The Visitor in the Doorway: New one-act play about Grief (literally)

July 31, 2024 by Tara Meddaugh in Grief, 10-minute play

This Spring, a theater company I often work with posted a call for submissions that were inspired by specific songs (skip to my new play, THE VISITOR IN THE DOORWAY). The plays selected would be showcased in a one-act festival, and after each play, the song which inspired it would be sung by a talented local musician (Anne Carpenter). I glanced at the list sent out by the Executive Director, recognizing a few songs, then went to the beginning of the list and began playing 30 seconds or so of each song to feel how it resonated. When I got to this rendition of Mavis Staples singing Hard Times Come Again No More by Stephen Foster, it kind of took my breath away. I’d heard this song before and had always loved it, but there was something majestic, inspiring, bitter-sweet, sad, but hopeful, and so powerful about this version. I knew this was the song that would inspire my new play.

I literally closed my eyes and let the song wash over me as I began to visualize... This refrain…

'Tis the song, the sigh of the weary
Hard times, hard times, come again no more
Many days you have lingered around my cabin door
Oh, hard times, come again no more

I loved how the lyrics have the singer speaking to Hard Times directly, as though Hard Times is a kind of entity, a Being that is lingering around her cabin door and just won’t leave. I could feel this weary, exhausted person, who had been through so much, just begging Hard Times to finally leave. Leave her alone. Leave and don’t come back.

While this song can be about many things, to me, Hard Times, this Being hovering at the of this exhausted woman, started to morph into…well…who comes during Hard Times? Grief himself.

And the character of Grief started to form…

Two Christmas Trees on Their Way to The Great Pyramid of Giza: New One-Act Christmas Drama/Comedy

July 15, 2024 by Tara Meddaugh in Christmas, 10-minute play

Happy Christmas in July! Enjoy browsing Christmas monologues during this intense heat, and if you’re considering producing a short but sophisticated Christmas play for 2 strong actors, with a bit of humor, and a bit of drama, check out my new play, TWO CHRISTMAS TREES ON THEIR WAY TO THE GREAT PYRAMID OF GIZA. While yes, the 2 characters are talking Christmas Trees, this isn’t exactly a children’s play. It’s touching and charming and has funny moments; but it’s also about our short time on Earth, what we leave behind, what we choose to do with time we have, and whom we choose to spend those precious years—or minutes—with (think the musicians playing as the Titanic goes down…). All told through the voices of two Douglas Firs. So what exactly is this play o’ trees about?

Into The Violet: New dark comedy

May 03, 2023 by Tara Meddaugh in 10-minute play

NADINE: And she left us with the gnomes and never came back.
LOLA: Now I hate her.
NADINE: Me too. (pause) Unless she’s dead because that’s not her fault.

That’s part of the dialogue two fairies have about the little girl who caught them in a jar and stuck them behind a waterfall! If you’re local to the tri-state area, you can check out my new dark comedy/absurdist play, INTO THE VIOLET, where Nadine and Lola struggle through hope and despair, reality and fantasy—to create the escape they desperately need. (Script will be available in June).

Plays About Sisters

February 25, 2023 by Tara Meddaugh in 10-minute play, all female cast, animal theater, bechdel test, children, comedic, dramatic, dark comedy, fairy tale, full-length plays, mature actors, Monologues, one-act plays, outdoor theater, play collection, play for mature actors, Plays, pre-teen, Teen, ten-minute plays, theater of the absurd, tween, women, women in the arts

Check out nine (9) plays plus a trio of monologues all featuring the sister relationship! From rabbits on the run to sisters contemplating marriage in the 1700s to adult sisters with a foster baby—and more—these 9 plays explore the challenges and connections of this unique sibling relationship. There are plays here for children, teens, young adults and mature adults, ranging from absurdist to dark comedies to dramas.

25 Plays That Pass the Bechdel Test

January 28, 2023 by Tara Meddaugh in 10-minute play, 5-minute play, absurdist theater, all female cast, animal theater, allegory, blind casting, Children's theatre, comedic, dark comedy, dramatic, fairy tale, full-length plays, gender neutral casting, inclusive casting, holiday, one-act plays, outdoor theater, Plays, pre-teen, Teen, theater of the absurd, ten-minute plays, thriller play, tween, women, women in the arts, bechdel test, play collection

The Bechdel Test or Bechdel-Wallace Test, is one measurement of how well women are represented in film, and has carried over into plays and other literary work. It was first written by cartoonist, Alison Bechdel and she credits her friend, Liz Wallace, for the test. The test is simple. Your writing passes the Bechdel-Wallace Test if you can answer YES to the following 3 questions:

Does your writing have at least 2 women in it?
Do the 2 women talk to each other?
Do the women talk to each other about something other than men?

The Moon River Raft: New Dark Comedy Play for 2 actors

January 06, 2023 by Tara Meddaugh in 10-minute play, allegory, animal theater, blind casting, comedic, dark comedy, dramatic, gender neutral casting, inclusive casting, one-act plays, outdoor theater, Plays, pre-teen, Teen, ten-minute plays, tween, Halloween

A wounded rabbit and her loyal sister, fleeing for their lives, hold onto hope that a secret Moon River Raft will carry them to a perfect land with no predators, filled with rainbows and radish tops as far as the eye can see… All they have to do is wait for this mysterious raft…in the middle of the night…in the woods…until Peak Full Moon…at a very creepy river bank…

You can check out what happens at this creepy river in my new one-act (miiiight slide by as a 10-minute) dark comedy, The Moon River Raft. It runs about 15+ minutes and has two great roles for ages teen through adult (the parts are written with female pronouns but the casting can be any gender). Yes, it’s dark, but it’s also funny as you lean into the cruelty, naivety and absurdity of the world these rabbits are in. It’s a play with minimal setting requirements and could adapt well to outdoor theater. CLICK BELOW TO READ MORE

Pitfalls and Treasures: Published in The Best Ten-Minute Plays 2022

December 29, 2022 by Tara Meddaugh in 10-minute play, allegory, animal theater, blind casting, comedic, dark comedy, dramatic, inclusive casting, outdoor theater, Plays, Publications, Teen, ten-minute plays, anthology

Before we ring in 2023, I’m happy to share that Smith & Kraus’s anthology, The Best Ten-Minute Plays 2022, edited by Debbie Lamedman, is out and available! I’m so honored that my 2-person play, Pitfalls and Treasures, has been published in this fabulous anthology. In the play:

Mary and Andrew are lonely and troubled parking lot seagulls, each ostracized by their former flocks. When Mary happens upon the injured Andrew, she embarks on the desperate challenge to remove twine wrapped around his leg. This play is about, well, yes, seagulls. And being seagulls, in a parking lot, with a numb leg and no flock, the stakes are high. But it’s also about love and loss, hope and failure, trust and apprehension, desperation and resignation. And of course, a seagull and a french fry! It’s a bit dark, a bit funny and a bit sweet.

Along with Pitfalls and Treasures, this anthology includes 50 other great new plays. While all of the plays included are diverse in theme, topic, style, and genre, in her foreword, Ms. Lamedman points out their commonality; they are all, “timely, cutting-edge, thrilling pieces of theatre.”

Ten-minute plays are unique pieces of theater. The “short stories” of theater, they give us a window into a few meaningful moments in time, and it’s a delightful challenge as a playwright to make sure the audience is brought in to the world, the characters and the story pretty darn quickly. I love writing in this format, and, short as it may be, I fall in love with my characters, as they become much larger than 10 minutes. I hope may feel a similar way as you dive into a 10-minute theatrical short!

Gregory Perry Photography, WCT 2021 production featuring Rob McEvily and Missy Flower, directed by Mel Nocera.

The original production of Pitfalls and Treasures was especially sweet as I had a fantastic team of people bringing the play to life: Under Mel Nocera’s keen direction, Missy Flower and Rob McEvily made the seagulls Mary and Andrew charming, funny, sharp and heart wrenching. Much gratitude also to WCT and their Executive Director, Alan Lutwin, for producing the play and their dedication to new work. And of course huge thanks and recognition to editor Debbie Lamedman for her amazing work on this anthology!

Click here to get The Best Ten-Minute Plays 2022 on amazon. Additionally, you can read an excerpt of Pitfalls and Treasures here or click below for a complete digital copy of the play:

Pitfalls and Treasures, a 10-minute play

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A Play for International Raccoon Appreciation Day

October 03, 2022 by Tara Meddaugh in 10-minute play, animal theater, comedic, dark comedy, dramatic, gender neutral casting, Grief, inclusive casting, outdoor theater, Plays, ten-minute plays

**20 MAGICAL MINUTES OF DARKNESS & SILENCE & PEACE**, featuring Brian Bagot and Brenda Hettmansberger. Directed by Susan Ward at WCT. Gregory Perry Photography

October 1 was International Raccoon Appreciation Day! I only just discovered this today, but even though we are two days past the official date, we can all still celebrate these pretty amazing and adorable creatures. Raccoons are not simply partying around that pile of trash they dumped out of your curbside can. They’re important for many reasons. They distribute seeds from berries and nuts. They help keep our land clean by taking care of (aka eating) dead animals which would otherwise attract disease and insects. They also eat insects (including ticks) and rodents.

I love that the idea of this Appreciation Day is not only to celebrate raccoons, but all creatures who are commonly misunderstood as “pests,” but who play vital roles in our ecosystem. Isn’t this an important message that can apply to many facets of human living too? Many of us feel misunderstood at times, but we all have value and place in our world. I also personally love that raccoons exemplify “one person’s trash is another person’s treasure” (In fact, in my play, Pitfalls and Treasures, two seagulls refer to trash cans as “treasure cans.”). What is “trash” after all?

In honor of International Raccoon Appreciation Day, enjoy my short play, 20 Magical Minutes of Darkness & Silence & Peace. The play features 2 raccoons, Grace and Joffrey. Yes, there is talk of pizza in a dumpster, but the play transcends exclusive “raccoon issues,” and is mainly about personal connections. After a tragedy, Joffrey has run off from the gaze. Grace is charged to find him and bring him back home. But when she discovers him at a train station parking lot, he refuses to come back with her. Yet. He is reeling in grief, and in order to find solace and closure, he has to do something first. At this train station. And he needs her help.

Check out an excerpt here, or get the full play below.

20 MAGICAL MINUTES OF DARKNESS & SILENCE & PEACE

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JACK AND DEAR RAVEN: A new 10-minute 2-person comedy/drama

September 14, 2022 by Tara Meddaugh in 10-minute play, allegory, animal theater, children, Children's theatre, comedic, dramatic, fairy tale, family, gender neutral casting, inclusive casting, one-act plays, outdoor theater, Plays, pre-teen, Reader's Theater, Teen, ten-minute plays, tween

Jack is known as being a “dull boy” around the village. But would a “dull boy” impulsively climb up a random giant beanstalk that grew up in his back yard over night and then once he reached cloud-level, suddenly miss his mom and turkey and fence post, want to go back home, and now be too scared or stuck to climb back down?

Um…Maybe…

At least, this is one of Jack’s worries (besides being pecked to death, falling to death, starving to death—stuff like that!). He has something to prove to his village. He IS more than the boy who chased a baby bear thinking it was a sack of gold coins. He may get into more pickles than the average fairy tale boy, but he also always finds ways to get out of those pickles. He’s made it up this giant beanstalk because he has the spirit of adventure inside of him—and that passionate spirit will ultimately get him off this beanstalk too. It’s just might happen in the order he thinks it will…

In Jack and Dear Raven, high in the clouds, Jack begs for the help of a raven passing by—the only creature who has shown Jack any attention as he’s clung to this slippery beanstalk through the wee morning hours. This bird, whom Jack quickly dubs “Dear Raven,” has their own worries in raising a brood of birdlings while trying to finish their novel, Aviary Ethics (which no other bird seems to care about). Dear Raven is not only curious about this human in the sky, but also irritated as Jack and his giant beanstalk are blocking an important flight path. Jack and Dear Raven need to figure out a way for Jack to get off this beanstalk. Now. Before the hawks and eagles come to peck out his eyes after their morning mice.

Monologue from When Marshmallows Burn to be published in Smith & Kraus's "The Best Men's Stage Monologues”

February 15, 2022 by Tara Meddaugh in 1-minute monologue, animal theater, allegory, dark comedy, dramatic, monologue for female acto, monologues for male actor, Monologues, mystical creatures, outdoor theater, pre-teen, Suspense, Teen, ten-minute plays, thriller, thriller play, tween, 10-minute play

I’m honored that a monologue from my dark-comedy play, WHEN MARSHMALLOWS BURN, has been selected to be published by Smith & Kraus in the anthology, “The Best Men's Stage Monologues 2022” (editor Debbie Lamedman).

In the play, When Marshmallows Burn, Sammy and his mom are enjoying roasting marshmallows by the fire, under the full moon, when something very strange starts to happen. Sammy’s arms look a little furry. His teeth look a lot like fangs. And he has a sudden urge to kill squirrels—and eat them raw. What (or who) else will he have an urge to kill? Is there anything his mother can do to stop him, or can she ultimately accept and love him? This is a dark comedy about a boy becoming a werewolf, but it’s also a story about acceptance and love, in the face of changing identities.

The monologue selected for the anthology (What My Fangs are For) takes place the moment Sammy has returned from his first kill in the woods. He is proud he found his late-night snack without troubling his mom for help. As he relays killing the squirrel to her, he realizes his mother is becoming increasingly scared of him and his pride turns to fear that she will no longer love him as a werewolf.