Check out nine (9) plays plus a trio of monologues all featuring the sister relationship! From rabbits on the run to sisters contemplating marriage in the 1700s to adult sisters with a foster baby—and more—these 9 plays explore the challenges and connections of this unique sibling relationship. There are plays here for children, teens, young adults and mature adults, ranging from absurdist to dark comedies to dramas.
Read MoreHappy to share that YouthPLAYS will be publishing my one-act play, The Prettiest Duckling. In this dark comedy, two “mean-girl style” ducklings plot the ousting of their gray-feathered sibling… But they’re always—only—always, thinking of her. Because they, you know, “love her so so much.”
Right?
This play was first performed as part of the production, When Fairy Tales Falter. Buchanan Highhouse and Jessica Caputo fabulously brought to life Gorgeous and Cutesy (yes, those are the names of the ducklings! What do you think Mama will name the gray-feathered duckling?), Nate Flower directed, and Georgia Evans did the costume design.
This play was a TON of fun to write. It went through lots of revisions and tweaks to really land it all (thank you, Kevin Christopher Snipes, Gabe Davis, Mike, Dylan, Luke, Nate, and team!). Can’t wait to see it take life beyond my local world soon. Stay tuned for more information when it’s published. But for now, I’l leave you with these empathetic words from Gorgeous:
“Being gorgeous is also, like, kind of a burden…I wouldn’t wish it on anyone.”
Photos by JCP Images
Have you heard the phrase, “hurt people hurt people?” It’s been used enough to sound a little cliche, but there’s truth to it. In my one-act play, What Happened at the Mud Puddle, our main tween antagonist is Taylor. She makes fun of others, steals boyfriends, hogs the spotlight, and acts out of spite in true “mean girl” fashion. She has a lot of learning and growing to do, well beyond this play. But even though she’s left a lot of people hurt in her wake, she has her own hurt and insecurity too.
This monologue takes place toward the end of the play, after Taylor has alienated all the guests at her extravagant yacht soiree and they’ve left to come to Chloe’s simple backyard birthday party. Taylor arrives at Chloe’s house—very angry and humiliated. Someone gets pushed in a mud puddle…And Taylor walks away, defeated. Chloe’s monologue recounts her final private confrontation with Taylor, where she realizes why this whole feud even started...and how Chloe is perhaps not entirely innocent either…
Read MoreDid someone say UNICORN??
Okay, so there just are not enough monologues out there for unicorns! Right?? But here’s your chance to finally play one (I know you have always wanted to). Check out my comedic monologue, CloudLily The Unicorn & Zoey, which runs about 30 seconds to 1 minute long. In it, CloudLily, a unicorn, is talking to her loyal fan, 4-year-old, Zoey. Zoey has been visiting CloudLily in the magical forest and giving her super awesome gifts. You know the kind of gifts some 4-year-olds give you, right? Like…weeds…and clumps of dirt? So CloudLily is grateful. I mean, how could she not be? Zoey is an adorable child who is the definition of “pure of heart.” But…CloudLily also knows humans have access to some pretty cool things besides just, well, dirt. Check out what CloudLily asks Zoey for in the short funny monologue for any age actor (child, tween, teen, or adult!).
Also, gotta give some props to the inspiration for this monologue. One of my followers on Facebook messaged me he got a “Top Fan Badge” for my page. I gave him some virtual props and said, “you win!” He wisely asked me what he won. And I said, “hmmm…you or your kids can give me a topic and I’ll see if I can write a little monologue about it.” He told me his daughter loves rainbow unicorns. Well. Here’s your monologue, Zoey! Hope you enjoy!
Enjoy a little excerpt (and silly floating animated unicorn head video, as well!)!
CLOUDLILY
(to 4-year-old Zoey)
Zoey. I love the dandelions and clovers and…clumps of dirt you keep bringing me every day. They’re all really cool and special and I know it’s super fun watching my magical unicorn horn turn them into rainbow colors and make them dance and stuff like that. But I hear—CLICK HERE FOR MORE
My silly floating-head-unicorn amateur animation of “CloudLily The Unicorn & Zoey.”
The Bechdel Test or Bechdel-Wallace Test, is one measurement of how well women are represented in film, and has carried over into plays and other literary work. It was first written by cartoonist, Alison Bechdel and she credits her friend, Liz Wallace, for the test. The test is simple. Your writing passes the Bechdel-Wallace Test if you can answer YES to the following 3 questions:
Does your writing have at least 2 women in it?
Do the 2 women talk to each other?
Do the women talk to each other about something other than men?
I’ve written about sister-relationships before (in The Bronze Lining and The Moon River Raft to name a few), but the relationship is especially unique in my two Ruby and Millie plays. These plays both feature the same sisters, but at two very different points in their lives.
In Ruby and Millie and the Dying Cucumbers, Ruby is a child around 9 years old and her older sister, Millie, is around 16. It’s 1943 and their father is a Prisoner of War in Europe. He has charged Ruby to lead her apartment building’s rooftop Victory Garden on the homefront in White Plains, NY. With their mother working long hours and their father gone, teenage Millie carries weighty responsibilities of her own. In the play, Millie has been searching for her little sister at night, and finally finds her on the rooftop. While Millie tries to convince Ruby to come inside to bed, Ruby discovers some of her vegetables are dying, and fears this is a harbinger of bad news for her father and the war.
In Ruby and Millie and The Old Chemical Plant, we fast forward 50+ years. The war is a distant memory while Seinfeld blares on the tv at night. Ruby has had a successful career but never married; Millie is a widow with children living all over the globe. The sisters live in the same senior apartments, and are tending to a fig tree in their 1990s community garden together. Ruby and Millie have always been close. Neither one can imagine life without the other by her side. But now they struggle with decisions that may, for the first time in 60+ years, take them very far away from each other.
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I’m honored that my monologue from When Marshmallows Burn has been published in Smith & Kraus’s anthology, The Best Men’s Stage Monologues 2022, edited by Debbie Lamedman. Did you know Smith & Kraus has been publishing anthologies of the best men’s and women’s stage monologues for over 30 years? Very cool! In my dark comedy/drama:
Sammy and his mom are enjoying roasting marshmallows over the fire under the full moon when something very strange starts to happen. Sammy’s arms look a little furry. His teeth look a lot like fangs. And he has a sudden urge to kill squirrels—and eat them raw. What (or who) else will he have an urge to kill? Is there anything his mother can do to stop him, or can she ultimately accept and love her wereson? Read the whole play here.
Missy Flower and Buchanan Highhouse in When Marshmallows Burn, directed by Nate Flower. Photography by @designbyraegan.
This is a play about a werewolf, yes. But moreover, it’s a play about a mom and her son. I recently read Celeste Ng’s new novel Our Missing Hearts and in it, a central mother character says, “But in the end every story I want to tell you is the same. Once upon a time, there was a boy. Once upon a time there was a mother. Once upon a time, there was a boy, and his mother loved him very much.”
This hits me hard.
And when I was telling my 2 sons basically the whole story of Our Missing Hearts, you can bet I was choking up relaying this part of the book (and then hugging them!).
When Marshmallows Burn is not only a dark comedy about a boy becoming a werewolf. It’s a story about familial acceptance and the love of a mom and a son, in the face of changing identity.
The monologue selected for the anthology (What My Fangs are For) takes place the moment Sammy has returned from his first kill in the woods. He is proud he found his late-night snack without troubling his mom for help. As he relays killing the squirrel to her, he realizes his mother is becoming increasingly scared of him and his pride turns to fear that she will no longer love him as a werewolf.
Sammy’s monologue runs about 1 minute long and is great for any gender actor. It gives the performer a significant journey from being proud of something new and exciting to being deeply worried and terrified to lose what matters most. It also lets an actor showcase both dark comedy as well as dramatic skills.
Debbie Lamedman’s foreward
I was so lucky to have an outstanding team bring this play to life for the first time: Missy Flower as the mom, Buchanan Highhouse as the son, and Nate Flower as the director (produced by Free Space Theater, in collaboration with the Harrison Public Library). We performed the play around Halloween, at night in the great outdoors, and this was an absolute amazing backdrop for the play, which takes place at night, in the great outdoors…
Along with Sammy’s monologue, this anthology includes dozens of other wonderful monologues. As Ms. Lademan writes in her foreword, “These pieces present great acting challenges, and actors will have the pleasure of sinking their teeth into this sublime material while continuing to perfect their craft in their online or in-person workshops.”
Click here to get The Best Men’s Stage Monologues on amazon. You can also get Sammy’s monologue, What My Fangs are For, by itself here. Additionally, you can read an excerpt here of When Marshmallows Burn, or click below for the complete digital copy of that play:
In my one-act play, What Happened at the Mud Puddle, Taylor, resident mean/popular girl, is creating a whole lot of uncomfortable drama for her entire grade. By the end of the play, we’ll realize, not everyone is quite as straight-forward as they seem (including Taylor), and the line of who is “mean” and who is “nice” sometimes get a little blurred in middle-school… What Happened at the Mud Puddle is a comedy that runs around 25 minutes, with a nice ensemble cast of 12 roles (8 female, 4 male). It has a lot of great monologues, so while it’s good in-person theater, it also transitions easily to zoom or virtual productions.
In this monologue, we learn about Amanda. Amanda is new to this middle school and it doesn’t take long for Taylor to humiliate her in front of the whole cafeteria. So why does Amanda still want to go to Taylor’s party?
Amanda’s monologue runs about 2 minutes. You can read an excerpt of Amanda’s monologue below and you can read the whole play, published by YouthPLAYS here.
Read MoreOne-minute monologues are an important way to make a quick impression to agents, casting directors, schools/colleges/universities. While longer monologues definitely have their place, sometimes actors are required to stick with showing their chops in less than 60 seconds. One-minute monologues also fairly easy to memorize because, well, obviously, they’re short, and they work well for younger actors who may not be ready for a 2-minute monologue or longer. One-minute monologues are also great to perform in festivals, competitions or classes, and an accessible way for actors to hone their craft privately or with a coach.
Having only 1 minute to showcase yourself as an actor can be a bit daunting though, so I’ve started a new page of my 1-minute monologues to make things a little bit easier for actors. These monologues have story and character arc, even if short, and they help actors showcase versatility and evoke emotion from their audience. There are dramatic 1-minute monologues, comedic 1-minute monologues, 1-minute monologues for women, men, any gender, teens and children. From candy-inspired monologues for kids to mean girl monologues for teens to hopeful love or scorned love—these 35 monologues allow actors to dig into complexities and give a memorable performance, in one minute.
Read MoreA wounded rabbit and her loyal sister, fleeing for their lives, hold onto hope that a secret Moon River Raft will carry them to a perfect land with no predators, filled with rainbows and radish tops as far as the eye can see… All they have to do is wait for this mysterious raft…in the middle of the night…in the woods…until Peak Full Moon…at a very creepy river bank…
You can check out what happens at this creepy river in my new one-act (miiiight slide by as a 10-minute) dark comedy, The Moon River Raft. It runs about 15+ minutes and has two great roles for ages teen through adult (the parts are written with female pronouns but the casting can be any gender). Yes, it’s dark, but it’s also funny as you lean into the cruelty, naivety and absurdity of the world these rabbits are in. It’s a play with minimal setting requirements and could adapt well to outdoor theater. CLICK BELOW TO READ MORE
Read MoreWhile not as common, these bite-sized monologues can come in handy! So I’ve started a new page solely devoted to these 30-second monologues. Finding an impactful monologue that is less than 1 minute can be challenging. You want to convey engaging emotion, a bit or story and arc, and hopefully have a powerful opening and closing line. This is not easy in such a short time! But I’m up for the challenge and I know you, as actors/directors, are up for that too! So enjoy my growing list of memorable little monologues that can leave your mark in only 30 seconds.
Read MoreIt’s December 1st, friends! That means I can whip out our family’s 2022 Advent Calendars! Which would you choose? 1) Funko Marvel 2) Chocolates in a penguin 3) Cocktail truffles? Hm… Mind you, young folks, my advent calendar as a kid consisted of opening a door on Santa’s sleigh and the reward was viewing a drawing of a toy! And I had to rotate every third day, sharing with my 2 brothers. Ah, but since we didn’t know what chocolates we were missing, that paper sleigh was still so sweet.
December 1 also means that I can post sans judgment about all the fun Christmas and Holiday theater you’ve been emailing me about and downloading since August! And personally, I’m fine thinking Christmas in August—because holiday theater takes some prep. Auditions for Christmas plays started months ago, and seasonal rehearsals don’t rehearse themselves a week before they open, right?
Read MoreIf you’re looking for a great monologue to use in a Halloween Monologue Competition, check out the monologues below, beginning with creepy Halloween monologues, followed by comedic Halloween monologues. Monologues range from 1 minute to 10 minutes, children, teen and adult.
Read MoreJack is known as being a “dull boy” around the village. But would a “dull boy” impulsively climb up a random giant beanstalk that grew up in his back yard over night and then once he reached cloud-level, suddenly miss his mom and turkey and fence post, want to go back home, and now be too scared or stuck to climb back down?
Um…Maybe…
At least, this is one of Jack’s worries (besides being pecked to death, falling to death, starving to death—stuff like that!). He has something to prove to his village. He IS more than the boy who chased a baby bear thinking it was a sack of gold coins. He may get into more pickles than the average fairy tale boy, but he also always finds ways to get out of those pickles. He’s made it up this giant beanstalk because he has the spirit of adventure inside of him—and that passionate spirit will ultimately get him off this beanstalk too. It’s just might happen in the order he thinks it will…
In Jack and Dear Raven, high in the clouds, Jack begs for the help of a raven passing by—the only creature who has shown Jack any attention as he’s clung to this slippery beanstalk through the wee morning hours. This bird, whom Jack quickly dubs “Dear Raven,” has their own worries in raising a brood of birdlings while trying to finish their novel, Aviary Ethics (which no other bird seems to care about). Dear Raven is not only curious about this human in the sky, but also irritated as Jack and his giant beanstalk are blocking an important flight path. Jack and Dear Raven need to figure out a way for Jack to get off this beanstalk. Now. Before the hawks and eagles come to peck out his eyes after their morning mice.
Read MoreHappy to have two of my pieces (Forgiveness and Defeat at Pokemon Gym and If I Were A Flower) featured in Performer Stuff’s collection of 10 Monologues for Carefree Kids (article written by Amanda Grace).
Read MoreIf you’re looking to beat (or lean into!) the heat of the season with a summer-themed monologue, check out this list of 17 monologues that go along nicely with Summertime. Whether it’s someone’s connection to growing veggies, a safari vacation that goes amiss (in all the coolest ways), seeing a lame mermaid at the beach, pushing someone in a mud puddle, spooky things that happen in the woods at night, or ice cream your dog can’t have—enjoy these 17 comedic, dramatic, thriller, teen and children’s monologues that are great for Summer!
Read MoreI’m honored that a monologue from my dark-comedy play, WHEN MARSHMALLOWS BURN, has been selected to be published by Smith & Kraus in the anthology, “The Best Men's Stage Monologues 2022” (editor Debbie Lamedman).
In the play, When Marshmallows Burn, Sammy and his mom are enjoying roasting marshmallows by the fire, under the full moon, when something very strange starts to happen. Sammy’s arms look a little furry. His teeth look a lot like fangs. And he has a sudden urge to kill squirrels—and eat them raw. What (or who) else will he have an urge to kill? Is there anything his mother can do to stop him, or can she ultimately accept and love him? This is a dark comedy about a boy becoming a werewolf, but it’s also a story about acceptance and love, in the face of changing identities.
The monologue selected for the anthology (What My Fangs are For) takes place the moment Sammy has returned from his first kill in the woods. He is proud he found his late-night snack without troubling his mom for help. As he relays killing the squirrel to her, he realizes his mother is becoming increasingly scared of him and his pride turns to fear that she will no longer love him as a werewolf.
Read MoreIf you’re looking for a large cast Christmas play for young actors or young audiences, with lots of gender inclusive/neutral roles, check out Chaos in a Christmas Snow Globe. Yup, it takes place inside a Christmas Snow Globe, complete with Christmas Tree, train and ice skating pond. Designers can be as detailed or as representative as desired for this world which leaves lots of room for creativity.
The Christmas Gang loves their place of honor in 8-year-old Stella’s bedroom, come the Sunday after Thanksgiving when all the Christmas decorations are displayed, but they’re also getting a bit bored of the same routine. Luckily, they’re in a Snow Globe with Santa himself who has a pretty cool ability to evoke, oh, I don’t know…a little something called…
Christmas Magic!
Christmas Magic will bring some excitement to the snow globe, for sure! But what the friends don’t realize is that Christmas Magic has a mind of its own. And what it decides to bring is…um… well…
A Jack-o-Lantern (Whaaaa? Yes!) who has been pining away to join the Christmas Snow Globe for years! But can this Halloween decoration convince the Christmas Friends (especially the stickler Elf) that it truly belongs with them? Or will it be booted back to the dusty shelf? Enjoy this family-friendly one-act Christmas play about acceptance and appreciation.
This play runs approximately 20 minutes. The whole class, club, church or company can perform in this show! It has 11 speaking roles (9 gender inclusive/neutral roles, 1 female, 1 male), and an unlimited number of non-speaking reindeer. There’s some group singing (just “Jingle Bells” - don’t worry), opportunities for dancing, and fun scene setting. Check out the list of characters here.
Read MoreHave you ever wanted to spice up a traditional Christmas Caroling outing? Santa hats are fine and all, but how much cooler would you look if you wore…say…an astronaut costume? That is Sam’s small request in this 2-minute comedic monologue, A Case for Astronaut Caroling. But before he can sing into that awesome voice-changing space helmet, he has to convince his mom of his plan… Does he make a compelling enough case to win her over?
Check out my free comedic monologue, A Case for Astronaut Caroling. This monologue comes from the one-act play, Christmas Superpowers and Beleving in Blitzen (check out that play here. It has a lot of other comedic monologues). The character role is a child, so this monologue is great for children actors, or tween through young adults who would like to play children (good audition material for children’s plays). This role is gender inclusive/flexible.
Read MoreWho doesn’t love some good ole fashioned Christmas magic in their theater and film, right? Check out what happens in my new 5-minute monologue for a female actor (with the option of adding 2 additional gender-inclusive silent roles), Why That Walking Snowman Didn’t Like Me.
When Madison goes for a walk with her dog on Christmas Eve, she could never have imagined a snowman she passes by would come to life in front of her very eyes! I mean, talk about Christmas Magic, right? This is super cool. Her IG fans are going to die when they see this… But… Why does it seem the snowman doesn’t want to pose with her? Coming to life is strange. Sure. But not wanting to hang out with Madison is even stranger. Find out how this IG model and her adorbs rescue, Bailey, make sense of all of this, in Why That Walking Snowman Didn’t Like Me.
This is a really fun piece to perform! Lots of humor and action; it’s light and funny but also can generate thoughtful conversation about social media. Why That Walking Snowman Didn’t Like Me is a comedic monologue for a female teen through young adult actor. So if you’re looking for a solo performance piece for this holiday season, this makes a great fit. It runs around 4-5 minutes (always depending on performance).
This short play stands alone as a monologue, but if you’re looking to cast more roles, it also easily affords the option of 1-2 additional roles:
Bailey: A non-speaking, but puppy murmuring, wise reindeer-sweater-wearing dog. Any gender/inclusive casting
Snowman: The chill, nonspeaking, disinterested-in-social-media snowman itself. Any gender/inclusive casting.