New Comedic Teen Monologue for Male Actors: Those 10th Grade Reps

If you’re a teen boy looking for a short, 1-minute monologue, check out my new comedic monologue, THOSE 10th GRADE REPS. In it, Hudson sees Audrey in a new light when she deftly handles those trouble-making 10th grade reps at the Student Government meeting! Audrey is the president this year, and watching her in action throws Hudson’s heart all a’flutter! He speaks to Audrey after the meeting while they’re waiting for the late bus to take them home after the meeting. He gets to steal her away for a moment in private and this nervous, but brave teen, strikes up an honest conversation. Would you say it’s cringe or sweet? Maybe a bit of both? In any case, it’s fun for an actor to play this smitten boy who has suddenly found his commanding classmate strikingly attractive!

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New 1-Minute Monologue: Much Less Room

If you’re looking for a short dramatic monologue, running about 30 seconds to 1 minute, check out MUCH LESS ROOM. This monologue is from my dark comedy/dramatic play about grief, THE VISITOR IN THE DOORWAY. In the play, Clare has experienced more deep loss than anyone should have to go through, and she knows Grief all too well. After an unimaginable death in her family, Clare runs off to her family cabin in the woods, isolating herself from everyone who might reach out to her. The only visitor she has is the lingering, hovering, persistent, annoying Being outside her cabin who just. won’t. leave: Grief himself, personified. Clare allows him one foot in her doorway, and he works hard to convince her to let him all the way in. The play is a dark comedy, as Grief struggles to do his job; and it’s a drama, as Clare begins to process her pain and loss. The humor and gravity are a necessary team—to relieve and relax us, and then to hit us with the poignancy of tragic reality, as well. For the complete play, THE VISITOR IN THE DOORWAY, click here.

To set the scene for the monologue, MUCH LESS ROOM. Personified Grief has been allowed one foot in Clare’s family cabin doorway, but she is not happy he’s there. After Grief and Clare confront each about other the recent loss, Grief lays out the hard truths that Clare needs to start eating and accepting help and letting people (and him) into her life again or she will die also. Clare retorts, “So?”, and shaken by this, Grief, implores Clare not to die. Feeling great empathy for her, in this monologue, Grief tries to give Clare a bit of Hope that the intensity he brings will not last forever, that Hope will come again, and that he will eventually, take up much less space in her life.

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New Dramatic Monologue about Grieving: Those Black Streaks

If you’re looking for a reflective monologue about grief and its effects, check out my dramatic monologue, THOSE BLACK STREAKS (or These Black Streaks). In the monologue, Veronica speaks to her friend about her mother’s recent passing. Her mother didn’t give her much advice, even when she probably needed it. But she did always instruct Veronica to not leave the house before putting “her face on.” Veronica waxes to her friend about the irony that the makeup which would typically cover imperfections on her face, now betrays her emotions, mixing with tears to form black streaks on her face, exposing her to the world.

THOSE BLACK STREAKS runs around 1-2 minutes, and is good for a woman looking for a sad monologue, exploring grief, perception, mother-daughter relationships, and how one makes sense of the past in the context of the present.

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New 1-Minute Comedic Christmas Monologue for Men: Whack the Christmas Tree, Man

So here’s a new comedic Christmas monologue for men that, when I read it to my husband, made him laugh out loud at the final line. Not an easy feat for that audience! WHACK THE CHRISTMAS TREE, MAN, is a short and, well…not-exactly-sweet, but still pretty-fun, Christmas monologue to perform. In the monologue, Robert is at a Christmas Tree Farm and explains to his friend the right way to chop down a Christmas Tree (they don’t call it “chopping down a tree” for nothing, right?).

WHACK THE CHRISTMAS TREE, MAN is a comedic Christmas monologue for men and runs about 1 minute. While it’s written for a male actor, as with most of my work, if you resonate with it, it’s suitable for any gender.

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New Comedic Christmas Monologue: Hallmark Christmas Romcoms are Stressing Me Out

Okay. I promise - at least ONE PERSON out there is going to feel heard in my new comedic Christmas monologue, HALLMARK CHRISTMAS ROMCOMS ARE STRESSING ME OUT. We have tons of things to do each holiday season, right? And these light-hearted romcoms are supposed to make us feel warm, cozy, carefree and jingle-bell happy, right? But what if we just. can’t. keep. up?

That’s what is going on with Scarlett! She has made a pact with her best friend, Maia, that they will watch all the Hallmark Christmas romcoms of the season and dish about them all! Sounds easy, right? It’s not to Scarlett! Especially when Hallmark pulls the ole “let’s do double features for Thanksgiving weekend!” Now she’s hopelessly behind and it’s time she come clean to Maia. Hopefully Maia can expend a bit of holiday grace and let it slide. Or maybe she’ll be like my real-life friend who is 10 movies ahead of me but thankfully gave me the rundown of the best ones, so I can skip to those and pretend I’m not failing Hallmark Christmas Romcom season. ;)

HALLMARK CHRISTMAS ROMCOMS ARE STRESSING ME OUT runs about 1-1.5 minutes.

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Pit Trap Meredith: New monologue and upcoming publication

Wouldn’t you be mad if you were an injured rabbit and you thought your sister abandoned you in a tree stump to fend for yourself against vicious dogs? That’s what has happened to Selena, but there’s actually a really good reason why her sister, Meredith, never came back for her. And it has to do with some really mean rabbits…

In this monologue, Pit Trap Meredith, Meredith defends Selena’s accusations of abandonment, and in the end, even turns the tables on her sister. This is a 30-second to 1-minute monologue from the play, The Moon River Raft. The play follows these two rabbits as they wait at a creepy riverbank, in the middle of the night, hoping a mystical raft will take them across the river to a practically-perfect land. Of course, what awaits them is not exactly as they had dreamed…

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New Comedic Monologue for Unicorn-Lovers: CloudLily The Unicorn & Zoey

Did someone say UNICORN??

magical forest with a unicorn horn and ears in bottom left. In blue and pink font, Title Cloudlily The Unicorn And Zoey. Subtitle in brown, A monologue by Tara Meddaugh

Okay, so there just are not enough monologues out there for unicorns! Right?? But here’s your chance to finally play one (I know you have always wanted to). Check out my comedic monologue, CloudLily The Unicorn & Zoey, which runs about 30 seconds to 1 minute long. In it, CloudLily, a unicorn, is talking to her loyal fan, 4-year-old, Zoey. Zoey has been visiting CloudLily in the magical forest and giving her super awesome gifts. You know the kind of gifts some 4-year-olds give you, right? Like…weeds…and clumps of dirt? So CloudLily is grateful. I mean, how could she not be? Zoey is an adorable child who is the definition of “pure of heart.” But…CloudLily also knows humans have access to some pretty cool things besides just, well, dirt. Check out what CloudLily asks Zoey for in the short funny monologue for any age actor (child, tween, teen, or adult!).

Also, gotta give some props to the inspiration for this monologue. One of my followers on Facebook messaged me he got a “Top Fan Badge” for my page. I gave him some virtual props and said, “you win!” He wisely asked me what he won. And I said, “hmmm…you or your kids can give me a topic and I’ll see if I can write a little monologue about it.” He told me his daughter loves rainbow unicorns. Well. Here’s your monologue, Zoey! Hope you enjoy!

Enjoy a little excerpt (and silly floating animated unicorn head video, as well!)!

CLOUDLILY  

(to 4-year-old Zoey)

Zoey. I love the dandelions and clovers and…clumps of dirt you keep bringing me every day. They’re all really cool and special and I know it’s super fun watching my magical unicorn horn turn them into rainbow colors and make them dance and stuff like that. But I hear—CLICK HERE FOR MORE

My silly floating-head-unicorn amateur animation of “CloudLily The Unicorn & Zoey.”

Monologue from "When Marshmallows Burn" Published in The Best Men's Stage Monologues Anthology

I’m honored that my monologue from When Marshmallows Burn has been published in Smith & Kraus’s anthology, The Best Men’s Stage Monologues 2022, edited by Debbie Lamedman. Did you know Smith & Kraus has been publishing anthologies of the best men’s and women’s stage monologues for over 30 years? Very cool! In my dark comedy/drama:

Sammy and his mom are enjoying roasting marshmallows over the fire under the full moon when something very strange starts to happen. Sammy’s arms look a little furry. His teeth look a lot like fangs. And he has a sudden urge to kill squirrels—and eat them raw. What (or who) else will he have an urge to kill? Is there anything his mother can do to stop him, or can she ultimately accept and love her wereson? Read the whole play here.

Missy Flower and Buchanan Highhouse in When Marshmallows Burn, directed by Nate Flower. Photography by @designbyraegan.

This is a play about a werewolf, yes. But moreover, it’s a play about a mom and her son. I recently read Celeste Ng’s new novel Our Missing Hearts and in it, a central mother character says, “But in the end every story I want to tell you is the same. Once upon a time, there was a boy. Once upon a time there was a mother. Once upon a time, there was a boy, and his mother loved him very much.”

This hits me hard.

And when I was telling my 2 sons basically the whole story of Our Missing Hearts, you can bet I was choking up relaying this part of the book (and then hugging them!).

When Marshmallows Burn is not only a dark comedy about a boy becoming a werewolf. It’s a story about familial acceptance and the love of a mom and a son, in the face of changing identity.

The monologue selected for the anthology (What My Fangs are For) takes place the moment Sammy has returned from his first kill in the woods. He is proud he found his late-night snack without troubling his mom for help. As he relays killing the squirrel to her, he realizes his mother is becoming increasingly scared of him and his pride turns to fear that she will no longer love him as a werewolf.

Sammy’s monologue runs about 1 minute long and is great for any gender actor. It gives the performer a significant journey from being proud of something new and exciting to being deeply worried and terrified to lose what matters most. It also lets an actor showcase both dark comedy as well as dramatic skills.

Debbie Lamedman’s foreward

I was so lucky to have an outstanding team bring this play to life for the first time: Missy Flower as the mom, Buchanan Highhouse as the son, and Nate Flower as the director (produced by Free Space Theater, in collaboration with the Harrison Public Library). We performed the play around Halloween, at night in the great outdoors, and this was an absolute amazing backdrop for the play, which takes place at night, in the great outdoors…

Along with Sammy’s monologue, this anthology includes dozens of other wonderful monologues. As Ms. Lademan writes in her foreword, “These pieces present great acting challenges, and actors will have the pleasure of sinking their teeth into this sublime material while continuing to perfect their craft in their online or in-person workshops.”

Click here to get The Best Men’s Stage Monologues on amazon. You can also get Sammy’s monologue, What My Fangs are For, by itself here. Additionally, you can read an excerpt here of When Marshmallows Burn, or click below for the complete digital copy of that play:

The Reason I'm Single: Included in "10 Female Monologues from Love Sick Characters" Theatre Nerds

We’re less than a month away from Valentine’s Day and I know y’all have seen all that pink-heart stuff in CVS the moment the Christmas stuff went on sale! On this “love note”, I’m happy my piece, The Reason I’m Single, was included in this collection from Theatre Nerds of 10 Female Monologues From Love Sick Characters (Ashleigh Gardner). About the collection, Gardner writes:

Competition and audition season is quickly approaching! Have you found your monologue yet? If not, we have you covered. Below are 10 monologues (5 dramatic and 5 comedic) from love-sick female characters who have a bone to pick with love.

In my comedic/dramatic monologue, The Reason I’m Single, Rebecca finally admits to her friend, Kelly, why she doesn’t have a boyfriend. And it’s not why Kelly thinks… As of this post, PerformerStuff is the only place you can get the monologue too (you can read an excerpt and more info there).

Hope you’re not lovesick for real, but it’s good theater playing someone who is!

1-Minute Monologues

One-minute monologues are an important way to make a quick impression to agents, casting directors, schools/colleges/universities. While longer monologues definitely have their place, sometimes actors are required to stick with showing their chops in less than 60 seconds. One-minute monologues also fairly easy to memorize because, well, obviously, they’re short, and they work well for younger actors who may not be ready for a 2-minute monologue or longer. One-minute monologues are also great to perform in festivals, competitions or classes, and an accessible way for actors to hone their craft privately or with a coach.

Having only 1 minute to showcase yourself as an actor can be a bit daunting though, so I’ve started a new page of my 1-minute monologues to make things a little bit easier for actors. These monologues have story and character arc, even if short, and they help actors showcase versatility and evoke emotion from their audience. There are dramatic 1-minute monologues, comedic 1-minute monologues, 1-minute monologues for women, men, any gender, teens and children. From candy-inspired monologues for kids to mean girl monologues for teens to hopeful love or scorned love—these 35 monologues allow actors to dig into complexities and give a memorable performance, in one minute.

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Holiday Treats: Plays, Monologues, Movies and…Chocolates!

It’s December 1st, friends! That means I can whip out our family’s 2022 Advent Calendars! Which would you choose? 1) Funko Marvel 2) Chocolates in a penguin 3) Cocktail truffles? Hm… Mind you, young folks, my advent calendar as a kid consisted of opening a door on Santa’s sleigh and the reward was viewing a drawing of a toy! And I had to rotate every third day, sharing with my 2 brothers. Ah, but since we didn’t know what chocolates we were missing, that paper sleigh was still so sweet.

December 1 also means that I can post sans judgment about all the fun Christmas and Holiday theater you’ve been emailing me about and downloading since August! And personally, I’m fine thinking Christmas in August—because holiday theater takes some prep. Auditions for Christmas plays started months ago, and seasonal rehearsals don’t rehearse themselves a week before they open, right?

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Summer Monologues

If you’re looking to beat (or lean into!) the heat of the season with a summer-themed monologue, check out this list of 17 monologues that go along nicely with Summertime. Whether it’s someone’s connection to growing veggies, a safari vacation that goes amiss (in all the coolest ways), seeing a lame mermaid at the beach, pushing someone in a mud puddle, spooky things that happen in the woods at night, or ice cream your dog can’t have—enjoy these 17 comedic, dramatic, thriller, teen and children’s monologues that are great for Summer!

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Monologue from When Marshmallows Burn to be published in Smith & Kraus's "The Best Men's Stage Monologues”

I’m honored that a monologue from my dark-comedy play, WHEN MARSHMALLOWS BURN, has been selected to be published by Smith & Kraus in the anthology, “The Best Men's Stage Monologues 2022” (editor Debbie Lamedman).

In the play, When Marshmallows Burn, Sammy and his mom are enjoying roasting marshmallows by the fire, under the full moon, when something very strange starts to happen. Sammy’s arms look a little furry. His teeth look a lot like fangs. And he has a sudden urge to kill squirrels—and eat them raw. What (or who) else will he have an urge to kill? Is there anything his mother can do to stop him, or can she ultimately accept and love him? This is a dark comedy about a boy becoming a werewolf, but it’s also a story about acceptance and love, in the face of changing identities.

The monologue selected for the anthology (What My Fangs are For) takes place the moment Sammy has returned from his first kill in the woods. He is proud he found his late-night snack without troubling his mom for help. As he relays killing the squirrel to her, he realizes his mother is becoming increasingly scared of him and his pride turns to fear that she will no longer love him as a werewolf.

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New Christmas Monologue for Women: Christmas China That Can Only Be Handwashed

If you’re a woman looking for a short comedic Christmas monologue, check out Christmas China That Can Only Be Handwashed. In the monologue, it’s Christmas Night. Daphne and her partner, Jamie, have enjoyed a large Christmas dinner with family. Daphne has lovingly spent many hours preparing the meal she knows Jamie will enjoy, on the Christmas China she knows Jamie loves. But now it’s time for Daphne to feel a little love… and it just might take the shape of someone else (ahem: Jamie) hand-washing all those Christmas plates…

This is a comedic monologue which runs around 1.5 minutes, and is appropriate for a female actor in her 20s-50s. Check out below to read and excerpt and to download the free monologue of Christmas China That Can Only Be Handwashed.

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Great Virtual or Social Distancing Christmas Play: Christmas Superpowers and Believing in Blitzen

While some theaters and schools are open for in-person performances, there are many throughout the world which are not able to be open in this capacity yet. (We are all in different situations throughout the globe and my heart is with you all!) If your school or theater is looking for a family-friendly Christmas show which lends itself to social distancing or virtual theater, check out the one-act play, Christmas Superpowers and Believing in Blitzen. Since this is a monologue-heavy play, it allows for increased social distancing in rehearsals and performances and also slides more easily into virtual theater. CLICK FOR MORE

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New Comedic Christmas Monologue: "Santa Just Wants You to be Healthy"

Today on an afternoon walk, I spied a silver bell and garland on a friend’s railing, while another friend mentioned she saw a Hallmark Christmas rom-com last night. I’ve been receiving royalty requests for a Christmas play for a few months now, so I think we are all justified to be looking to holiday theater on November 2, right? In the spirit of the holiday season to come, enjoy a new comedic monologue, Santa Just Wants You to be Healthy:

It’s Christmas morning and Vita’s child, Cameron, has just come to her bedroom at 5am to complain that Santa gave him a boring orange in his stocking. Vita tries to make Cameron understand that Santa simply cares about him and is looking out for his good health and happiness. Knowing the orange is a bit less than exciting though, Vita encourages Cameron to dig down deep to find another treat—most likely something spectacular. But what her child finds is (d’oh!) not exactly what Vita had in mind!

This is a monologue for a female actor (could also be male), 20s-40s and runs about 1.5 minutes long. Check out an excerpt below:

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