New Rom-Com Monologue: Head to Toe

March 28, 2023 by Tara Meddaugh in 2-minute monologue, 3-minute monologue, comedic, dramatic, love, monologue for female acto, Monologues, romance, Teen, virtual theater, Zoom plays

Sydney is on a first date. A blind date. And a zoom date during the covid-19 lockdown. Needless to say, she’s nervous—but she’s also excited to possibly form a new human connection. And during this date…her cat pees on the floor. Is her cat seeking attention, since he’s been the only one to get her affection for 8 weeks? And will her date wait for her while she cleans up the mess?

I wrote this monologue a couple of years ago, but for some reason, held onto it in the “laptop cave files” until today. Do any single folk remember what it was like to be isolated in a living quarters with literally no one else, except maybe a pet? Thank God for pets, right? Humans need affection, they need interaction, they need comfort and cuddles and touch. And while I ask “does anyone remember”—honestly, three years (or less) really isn’t that long ago…

This idea is forefront in my monologue, Head to Toe, although it’s sandwiched by a jealous cat who might be peeing to ruin Sydney’s blind date! Sydney is a fun role for an actor to play, or director to direct, as she has a lot of action (especially for someone on Zoom), coupled with humor, first-date nerves and excitement, as well as the poignancy of striving for connection amidst isolation.

Mabel and the Talking Cat: A new one-act quirky comedy/drama

March 15, 2023 by Tara Meddaugh in absurdist theater, all female cast, animal theater, bechdel test, comedic, dark comedy, dramatic, fairy tale, gender neutral casting, inclusive casting, mystical creatures, one-act plays, outdoor theater, Plays, play for mature actors, theater of the absurd

“If I had opposable thumbs like you, I should rule the land!” ~Patches, the Talking Cat

How far are we willing to go to get the things that we want? How can doing a good thing enable a bad thing? How much would you sacrifice for a loved one? How long do you hold onto a far-fetched hope? How do you connect with those in the dark once you’ve been brought into a new light? Does guilt ever go away?

For a one-act play, Mabel and the Talking Cat sure brings up a lot of questions! On top of all that, we have a bit of magic, a witch in the neighborhood, an ogre, a missing husband and a talking cat! And you won’t find out until the end of the play which well-known fairy tale this play launches into…

Mabel and the Talking Cat is the story of a lonely baker, Mabel, who finally has the opportunity to adopt a child of her own. But her best friend, Patches, a talking cat, has grave hesitations about the questionable method she’s using to secure this precious child…

Plays About Sisters

February 25, 2023 by Tara Meddaugh in 10-minute play, all female cast, animal theater, bechdel test, children, comedic, dramatic, dark comedy, fairy tale, full-length plays, mature actors, Monologues, one-act plays, outdoor theater, play collection, play for mature actors, Plays, pre-teen, Teen, ten-minute plays, theater of the absurd, tween, women, women in the arts

Check out nine (9) plays plus a trio of monologues all featuring the sister relationship! From rabbits on the run to sisters contemplating marriage in the 1700s to adult sisters with a foster baby—and more—these 9 plays explore the challenges and connections of this unique sibling relationship. There are plays here for children, teens, young adults and mature adults, ranging from absurdist to dark comedies to dramas.

"The Prettiest Duckling" - To Be Published by YouthPLAYS

February 17, 2023 by Tara Meddaugh in all female cast, animal theater, allegory, bechdel test, comedic, dark comedy, fairy tale, gender neutral casting, inclusive casting, one-act plays, outdoor theater, Plays, Publications, Teen, tween

Happy to share that YouthPLAYS will be publishing my one-act play, The Prettiest Duckling. In this dark comedy, two “mean-girl style” ducklings plot the ousting of their gray-feathered sibling… But they’re always—only—always, thinking of her. Because they, you know, “love her so so much.”

Right?

This play was first performed as part of the production, When Fairy Tales Falter. Buchanan Highhouse and Jessica Caputo fabulously brought to life Gorgeous and Cutesy (yes, those are the names of the ducklings! What do you think Mama will name the gray-feathered duckling?), Nate Flower directed, and Georgia Evans did the costume design.

This play was a TON of fun to write. It went through lots of revisions and tweaks to really land it all (thank you, Kevin Christopher Snipes, Gabe Davis, Mike, Dylan, Luke, Nate, and team!). Can’t wait to see it take life beyond my local world soon. Stay tuned for more information when it’s published. But for now, I’l leave you with these empathetic words from Gorgeous:

“Being gorgeous is also, like, kind of a burden…I wouldn’t wish it on anyone.”

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Photos by JCP Images

New Comedic Monologue for Unicorn-Lovers: CloudLily The Unicorn & Zoey

January 31, 2023 by Tara Meddaugh in 1-minute monologue, 30-second monologue, animal theater, children, comedic, Monologues, monologue for female acto, Monologue Performances, mystical creatures, outdoor theater, pre-teen, Teen, tween, unicorns

Did someone say UNICORN??

magical forest with a unicorn horn and ears in bottom left. In blue and pink font, Title Cloudlily The Unicorn And Zoey. Subtitle in brown, A monologue by Tara Meddaugh

Okay, so there just are not enough monologues out there for unicorns! Right?? But here’s your chance to finally play one (I know you have always wanted to). Check out my comedic monologue, CloudLily The Unicorn & Zoey, which runs about 30 seconds to 1 minute long. In it, CloudLily, a unicorn, is talking to her loyal fan, 4-year-old, Zoey. Zoey has been visiting CloudLily in the magical forest and giving her super awesome gifts. You know the kind of gifts some 4-year-olds give you, right? Like…weeds…and clumps of dirt? So CloudLily is grateful. I mean, how could she not be? Zoey is an adorable child who is the definition of “pure of heart.” But…CloudLily also knows humans have access to some pretty cool things besides just, well, dirt. Check out what CloudLily asks Zoey for in the short funny monologue for any age actor (child, tween, teen, or adult!).

Also, gotta give some props to the inspiration for this monologue. One of my followers on Facebook messaged me he got a “Top Fan Badge” for my page. I gave him some virtual props and said, “you win!” He wisely asked me what he won. And I said, “hmmm…you or your kids can give me a topic and I’ll see if I can write a little monologue about it.” He told me his daughter loves rainbow unicorns. Well. Here’s your monologue, Zoey! Hope you enjoy!

Enjoy a little excerpt (and silly floating animated unicorn head video, as well!)!

CLOUDLILY

(to 4-year-old Zoey)

Zoey. I love the dandelions and clovers and…clumps of dirt you keep bringing me every day. They’re all really cool and special and I know it’s super fun watching my magical unicorn horn turn them into rainbow colors and make them dance and stuff like that. But I hear—CLICK HERE FOR MORE

My silly floating-head-unicorn amateur animation of “CloudLily The Unicorn & Zoey.”

25 Plays That Pass the Bechdel Test

January 28, 2023 by Tara Meddaugh in 10-minute play, 5-minute play, absurdist theater, all female cast, animal theater, allegory, blind casting, Children's theatre, comedic, dark comedy, dramatic, fairy tale, full-length plays, gender neutral casting, inclusive casting, holiday, one-act plays, outdoor theater, Plays, pre-teen, Teen, theater of the absurd, ten-minute plays, thriller play, tween, women, women in the arts, bechdel test, play collection

The Bechdel Test or Bechdel-Wallace Test, is one measurement of how well women are represented in film, and has carried over into plays and other literary work. It was first written by cartoonist, Alison Bechdel and she credits her friend, Liz Wallace, for the test. The test is simple. Your writing passes the Bechdel-Wallace Test if you can answer YES to the following 3 questions:

Does your writing have at least 2 women in it?
Do the 2 women talk to each other?
Do the women talk to each other about something other than men?

Two One-Act/Ten-Minute Plays About Sisters - for Youth and Mature Adult Actors

January 27, 2023 by Tara Meddaugh in children, Children's theatre, comedic, dramatic, family, historical, one-act plays, outdoor theater, Plays, pre-teen, Teen, ten-minute plays, tween, women, all female cast, mature actors, play for mature actors, play collection

I’ve written about sister-relationships before (in The Bronze Lining and The Moon River Raft to name a few), but the relationship is especially unique in my two Ruby and Millie plays. These plays both feature the same sisters, but at two very different points in their lives.

In Ruby and Millie and the Dying Cucumbers, Ruby is a child around 9 years old and her older sister, Millie, is around 16. It’s 1943 and their father is a Prisoner of War in Europe. He has charged Ruby to lead her apartment building’s rooftop Victory Garden on the homefront in White Plains, NY. With their mother working long hours and their father gone, teenage Millie carries weighty responsibilities of her own. In the play, Millie has been searching for her little sister at night, and finally finds her on the rooftop. While Millie tries to convince Ruby to come inside to bed, Ruby discovers some of her vegetables are dying, and fears this is a harbinger of bad news for her father and the war.

In Ruby and Millie and The Old Chemical Plant, we fast forward 50+ years. The war is a distant memory while Seinfeld blares on the tv at night. Ruby has had a successful career but never married; Millie is a widow with children living all over the globe. The sisters live in the same senior apartments, and are tending to a fig tree in their 1990s community garden together. Ruby and Millie have always been close. Neither one can imagine life without the other by her side. But now they struggle with decisions that may, for the first time in 60+ years, take them very far away from each other.

Monologue from "When Marshmallows Burn" Published in The Best Men's Stage Monologues Anthology

January 25, 2023 by Tara Meddaugh in 1-minute monologue, absurdist theater, blind casting, comedic, dark comedy, dramatic, gender neutral casting, inclusive casting, monologue for child actor, monologue for female acto, monologues for male actor, Monologues, mystical creatures, one-act plays, outdoor theater, Plays, Publications, Teen, Suspense, ten-minute plays, theater of the absurd, thriller, tween

I’m honored that my monologue from When Marshmallows Burn has been published in Smith & Kraus’s anthology, The Best Men’s Stage Monologues 2022, edited by Debbie Lamedman. Did you know Smith & Kraus has been publishing anthologies of the best men’s and women’s stage monologues for over 30 years? Very cool! In my dark comedy/drama:

Sammy and his mom are enjoying roasting marshmallows over the fire under the full moon when something very strange starts to happen. Sammy’s arms look a little furry. His teeth look a lot like fangs. And he has a sudden urge to kill squirrels—and eat them raw. What (or who) else will he have an urge to kill? Is there anything his mother can do to stop him, or can she ultimately accept and love her wereson? Read the whole play here.

Missy Flower and Buchanan Highhouse in When Marshmallows Burn, directed by Nate Flower. Photography by @designbyraegan.

This is a play about a werewolf, yes. But moreover, it’s a play about a mom and her son. I recently read Celeste Ng’s new novel Our Missing Hearts and in it, a central mother character says, “But in the end every story I want to tell you is the same. Once upon a time, there was a boy. Once upon a time there was a mother. Once upon a time, there was a boy, and his mother loved him very much.”

This hits me hard.

And when I was telling my 2 sons basically the whole story of Our Missing Hearts, you can bet I was choking up relaying this part of the book (and then hugging them!).

When Marshmallows Burn is not only a dark comedy about a boy becoming a werewolf. It’s a story about familial acceptance and the love of a mom and a son, in the face of changing identity.

The monologue selected for the anthology (What My Fangs are For) takes place the moment Sammy has returned from his first kill in the woods. He is proud he found his late-night snack without troubling his mom for help. As he relays killing the squirrel to her, he realizes his mother is becoming increasingly scared of him and his pride turns to fear that she will no longer love him as a werewolf.

Sammy’s monologue runs about 1 minute long and is great for any gender actor. It gives the performer a significant journey from being proud of something new and exciting to being deeply worried and terrified to lose what matters most. It also lets an actor showcase both dark comedy as well as dramatic skills.

I was so lucky to have an outstanding team bring this play to life for the first time: Missy Flower as the mom, Buchanan Highhouse as the son, and Nate Flower as the director (produced by Free Space Theater, in collaboration with the Harrison Public Library). We performed the play around Halloween, at night in the great outdoors, and this was an absolute amazing backdrop for the play, which takes place at night, in the great outdoors…

Along with Sammy’s monologue, this anthology includes dozens of other wonderful monologues. As Ms. Lademan writes in her foreword, “These pieces present great acting challenges, and actors will have the pleasure of sinking their teeth into this sublime material while continuing to perfect their craft in their online or in-person workshops.”

Click here to get The Best Men’s Stage Monologues on amazon. You can also get Sammy’s monologue, What My Fangs are For, by itself here. Additionally, you can read an excerpt here of When Marshmallows Burn, or click below for the complete digital copy of that play:

When Marshmallows Burn, a 10-minute dark comedy by Tara Meddaugh

$5.99

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New 30-Second Monologue About Trust from Pitfalls and Treasures

January 19, 2023 by Tara Meddaugh in 30-second monologue, allegory, animal theater, comedic, dark comedy, dramatic, Grief, monologue for female acto, Monologues, outdoor theater, Teen, ten-minute plays

My play, Pitfalls and Treasures, is a dark comedy/drama about two loner seagulls finding each other, and forming a kind of reliance, trust, friendship. Each has been ostracized from their former flock, but their response to the pain of being pushed out is very different. Andrew remains open, friendly, trusting, hoping for the best. Mary is more jaded and skeptical (“one bitten, twice shy” kinda situation). But now Andrew has twine wrapped around his foot and no one has stopped to help him except Mary. As the two search a littered parking lot for objects that might be used to cut off the twine from his leg, Mary points out dangerous litter (like chewing gum) which might appear treasures to Andrew if he is not careful. Andrew’s gratitude for Mary’s help is immense and he marvels at how he has even survived without her. In this monologue, Mary warns him not to be too trusting of her—or anyone for that matter, as she gets lost in thoughts from her own experience.

This is a 30-second contemporary monologue for a female actor, from late teens to any age adult. You can enjoy a short excerpt below, get the free monologue here, or the entire play here.

1-Minute Monologues

January 12, 2023 by Tara Meddaugh in 1-minute monologue, absurdist theater, animal theater, allegory, blind casting, child monolog collection, children, Children's theatre, comedic, comedy monolog collection, dark comedy, dramatic, dramatic monolog collecti, fairy tale, gender neutral casting, inclusive casting, monologue by child, monologue collections, monologue for child actor, monologue for female acto, monologue written by chil, Monologues, monologues for male actor, mystical creatures, pre-teen, Teen, teen monologue collection, tween

One-minute monologues are an important way to make a quick impression to agents, casting directors, schools/colleges/universities. While longer monologues definitely have their place, sometimes actors are required to stick with showing their chops in less than 60 seconds. One-minute monologues also fairly easy to memorize because, well, obviously, they’re short, and they work well for younger actors who may not be ready for a 2-minute monologue or longer. One-minute monologues are also great to perform in festivals, competitions or classes, and an accessible way for actors to hone their craft privately or with a coach.

Having only 1 minute to showcase yourself as an actor can be a bit daunting though, so I’ve started a new page of my 1-minute monologues to make things a little bit easier for actors. These monologues have story and character arc, even if short, and they help actors showcase versatility and evoke emotion from their audience. There are dramatic 1-minute monologues, comedic 1-minute monologues, 1-minute monologues for women, men, any gender, teens and children. From candy-inspired monologues for kids to mean girl monologues for teens to hopeful love or scorned love—these 35 monologues allow actors to dig into complexities and give a memorable performance, in one minute.

The Moon River Raft: New Dark Comedy Play for 2 actors

January 06, 2023 by Tara Meddaugh in 10-minute play, allegory, animal theater, blind casting, comedic, dark comedy, dramatic, gender neutral casting, inclusive casting, one-act plays, outdoor theater, Plays, pre-teen, Teen, ten-minute plays, tween, Halloween

A wounded rabbit and her loyal sister, fleeing for their lives, hold onto hope that a secret Moon River Raft will carry them to a perfect land with no predators, filled with rainbows and radish tops as far as the eye can see… All they have to do is wait for this mysterious raft…in the middle of the night…in the woods…until Peak Full Moon…at a very creepy river bank…

You can check out what happens at this creepy river in my new one-act (miiiight slide by as a 10-minute) dark comedy, The Moon River Raft. It runs about 15+ minutes and has two great roles for ages teen through adult (the parts are written with female pronouns but the casting can be any gender). Yes, it’s dark, but it’s also funny as you lean into the cruelty, naivety and absurdity of the world these rabbits are in. It’s a play with minimal setting requirements and could adapt well to outdoor theater. CLICK BELOW TO READ MORE

Pitfalls and Treasures: Published in The Best Ten-Minute Plays 2022

December 29, 2022 by Tara Meddaugh in 10-minute play, allegory, animal theater, blind casting, comedic, dark comedy, dramatic, inclusive casting, outdoor theater, Plays, Publications, Teen, ten-minute plays, anthology

Before we ring in 2023, I’m happy to share that Smith & Kraus’s anthology, The Best Ten-Minute Plays 2022, edited by Debbie Lamedman, is out and available! I’m so honored that my 2-person play, Pitfalls and Treasures, has been published in this fabulous anthology. In the play:

Mary and Andrew are lonely and troubled parking lot seagulls, each ostracized by their former flocks. When Mary happens upon the injured Andrew, she embarks on the desperate challenge to remove twine wrapped around his leg. This play is about, well, yes, seagulls. And being seagulls, in a parking lot, with a numb leg and no flock, the stakes are high. But it’s also about love and loss, hope and failure, trust and apprehension, desperation and resignation. And of course, a seagull and a french fry! It’s a bit dark, a bit funny and a bit sweet.

Along with Pitfalls and Treasures, this anthology includes 50 other great new plays. While all of the plays included are diverse in theme, topic, style, and genre, in her foreword, Ms. Lamedman points out their commonality; they are all, “timely, cutting-edge, thrilling pieces of theatre.”

Ten-minute plays are unique pieces of theater. The “short stories” of theater, they give us a window into a few meaningful moments in time, and it’s a delightful challenge as a playwright to make sure the audience is brought in to the world, the characters and the story pretty darn quickly. I love writing in this format, and, short as it may be, I fall in love with my characters, as they become much larger than 10 minutes. I hope may feel a similar way as you dive into a 10-minute theatrical short!

Gregory Perry Photography, WCT 2021 production featuring Rob McEvily and Missy Flower, directed by Mel Nocera.

The original production of Pitfalls and Treasures was especially sweet as I had a fantastic team of people bringing the play to life: Under Mel Nocera’s keen direction, Missy Flower and Rob McEvily made the seagulls Mary and Andrew charming, funny, sharp and heart wrenching. Much gratitude also to WCT and their Executive Director, Alan Lutwin, for producing the play and their dedication to new work. And of course huge thanks and recognition to editor Debbie Lamedman for her amazing work on this anthology!

Click here to get The Best Ten-Minute Plays 2022 on amazon. Additionally, you can read an excerpt of Pitfalls and Treasures here or click below for a complete digital copy of the play:

Pitfalls and Treasures, a 10-minute play

$5.99

Add To Cart

A Post-Christmas Tooth Fairy Monologue

December 28, 2022 by Tara Meddaugh in 3-minute monologue, comedic, fairy tale, Monologues, monologue for female acto, mystical creatures, Teen

My child recently endured a pretty long wait time (like, we’re talking dial-up modem long wait time!) for the Tooth Fairy to come and retrieve his tooth. It sat in a ziplock bag under his pillow for a night or two, then he moved it to the cat tree next to his bed, where it remained (our cat didn’t seem to mind) for the next…um… was it 4 weeks or so? During that time, he lost a second tooth (which he accidentally sent down the kitchen sink drain), and his first tooth oddly split in two while inside the baggie (I have never heard of that! Have you??). When the kids in my theater class were talking about losing a tooth one day, I commented on how the tooth fairy had still not come to retrieve my son’s tooth after several weeks.
(CLICK here for monologue. Click “read more” below for continued post)

30-Second Monologues

December 27, 2022 by Tara Meddaugh in 30-second monologue, children, child monolog collection, comedic, comedy monolog collection, dramatic, dramatic monolog collecti, gender neutral casting, inclusive casting, monologue collections, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, pre-teen, Teen, teen monologue collection, tween

While not as common, these bite-sized monologues can come in handy! So I’ve started a new page solely devoted to these 30-second monologues. Finding an impactful monologue that is less than 1 minute can be challenging. You want to convey engaging emotion, a bit or story and arc, and hopefully have a powerful opening and closing line. This is not easy in such a short time! But I’m up for the challenge and I know you, as actors/directors, are up for that too! So enjoy my growing list of memorable little monologues that can leave your mark in only 30 seconds.

Holiday Treats: Plays, Monologues, Movies and…Chocolates!

December 01, 2022 by Tara Meddaugh in 1-minute monologue, 2-minute monologue, 3-minute monologue, 5-minute monologue, 5-minute play, comedic, dramatic, holiday, inclusive casting, Monologues, monologues for male actor, one-act plays, Plays, pre-teen, socially distant theater, Teen, tween

It’s December 1st, friends! That means I can whip out our family’s 2022 Advent Calendars! Which would you choose? 1) Funko Marvel 2) Chocolates in a penguin 3) Cocktail truffles? Hm… Mind you, young folks, my advent calendar as a kid consisted of opening a door on Santa’s sleigh and the reward was viewing a drawing of a toy! And I had to rotate every third day, sharing with my 2 brothers. Ah, but since we didn’t know what chocolates we were missing, that paper sleigh was still so sweet.

December 1 also means that I can post sans judgment about all the fun Christmas and Holiday theater you’ve been emailing me about and downloading since August! And personally, I’m fine thinking Christmas in August—because holiday theater takes some prep. Auditions for Christmas plays started months ago, and seasonal rehearsals don’t rehearse themselves a week before they open, right?

Dramatic and Comedic pieces for Halloween Monologue Competitions

October 18, 2022 by Tara Meddaugh in 1-minute monologue, 10-minute monologue, 2-minute monologue, 5-minute monologue, child monolog collection, comedic, comedy monolog collection, dark comedy, dramatic monolog collecti, dramatic, Halloween, monologue collections, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, mystical creatures, Suspense, Teen, teen monologue collection, thriller, tween

If you’re looking for a great monologue to use in a Halloween Monologue Competition, check out the monologues below, beginning with creepy Halloween monologues, followed by comedic Halloween monologues. Monologues range from 1 minute to 10 minutes, children, teen and adult.

A Play for International Raccoon Appreciation Day

October 03, 2022 by Tara Meddaugh in 10-minute play, animal theater, comedic, dark comedy, dramatic, gender neutral casting, Grief, inclusive casting, outdoor theater, Plays, ten-minute plays

**20 MAGICAL MINUTES OF DARKNESS & SILENCE & PEACE**, featuring Brian Bagot and Brenda Hettmansberger. Directed by Susan Ward at WCT. Gregory Perry Photography

October 1 was International Raccoon Appreciation Day! I only just discovered this today, but even though we are two days past the official date, we can all still celebrate these pretty amazing and adorable creatures. Raccoons are not simply partying around that pile of trash they dumped out of your curbside can. They’re important for many reasons. They distribute seeds from berries and nuts. They help keep our land clean by taking care of (aka eating) dead animals which would otherwise attract disease and insects. They also eat insects (including ticks) and rodents.

I love that the idea of this Appreciation Day is not only to celebrate raccoons, but all creatures who are commonly misunderstood as “pests,” but who play vital roles in our ecosystem. Isn’t this an important message that can apply to many facets of human living too? Many of us feel misunderstood at times, but we all have value and place in our world. I also personally love that raccoons exemplify “one person’s trash is another person’s treasure” (In fact, in my play, Pitfalls and Treasures, two seagulls refer to trash cans as “treasure cans.”). What is “trash” after all?

In honor of International Raccoon Appreciation Day, enjoy my short play, 20 Magical Minutes of Darkness & Silence & Peace. The play features 2 raccoons, Grace and Joffrey. Yes, there is talk of pizza in a dumpster, but the play transcends exclusive “raccoon issues,” and is mainly about personal connections. After a tragedy, Joffrey has run off from the gaze. Grace is charged to find him and bring him back home. But when she discovers him at a train station parking lot, he refuses to come back with her. Yet. He is reeling in grief, and in order to find solace and closure, he has to do something first. At this train station. And he needs her help.

Check out an excerpt here, or get the full play below.

20 MAGICAL MINUTES OF DARKNESS & SILENCE & PEACE

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The Bronze Lining: New 2-Person 10-Minute Drama/Comedy

September 22, 2022 by Tara Meddaugh in comedic, Drama in real life, dramatic, Grief, outdoor theater, Plays, Teen, ten-minute plays, women, virtual theater, Zoom plays

In 2019, I wrote The Bronze Lining, a 10-minute dramedy, with 2 great female roles. It’s about estranged sisters who attempt to reconnect during a hike after their mother’s death. There’s a lot of damage between them, stemming not only from some traditional sibling rivalry, but also from how each one handled the sickness of their mother, the process of dying, and now, the process of grieving. You can read an excerpt of the play here or get the whole play here.

This play was originally inspired by a painting, as part of The Living Art Event, a collaboration between visual artists of the Ossining Arts Council and the performing artists of Westchester Collaborative Theater (WCT). Jill Kiefer's piece, "Such a Bewilderness...", drew me in. I loved the richness, the muddiness, the twists, the brown and white and black, the textures, and that dragonfly escaping the mire into the air. The sisters in The Bronze Lining are also entrapped in their shared history, intertwined in the muddiness of complicated relationships that ebb and flow, damage and repair. Siblings have a connection that is going to bind them forever—although what sisters Mindy and Anne choose to do with that bond in the future, especially now that both of their parents are gone, is uncertain.

The production of this play has had its own complicated history, not without grief. In January 2020, at our first round of auditions, I met the director slated for this festival, Joe Albert Lima. He was smart, good-natured, experienced, and I immediately felt I could trust him with my play. He apologized for being a bit out of breath and coughing occasionally; he used an inhaler and mentioned his asthma had been bothering him. Tragically, less than a week later, he was hospitalized and passed away. While I didn’t know him well or long, I was shocked and pained by this loss, especially for his family and close friends. The theater community also felt this loss as he had a long history as a director in the area and was a founding member of WCT.

Meanwhile, covid-19 was making more and more headlines abroad.

JACK AND DEAR RAVEN: A new 10-minute 2-person comedy/drama

September 14, 2022 by Tara Meddaugh in 10-minute play, allegory, animal theater, children, Children's theatre, comedic, dramatic, fairy tale, family, gender neutral casting, inclusive casting, one-act plays, outdoor theater, Plays, pre-teen, Reader's Theater, Teen, ten-minute plays, tween

Jack is known as being a “dull boy” around the village. But would a “dull boy” impulsively climb up a random giant beanstalk that grew up in his back yard over night and then once he reached cloud-level, suddenly miss his mom and turkey and fence post, want to go back home, and now be too scared or stuck to climb back down?

Um…Maybe…

At least, this is one of Jack’s worries (besides being pecked to death, falling to death, starving to death—stuff like that!). He has something to prove to his village. He IS more than the boy who chased a baby bear thinking it was a sack of gold coins. He may get into more pickles than the average fairy tale boy, but he also always finds ways to get out of those pickles. He’s made it up this giant beanstalk because he has the spirit of adventure inside of him—and that passionate spirit will ultimately get him off this beanstalk too. It’s just might happen in the order he thinks it will…

In Jack and Dear Raven, high in the clouds, Jack begs for the help of a raven passing by—the only creature who has shown Jack any attention as he’s clung to this slippery beanstalk through the wee morning hours. This bird, whom Jack quickly dubs “Dear Raven,” has their own worries in raising a brood of birdlings while trying to finish their novel, Aviary Ethics (which no other bird seems to care about). Dear Raven is not only curious about this human in the sky, but also irritated as Jack and his giant beanstalk are blocking an important flight path. Jack and Dear Raven need to figure out a way for Jack to get off this beanstalk. Now. Before the hawks and eagles come to peck out his eyes after their morning mice.

"Forgiveness and Defeat At a Pokemon Gym" and "If I Were A Flower" included in Performer Stuff's list of 10 "Monologues for Carefree Kids"

August 03, 2022 by Tara Meddaugh in children, Children's theatre, comedic, inclusive casting, gender neutral casting, monologue for child actor, Monologues, monologues for male actor, Teen, tween

Happy to have two of my pieces (Forgiveness and Defeat at Pokemon Gym and If I Were A Flower) featured in Performer Stuff’s collection of 10 Monologues for Carefree Kids (article written by Amanda Grace).