"The Prettiest Duckling" - To Be Published by YouthPLAYS

Happy to share that YouthPLAYS will be publishing my one-act play, The Prettiest Duckling. In this dark comedy, two “mean-girl style” ducklings plot the ousting of their gray-feathered sibling… But they’re always—only—always, thinking of her. Because they, you know, “love her so so much.”

Right?

This play was first performed as part of the production, When Fairy Tales Falter. Buchanan Highhouse and Jessica Caputo fabulously brought to life Gorgeous and Cutesy (yes, those are the names of the ducklings! What do you think Mama will name the gray-feathered duckling?), Nate Flower directed, and Georgia Evans did the costume design.

This play was a TON of fun to write. It went through lots of revisions and tweaks to really land it all (thank you, Kevin Christopher Snipes, Gabe Davis, Mike, Dylan, Luke, Nate, and team!). Can’t wait to see it take life beyond my local world soon. Stay tuned for more information when it’s published. But for now, I’l leave you with these empathetic words from Gorgeous:

“Being gorgeous is also, like, kind of a burden…I wouldn’t wish it on anyone.”

Photos by JCP Images

Monologue from "When Marshmallows Burn" Published in The Best Men's Stage Monologues Anthology

I’m honored that my monologue from When Marshmallows Burn has been published in Smith & Kraus’s anthology, The Best Men’s Stage Monologues 2022, edited by Debbie Lamedman. Did you know Smith & Kraus has been publishing anthologies of the best men’s and women’s stage monologues for over 30 years? Very cool! In my dark comedy/drama:

Sammy and his mom are enjoying roasting marshmallows over the fire under the full moon when something very strange starts to happen. Sammy’s arms look a little furry. His teeth look a lot like fangs. And he has a sudden urge to kill squirrels—and eat them raw. What (or who) else will he have an urge to kill? Is there anything his mother can do to stop him, or can she ultimately accept and love her wereson? Read the whole play here.

Missy Flower and Buchanan Highhouse in When Marshmallows Burn, directed by Nate Flower. Photography by @designbyraegan.

This is a play about a werewolf, yes. But moreover, it’s a play about a mom and her son. I recently read Celeste Ng’s new novel Our Missing Hearts and in it, a central mother character says, “But in the end every story I want to tell you is the same. Once upon a time, there was a boy. Once upon a time there was a mother. Once upon a time, there was a boy, and his mother loved him very much.”

This hits me hard.

And when I was telling my 2 sons basically the whole story of Our Missing Hearts, you can bet I was choking up relaying this part of the book (and then hugging them!).

When Marshmallows Burn is not only a dark comedy about a boy becoming a werewolf. It’s a story about familial acceptance and the love of a mom and a son, in the face of changing identity.

The monologue selected for the anthology (What My Fangs are For) takes place the moment Sammy has returned from his first kill in the woods. He is proud he found his late-night snack without troubling his mom for help. As he relays killing the squirrel to her, he realizes his mother is becoming increasingly scared of him and his pride turns to fear that she will no longer love him as a werewolf.

Sammy’s monologue runs about 1 minute long and is great for any gender actor. It gives the performer a significant journey from being proud of something new and exciting to being deeply worried and terrified to lose what matters most. It also lets an actor showcase both dark comedy as well as dramatic skills.

Debbie Lamedman’s foreward

I was so lucky to have an outstanding team bring this play to life for the first time: Missy Flower as the mom, Buchanan Highhouse as the son, and Nate Flower as the director (produced by Free Space Theater, in collaboration with the Harrison Public Library). We performed the play around Halloween, at night in the great outdoors, and this was an absolute amazing backdrop for the play, which takes place at night, in the great outdoors…

Along with Sammy’s monologue, this anthology includes dozens of other wonderful monologues. As Ms. Lademan writes in her foreword, “These pieces present great acting challenges, and actors will have the pleasure of sinking their teeth into this sublime material while continuing to perfect their craft in their online or in-person workshops.”

Click here to get The Best Men’s Stage Monologues on amazon. You can also get Sammy’s monologue, What My Fangs are For, by itself here. Additionally, you can read an excerpt here of When Marshmallows Burn, or click below for the complete digital copy of that play:

When Marshmallows Burn, a 10-minute dark comedy by Tara Meddaugh

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Pitfalls and Treasures: Published in The Best Ten-Minute Plays 2022

Before we ring in 2023, I’m happy to share that Smith & Kraus’s anthology, The Best Ten-Minute Plays 2022, edited by Debbie Lamedman, is out and available! I’m so honored that my 2-person play, Pitfalls and Treasures, has been published in this fabulous anthology. In the play:

Mary and Andrew are lonely and troubled parking lot seagulls, each ostracized by their former flocks. When Mary happens upon the injured Andrew, she embarks on the desperate challenge to remove twine wrapped around his leg. This play is about, well, yes, seagulls. And being seagulls, in a parking lot, with a numb leg and no flock, the stakes are high. But it’s also about love and loss, hope and failure, trust and apprehension, desperation and resignation. And of course, a seagull and a french fry! It’s a bit dark, a bit funny and a bit sweet.

Along with Pitfalls and Treasures, this anthology includes 50 other great new plays. While all of the plays included are diverse in theme, topic, style, and genre, in her foreword, Ms. Lamedman points out their commonality; they are all, “timely, cutting-edge, thrilling pieces of theatre.”

Ten-minute plays are unique pieces of theater. The “short stories” of theater, they give us a window into a few meaningful moments in time, and it’s a delightful challenge as a playwright to make sure the audience is brought in to the world, the characters and the story pretty darn quickly. I love writing in this format, and, short as it may be, I fall in love with my characters, as they become much larger than 10 minutes. I hope may feel a similar way as you dive into a 10-minute theatrical short!

Gregory Perry Photography, WCT 2021 production featuring Rob McEvily and Missy Flower, directed by Mel Nocera.

The original production of Pitfalls and Treasures was especially sweet as I had a fantastic team of people bringing the play to life: Under Mel Nocera’s keen direction, Missy Flower and Rob McEvily made the seagulls Mary and Andrew charming, funny, sharp and heart wrenching. Much gratitude also to WCT and their Executive Director, Alan Lutwin, for producing the play and their dedication to new work. And of course huge thanks and recognition to editor Debbie Lamedman for her amazing work on this anthology!

Click here to get The Best Ten-Minute Plays 2022 on amazon. Additionally, you can read an excerpt of Pitfalls and Treasures here or click below for a complete digital copy of the play:

Pitfalls and Treasures, a 10-minute play

$5.99

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