Netflix's "Dead To Me:" On Guilt, Grief, Friendship & Love

November 18, 2022 by Tara Meddaugh in Community, dark comedy, dramatic, Drama in real life, Grief, love, Shows, social, Streaming Videos, Television, What I'm Watching, women, women in the arts

I first discovered the Netflix show, Dead To Me, when my dear friend, Jessica, recommended it when it aired in 2019. Jessica and I became best friends when we were 14 and she went from home-schooling on her family farm to attending my small public school (she thrived and never looked back!). We acted in plays together, went on family vacations together, tons of sleepovers, visited each other at college and beyond, made crazy recordings, dated brothers once, spent every moment we could together. And for the next few decades, we shared almost daily phone calls as teens, to regular calls and letters as we made it through young-adulthood, to almost daily calls again, as we shared marriage and motherhood. We talked about anything and everything—relationships, society, philosophy, politics, families—and also cooking, cleaning hacks, books, tv. When I recommended the book Pachinko, she read it. When she recommended a recipe for a homemade ice cream cake, I made it. So when she recommended “Dead to Me,” I watched it. I remember her saying it was not like any other show she’d seen.

“Dead to Me” is a show about mistakes and consequences—and how you deal with both. It’s dark and funny. It’s tense and poignant. It’s a lot about guilt, but it’s also about motherhood and daughterhood. And at its core, it’s about friendship and love.

I’m actually a little shocked when I see that this show aired in May 2019 because Jessica was battling Stage 4 cancer at the time. She passed away 4 months later.

Shocked isn’t the right word.

Anyone who has lost a loved one knows that Grief kind of jumps up in your face and screams at you at any random moment it feels like.

The Bronze Lining: New 2-Person 10-Minute Drama/Comedy

September 22, 2022 by Tara Meddaugh in comedic, Drama in real life, dramatic, Grief, outdoor theater, Plays, Teen, ten-minute plays, women, virtual theater, Zoom plays

In 2019, I wrote The Bronze Lining, a 10-minute dramedy, with 2 great female roles. It’s about estranged sisters who attempt to reconnect during a hike after their mother’s death. There’s a lot of damage between them, stemming not only from some traditional sibling rivalry, but also from how each one handled the sickness of their mother, the process of dying, and now, the process of grieving. You can read an excerpt of the play here or get the whole play here.

This play was originally inspired by a painting, as part of The Living Art Event, a collaboration between visual artists of the Ossining Arts Council and the performing artists of Westchester Collaborative Theater (WCT). Jill Kiefer's piece, "Such a Bewilderness...", drew me in. I loved the richness, the muddiness, the twists, the brown and white and black, the textures, and that dragonfly escaping the mire into the air. The sisters in The Bronze Lining are also entrapped in their shared history, intertwined in the muddiness of complicated relationships that ebb and flow, damage and repair. Siblings have a connection that is going to bind them forever—although what sisters Mindy and Anne choose to do with that bond in the future, especially now that both of their parents are gone, is uncertain.

The production of this play has had its own complicated history, not without grief. In January 2020, at our first round of auditions, I met the director slated for this festival, Joe Albert Lima. He was smart, good-natured, experienced, and I immediately felt I could trust him with my play. He apologized for being a bit out of breath and coughing occasionally; he used an inhaler and mentioned his asthma had been bothering him. Tragically, less than a week later, he was hospitalized and passed away. While I didn’t know him well or long, I was shocked and pained by this loss, especially for his family and close friends. The theater community also felt this loss as he had a long history as a director in the area and was a founding member of WCT.

Meanwhile, covid-19 was making more and more headlines abroad.

Dramatic Halloween Read-Aloud from Chat-n-Read: Creepy Carrots by Aaron Reynolds, illustrated by Peter Brown

October 05, 2020 by Tara Meddaugh in children, comedic, Community, dark comedy, Drama in real life, dramatic, Education, family, holiday, Literary, social, Suspense

Of all the holidays, Halloween just might be the most dramatic! Anything can become spooky melodrama when you put on an eerie voice, add a bit of black-and-white illustration, and make inanimate objects start FOLLOWING YOU! Kids - enjoy this spooky and fun read-aloud from Chat-n-Read (one of my other adventures!) of Creepy Carrots written by Aaron Reynolds and illustrated by Peter Brown.

We’ll chat about what makes things creepy and then share the story of Jasper Rabbit and what happens to him when his favorite garden snack starts creeping him out! Make sure you stick around to the end, because it’s quite clever!

Now, say this in a spooky voice and wave your hands around all creepy-like: “Enjoooooooy!”

Hallmark Christmas Movies Announced: Are You Ready? Plus Theater Actors join MFTV Christmas Magic

September 24, 2020 by Tara Meddaugh in Christmas, Community, Drama in real life, family, Film, Movies, romance, social, Television, holiday

Okay. It’s still September. SEPTEMBER. But I have been seeing social media posts and hearing friends talk about putting up Christmas trees and lights extra early this year. Not like, November 25 early. I’m talking September 25 early! And really, in this very tense, anxiety-filled, unprecedented, relentless season of our lives, who can blame anyone for wanting to elongate a traditional feel-good season?

The Christmas season is cozy, cold but warm; it brings us hot chocolate, eggnog and peppermint, calming lights, early dark evenings, soothing music, colors everywhere amidst a landscape of mainly brown. It is comforting and familiar, and those are two things that we all crave—especially now when both feel a bit out of reach. And so…you know what also brings comfort and familiarity around that time of year, right? Hallmark Made-For-TV (MFTV) Christmas Movies! Keeping pace with the Christmas trees going up in NYC apartments, they’ve announced their Holiday Season already! You can check out Hallmark’s Countdown to Christmas line-up here. And don’t worry, Netflix and Amazon will have their own Cheesy Christmas Movies coming too (“A Royal Toddler Goes to Virtual Preschool” perhaps?), but I have to give props to the originator, Hallmark.

Engulf The Evil Ashes: A dramatic monologue from the play, For My Silent Sisters by Tara Meddaugh

September 23, 2020 by Tara Meddaugh in Community, Drama in real life, dramatic, full-length plays, Grief, monologue for female acto, Monologues, Plays, social, Teen, women, activism

My full-length dramatic play, For My Silent Sisters, gives voice to four young people who struggle to escape the dark world of human trafficking. *Before I discuss the monologue and play, please note that while I write with great respect and care, this monologue contains references to human trafficking and violence and may not be suitable for all readers.* Please also note that while the play is fiction, there are many experiences, very similar to the ones I give voice to, which have happened to real people. No country is immune to this egregious crime. At the time I’m writing this, criminals are trafficking an estimated 25 million people worldwide. For more information on human trafficking in the USA, how to help or report, visit the Human Trafficking Hotline or Polaris.

For My Silent Sisters journeys how criminals use manipulation, lies, or force to commit this crime. But it mainly journeys how four teenagers survive within this world, hold onto hope, strength, friendship, and how they all eventually leave that world—one way or another.

Engulf the Evil Ashes is a monologue from Marta. Marta, an excellent student from a large family in Romania, sees her way to a brighter future by accepting a position as a translator in England. However, after leaving home with the job recruiter, she discovers the role she thought she would receive does not exist. Instead, she is taken to a “training facility” in the woods in Albania, a place where girls are “trained” for forced prostitution (enslavement), then sent to other countries to make money for their enslavers. While their situation is terrifying, Marta immediately bonds with a confident Romani girl, Tasaria. They share stories, looks, secrets; they become closer than sisters. Tasaria develops a plan for them to escape the facility, but when the moment comes, Marta does not follow her. Tasaria’s escape attempt fails and she is killed. Marta is devastated.

In this monologue, Engulf the Evil Ashes, Marta has been punished, by friendship association, for Tasaria’s escape attempt. She is placed in the ground, simulating being buried alive. Though grieving, her rage and determination give her strength, and Marta comes up with a plan for freedom. She hides sticks from the outdoors and brings them with her when she is placed in an isolated room inside. During the course of a few hours, she is able to start a fire and begin burning down the old wooden building. While the building goes up in flames and smoke, Marta only smells freedom.

This monologue is about 2.5 minutes long, suitable for a mature teenager or young adult looking to sink into a dramatic monologue. It is a moment of empowerment, a moment when a frightened and beaten-down person finds strength in righteous anger, a moment when she finds a powerful voice, not only in words, but in actions. A moment when she changes the fate for herself—and hundreds of other girls.

New comedic/dramatic monologue: "The Best General Tso's" by Tara Meddaugh

August 18, 2020 by Tara Meddaugh in comedic, Community, Drama in real life, dramatic, monologue for female acto, Monologues, monologues for male actor

My short monologue, The Best General Tso’s is about finding old General Tso’s chicken in the refrigerator during stay-at-home measures. While losses are certainly felt in big moments, I’ve often found that it’s in mundane moments that our pains become acute. Because these moments are day-to-day, they’re also frequent and hard to escape. The Best General Tso's is, on one hand, a comedic moment between Larissa and her almond-bag-buying partner, but it also draws on the complex feelings and experiences underlying a simple mundane moment. Sometimes a leftover is not just a leftover.

Enjoy this new monologue for a female (or male) actor, older teens through adult, which runs about 1.5 minutes long. Check out an excerpt below and click at the end for the full piece.

Climbing the Walls Exhibition: Including new monologue by Tara Meddaugh, The Best General Tso's, featuring Sara Jean Ford

August 16, 2020 by Tara Meddaugh in comedic, Community, Drama in real life, dramatic, Festivals, monologue for female acto, Monologues, monologues for male actor, Monologue Performances

I’m happy to be a part of a joint exhibition between Studio Theater in Exile and Hudson Valley MOCA called Climbing the Walls. Artistic Director of Studio Theater, Mara Mills, envisioned the virtual exhibition as a vehicle to "explore the ways we are experiencing life right now and how we imagine the future” during this global pandemic.

My short (1.5 minute) monologue, “The Best General Tso’s features the fabulously talented actor, Sara Jean Ford (you may know her as Christine Daae in Phantom of the Opera on Broadway—and from lots more!). It’s about finding old General Tso’s chicken in the refrigerator during stay-at-home measures. While losses are certainly felt in big moments, I’ve often found that it’s in mundane moments that our pains become acute. Because these moments are day-to-day, they’re also frequent and hard to escape. The Best General Tso's is, on one hand, a comedic moment between partners, but it also draws on the complex feelings and experiences underlying a simple mundane moment. Sometimes a leftover is not just a leftover.

New children's comedic monologue about Animal Crossing: Your Crucian Carps are Blocking the Doorway, Mom

July 20, 2020 by Tara Meddaugh in children, comedic, Drama in real life, family, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, Video games

Okay, I’m not exactly a gamer, so my children were thrilled when I mentioned how Nintendo Switch’s Animal Crossing: New Horizons looked like a game I might be able to get into. A few adult friends shared how they were loving playing it and the idea of setting up my own paradise island amidst our pandemic quarantine near New York City sounded, well, pretty darn appealing. I wasn’t alone in that thought. Apparently, this game sold more than 13 million copies in the first 6 weeks after it was released in March. [Skip to my new comedic children’s monologue, Your Crucian Carps are Blocking the Doorway, Mom]

Drama in an Epic Disney Star Wars Ride: Rise of the Resistance

February 18, 2020 by Tara Meddaugh in Drama in real life, children, dramatic, family, Teen, star wars

I recently visited the “most magical place on earth,” AKA, the place “where dreams come true.” These are some of Walt Disney World’s slogans for a reason. The designers of the 4 amusement parks in Orlando, Florida know that story is important—and not just viewing a story, but being in a story. So it is magical that a deck of cards and a plastic monkey are taller than you in the Toy Story Mania line. It does feel like magic that you can fly on a banshee over Pandora or interact in real time with a cartoon sea turtle you’ve seen from a movie. Your dreams of going to space can come true when you almost throw up on your flight to Mars which simulates g-force….

14 Funny Monologues about Food!

October 07, 2019 by Tara Meddaugh in Children's theatre, comedic, dark comedy, Drama in real life, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, Teen, monologue collections, comedy monolog collection

Food and Humor just go together, don’t they? I don’t know why, but isn’t a scene just funnier if someone mentions cheetos or some moldy blueberries (hm…idea for a new monologue?)? Food is real, tangible, something we all know. It’s messy, it tastes good or it tastes bad, it can make you sick, it can make you choke, it can make you happy, it can distract you. It brings out jealousy, love, anger, pride, selfishness, selflessness. Food is, when it comes down to it, a really powerful tool in life that fuels a lot of heavy emotion! So, of course it’s dramatic! Here are ten (10) funny monologues about food! From donuts and apple pies to skittles and jelly beans (and even a dog toenail in a can of corn), check out these comedic monologues all featuring food!

New dramatic 5-minute monologue for female actor: His First English Words

October 02, 2019 by Tara Meddaugh in 5-minute play, dramatic, Drama in real life, monologue for female acto, Monologues, Plays, women, historical

Are you ready for a little history leading up to a new 5-minute dramatic monologue? So in the early 1940s, “Victory Gardens” sprang up around the US in an effort for Americans at home to lend their support to armed forces and allies fighting overseas in WWII…
(click READ MORE below for the new 5-minute dramatic monologue, His First English Words)

Grinching Mom: New Children's comedic monologue by guest playwright, 6-year-old, Luke B.

January 22, 2019 by Tara Meddaugh in children, Christmas, Drama in real life, family, monologue by child, monologue for child actor, monologue for female acto, Monologues, monologues for male actor

If you don’t know what grinching is yet, perhaps this monologue by guest playwright, 6-year-old, Luke B., will shed some insight. In it, Max is caught red-handed taking his mom’s lamp into his room. He has a perfectly good reason for doing this, but it may not be what you think… Check out this 1-minute comedic children’s monologue, Grinching Mom. And keep reading if you want to find out a bit more about the 6-year-old boy who wrote it…

How to Write a Cheesy Romantic Christmas Movie in 10 Easy Steps (Or, Writing for the Hallmark Channel)

November 02, 2018 by Tara Meddaugh in family, Movies, screenwriting, Television, Christmas, comedic, Community, Drama in real life, holiday, romance, Streaming Videos

Well, Thanksgiving is not quite here, but we’re already into November, so…you know what that means? Tis the season for Cheesy Romantic Christmas movies! On November 2, the first new one of the season popped up on my Netflix account, boasting the crazy magical cupid-like hijinx of none other than, that’s right, an advent calendar. It’s not just angels, santas and mystical animals bringing you Holiday romance anymore. It’s now inanimate calendars too! I've been watching these types of movies for years, and have learned, as similar as they may be, it never hurts to add another 25-50 new Hallmark-Channel inspired Christmas movies to the season (I say Hallmark Channel, for those old enough to know that term, but it’s not just the Hallmark anymore. The digital services have the format down pat.)! So here I've given you 10 easy steps on how to write your own Cheesy Romantic Christmas movie. And who knows, if you follow these guidelines, maybe your screenplay will be produced in the next Amazon prime line-up of Holiday-themed romances! Write away!

17 Compelling Monologues About Bullying

October 01, 2018 by Tara Meddaugh in children, monologue for child actor, monologue for female acto, Monologues, monologues for male actor, Teen, monologue collections, child monolog collection, comedy monolog collection, dramatic monolog collecti, gender neutral casting, teen monologue collection, 1-minute monologue, 30-second monologue, blind casting, comedic, dark comedy, Drama in real life, dramatic, tween

Part of the beauty and magic of theatre is that we can use drama to give voice to an emotion, challenge or experience we might not otherwise express. Below are eight monologues that center around the idea of bullying in some capacity. Whether it is covering your ears in the shower, imagining you’re a shark, or instructing teddy bears to jump out a window, these dramatic, comedic or darkly comedic monologues show different ways people cope with the effects of bullying. ..

New Comedic Children's monologue: Written by 8-year-old guest playwright

March 13, 2018 by Tara Meddaugh in children, Community, Drama in real life, family, Monologues, monologues for male actor, Playwriting, Teen, monologue for female acto, monologue for child actor, monologue by child

Let me tell you about a talented little boy. He's a member of the Chess Club and Computer Club at his school, participates in Engineering and Swim classes, researches the mysteries of outer space, loves to ride his bike, do gross food dares during school Lunch, read like a fiend, go on hikes, and has a blast writing and illustrating his own comic book series called "Tommy Tom Tom, Mike and Joe."...

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