singing (just “Jingle Bells” - don’t worry), opportunities for dancing, and fun scene setting. Check out the list of characters here.

Great Virtual or Social Distancing Christmas Play: Christmas Superpowers and Believing in Blitzen

November 22, 2021 by Tara Meddaugh in 1-minute monologue, children, Children's theatre, Christmas, comedic, gender neutral casting, inclusive casting, holiday, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, one-act plays, Plays, pre-teen, socially distant theater, Teen, Zoom plays, virtual theater

While some theaters and schools are open for in-person performances, there are many throughout the world which are not able to be open in this capacity yet. (We are all in different situations throughout the globe and my heart is with you all!) If your school or theater is looking for a family-friendly Christmas show which lends itself to social distancing or virtual theater, check out the one-act play, Christmas Superpowers and Believing in Blitzen. Since this is a monologue-heavy play, it allows for increased social distancing in rehearsals and performances and also slides more easily into virtual theater.

Christmas Superpowers and Believing in Blitzen is a comedy great for children, teens or young adults playing the roles of children. It runs approximately 30 minutes with a minimal set, and with doubling, has 5 roles (2 female, 3 male). Without doubling, it has a cast of (3 male, 2 female, 3 gender inclusive/flexible casting—but in reality, most of the roles can be gender flexible).

To four children, Christmas is no simple sleigh ride. Annie’s new best friend is a talking reindeer, and she’s not sure if that’s really okay. Sam is experiencing the pressure of being the Lead Shepherd in the church pageant. Dylan has a very secretive wish he hopes Santa can deliver. And Lauren needs to make sure someone is giving her little brother a very special Christmas. Experience the joys and challenges of Christmas through the eyes of these children in this monologue-driven one-act comedy.

Over 15 Great Plays for Outdoor Theater

August 31, 2021 by Tara Meddaugh in 5-minute play, absurdist theater, allegory, animal theater, Children's theatre, comedic, dark comedy, dramatic, fairy tale, family, frog, monologue for female acto, mystical creatures, outdoor theater, one-act plays, Reader's Theater, socially distant theater, ten-minute plays, theater of the absurd, thriller, Plays, play collection

Outdoor theater has always evoked a unique energy to its cast and audience, and throughout the covid-19 pandemic, more people have been taking advantage of staging and enjoying theater outside. The abundance of fresh air and space coupled with the natural environment can be appealing and invigorating. So if you’re looking to stage theater outside, consider these 10-minute and one-act comedies, dramas, and dark comedies for adults, teens and children. From a garden to a campfire, a beanstalk to a forest, a zoo to a parking lot, all of these plays are naturally set outdoors. You don’t need to force a kitchen sink into your local park. The world of these play is already outside. Enjoy!

Pitfalls and Treasures: A new 10-minute comedy/drama for 2 actors

August 10, 2021 by Tara Meddaugh in absurdist theater, allegory, animal theater, comedic, Community, dark comedy, dramatic, one-act plays, outdoor theater, Plays, socially distant theater, Teen, ten-minute plays, theater of the absurd, theatre companies

Does the screech of a seagull symbolize Summer for anyone else here? What is a beach day without a seagull trying to snatch your french fry, right? Well, if you’re looking for a seagull perspective - and if you’re looking for a 2-person dark comedy/drama/comedy that can work for outdoor theater - check out my new 10-minute play, Pitfalls and Treasures. In it, Mary and Andrew are lonely and troubled seagulls, each ostracized by their former flocks. When Mary embarks on the desperate challenge of removing twine wrapped around Andrew’s leg, they both must decide how much to trust each other in the hope of finding a better life. Check out an excerpt or the complete play here.

This play is about, well, yes, seagulls. And being seagulls, in a parking lot, with a numb leg and no flock, the stakes are high. But it’s also about love and loss, hope and failure, trust and apprehension, desperation and resignation. And yes--also a seagull and a fry. It’s a bit dark, a bit funny and a bit sweet.

11 Short Plays About Love

February 09, 2021 by Tara Meddaugh in 5-minute play, absurdist theater, dark comedy, dramatic, love, mermaids, Monologues, mystical creatures, one-act plays, outdoor theater, Plays, romance, Teen, Suspense, ten-minute plays, theater of the absurd, thriller, valentine's day

As Valentine’s Day is rounding the corner, I’ve compiled a collection of eleven (11) short plays, all centering around the idea of love, from various angles. Whether marrying out of spite, longing for romance in another world, or sacrificing for your life partner, these plays showcase high stakes drama about love. The roles and worlds created in these plays are unique and memorable, making for fun theatrical challenges for actors, directors, designers and production teams. Enjoy!

Clippers by Tara Meddaugh: A dramatic monologue from the one-act play, Seventeen Stitches

January 21, 2021 by Tara Meddaugh in blind casting, dark comedy, dramatic, gender neutral casting, inclusive casting, monologue for female acto, Monologues, monologues for male actor, one-act plays, Teen, Suspense, thriller, Halloween

If you’re looking for a 2-minute dramatic monologue from a play, check out my newly released monologue, Clippers, from my one-act play, Seventeen Stitches. Clippers is appropriate for tweens, teens and young adults; it is suitable for actors of any gender. In this monologue, Peter struggles to make sense of his father’s actions and intentions. When Peter was attacked by a bully who wanted his bike, Peter’s father rescues his son, but lets the bully take the precious bike. Peter doesn’t understand why his loving father would not punish the bully, and from that moment on, feels abandoned by his father.

Children/Teen Monologue: Second-Hand Dirt by Tara Meddaugh

October 14, 2020 by Tara Meddaugh in blind casting, children, Children's theatre, comedic, dramatic, gender neutral casting, inclusive casting, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, Teen, ten-minute plays, allegory, one-act plays, outdoor theater

In Sharing Soil (a 10-minute play within my longer vignette-style piece, Movements of the Wind), Carrot and Potato risk safety and rejection from their own garden cultures when they embark on a new friendship in the face of soil prejudices.

Carrot’s monologue, Second-Hand Dirt, from Sharing Soil, shows a moment of how hurt can be masked with scapegoating. Carrot has just been bullied by other carrots, even having her carrot tip bitten off by them. When Potato finds her crying, Carrot lashes out in misplaced anger toward the quizzical young vegetable. Potato does not stand for this, and Carrot shares how her attempts to be kind to other carrots have not been reciprocated, leading her to become “mean.”

Newly Released 10-Minute Play for 2 Actors: Waiting For Wind by Tara Meddaugh

October 06, 2020 by Tara Meddaugh in comedic, dramatic, gender neutral casting, love, outdoor theater, one-act plays, Plays, Playwriting, romance, Teen, ten-minute plays, inclusive casting, blind casting

Two tulips’ lives change for the better when they meet each other at high sun. They have a connection and it is clear they were meant for each other. Yet can they overcome their fears about the future, and lift each other up, despite the stagnant air? (CLICK HERE FOR THE PLAY)

Waiting for Wind is a 2-person dramatic/comedic play with a running time of approximately 10 minutes. It’s set in a flower garden and has flexible inclusive/blind casting (the characters are flowers!). It’s great for festivals, performances, outdoor theater, duo interpretation forensics competitions, classroom or theater study, workshops, and themed productions.