Halloween Thriller Dramatic Monologue: Her Mouth is Moving

If you’re looking for a creepy thriller monologue about guilt, regret, murder and going a little out of one’s mind, check out HER MOUTH IS MOVING. In the monologue, Meghan has murdered a "frenemie" out of rage and now is face to face with the dead corpse. At least, she is pretty sure the victim is dead… except that it seems her mouth is still moving and this is really freaking Meghan out. Meghan is filled with horror and guilt at her own actions, and can barely understand what she has done, but she is starting to grasp the realty and the terrible consequences that she will now face.

HER MOUTH IS MOVING runs around 1 -2 minutes, for a female actor (or any gender if it resonates with you), and is suitable for late teens through mature adult. This monologue gives the actor the opportunity to show a breakdown as Meghan spins out in horror and guilt, due to her impulsive murder.

Right now, HER MOUTH IS MOVING is only available on PerformerStuff. You can read an excerpt and get the full monologue there.

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New Children's Comedic Monologue for Halloween: Annoying Alien

Check out my new children’s comedic monologue in time for Halloween fun! ANNOYING ALIEN is about, well, just that! Maleeha is one lucky kid that an alien spaceship lands in her backyard, right? Well… Maybe… But once the alien follows her inside of her bedroom, she realizes that having an alien is not quite as cool as she imagined it would be... In fact, this nosy, noisy, hyperactive, slime-dripping alien is kind of annoying.

ANNOYING ALIEN is about 1 minute to 1.5 minutes long, depending on performance, and it gives your child, tween or teen a fun moment to showcase their humorous acting skills, with a nice little arc to this bite-sized story. The monologue is family-friendly, age-appropriate, but fun for a wide age-range and while written for a female character, it is suitable for any gender actor.

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Find Me: A New 5-10 Minute Thriller Monologue

If you’re looking for a dramatic one-woman show this Halloween, check out my new thriller monologue, FIND ME. It runs 5-10 minutes, depending on performance and staging, and is great for a female actor in her late teens, 20s, 30s.

FIND ME takes place in 1851, at the private burial site of a family estate. A young woman, Elizabeth, is found outside, in the graveyard, shovel in hand, in the dead of night. The setting alone is enough to start amping up those creepy vibes! She is heart-broken, grieving, and now embarking on a chilling quest to bring her deceased husband closer to her… The monologue is spooky and will fit your horror-theater needs, but ultimately, it’s a piece about love, loss, longing and what you might do to have even a chance to be with your true love in any form.

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New Kids' Dramatic and Comedic Halloween Monologue: “Boringest. Ghost. Ever.”

Written and delivered today, on Halloween, is my brand new (as in, an hour old!) monologue, Boringest. Ghost. Ever. This monologue is great for kids, even the young ones (ages 4+)! Children can play with the dramatic and comedic elements of this monologue and deliver a funny, and even a little spooky (but still family-friendly), performance! It’s a good length for kids, running about 1 minute and is suitable for any gender.

In the monologue, Ayla is frustrated that her middle-of-the-night visitor won’t play with her, won’t talk until the wee hours of the night with her, and won’t even tell her what her name is! Instead, this girl in the odd dress just keeps…well…standing there. Staring at Ayla. Being the boringest ghost she’s ever seen.

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The Moon River Raft: New Dark Comedy Play for 2 actors

A wounded rabbit and her loyal sister, fleeing for their lives, hold onto hope that a secret Moon River Raft will carry them to a perfect land with no predators, filled with rainbows and radish tops as far as the eye can see… All they have to do is wait for this mysterious raft…in the middle of the night…in the woods…until Peak Full Moon…at a very creepy river bank…

You can check out what happens at this creepy river in my new one-act (miiiight slide by as a 10-minute) dark comedy, The Moon River Raft. It runs about 15+ minutes and has two great roles for ages teen through adult (the parts are written with female pronouns but the casting can be any gender). Yes, it’s dark, but it’s also funny as you lean into the cruelty, naivety and absurdity of the world these rabbits are in. It’s a play with minimal setting requirements and could adapt well to outdoor theater. CLICK BELOW TO READ MORE

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Don't Close The Doors: New 10-minute thriller/dramatic monologue

If you’re looking for a solo thriller performance piece, consider my new 10-minute monologue play, Don’t Close the Doors. There’s no gore, no blood, yet the ominous atmosphere is consuming. This is a perfect choice for spooky Halloween theater, but is also powerful as a dramatic tragedy any time of year.

We’re familiar with the creepiness a bedroom closet can evoke: What’s inside those closed doors when we’re sleeping in our bed, when we’re practicing the violin, talking to a friend…? Does closing those doors keep out whatever it is that might be lurking from within? But what if that presence in the closet doesn’t want to be there any more than we want it there? What if that presence in the closet is the one being tortured, not us? In Don’t Close the Doors:

Abigail, a ghost in Stephanie’s closet, is sorry she must use her powers to freeze Stephanie in place, but what she must share with Stephanie is so dire that sometimes these things must be done. At first, it appears Abigail’s ominous presence is a threat to Stephanie. However, as Abigail relays the tragedies which have left her paralyzed in Stephanie’s closet, we realize it is Abigail who desperately needs Stephanie’s help to end her heartbreaking torture.

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New Thriller Monologue: Where's Your Hand, Chloe?

Let’s be honest - the woods at night can be creepy for even the bravest of us. It’s not quite so bad though if we have someone by our side. But what if that someone suddenly…disappears? And leaves us alone, calling their name, only to find…someone else appear instead?

That is the premise behind my new thriller/dramatic/horror monologue, Where’s Your Hand, Chloe? Addison’s friend, Chloe, disappears on their walk home in the woods (NEVER TAKE THE SHORTCUT THROUGH THE WOODS!). At first, Addison is relieved when she thinks the person in the distance is her friend. But she soon discovers the bloodied soul that is getting closer and closer to Addison is not at all Chloe. Addison’s panic increases as she sees the grotesque Being holds Chloe’s braid wrapped around its shoulder.

As we round the corner toward Halloween and all things spooky, check out my new suspenseful 2-3 minute monologue, Where’s Your Hand, Chloe? This is a great monologue for actors who really want to tap into their horror/frightened/panicking-but-trying-to-stay-calm side. The monologue arrives to you just in time for those awesome Halloween Monologue Slams! Enjoy an excerpt below and check out other suspenseful monologues here or creepy monologues here.

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"Cutting Down the Tree" by Tara Meddaugh: A dark comedy monologue

If you’re looking for a humorous monologue with a dark undertone, check out my new monologue, Cutting Down the Maple Tree. Kari is pushed too far by her (presumably cheating) husband and lashes out in vengeance, cutting down a taunting tree and trapping his drunken legs under it. Now, at least, the tree will no longer have hold over her and she looks forward to a “fresh start” with her husband.

This dark comedy/thriller/dramatic monologue is approximately 2 1/2 minutes long, and is appropriate for adults, 20s to 60s. It is a fun and challenging role for an actor, as Kari’s intentions, emotions and state of mind are complex and varied. Enjoy an except below:

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Clippers by Tara Meddaugh: A dramatic monologue from the one-act play, Seventeen Stitches

If you’re looking for a 2-minute dramatic monologue from a play, check out my newly released monologue, Clippers, from my one-act play, Seventeen Stitches. Clippers is appropriate for tweens, teens and young adults; it is suitable for actors of any gender. In this monologue, Peter struggles to make sense of his father’s actions and intentions. When Peter was attacked by a bully who wanted his bike, Peter’s father rescues his son, but lets the bully take the precious bike. Peter doesn’t understand why his loving father would not punish the bully, and from that moment on, feels abandoned by his father.

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17 Suspenseful Monologues

Suspense is a powerful tool in theater. Who doesn’t want to keep the audience on the edge of their seat? Writers and directors can create entire plays or films that center on building suspense, ultimately paying off in the final scene. When you have only 1-2 minutes in a monologue to convey a scene or character, creating this world of suspense can be a challenge, but if you manage it, you’ll have your own payoff.

Here, I’ve compiled over 15 short monologues which cultivate a scenario of suspense, while conveying a memorable story and character. From murdered ferrets, floods and fangs, to guns, sirens and fires—these monologues are sure to keep your audience leaning in.

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New dark comedy/Dramatic monologue: "What My Fangs Are For" by Tara Meddaugh

My new monologue, What My Fangs Are For, is the story of a werewolf child telling his mom about his first squirrel kill; it’s darkly humorous, a bit creepy, a bit dramatic. But…it’s also the story of a boy discovering a new identity, trying to make his mother proud, then worrying, with horror, that his new identity may drive her to not love him anymore.

Maybe the whole “eating a raw squirrel” part is not so relatable, but Sammy is not the only child (or adult) to have to reveal a part of their identity which they worry a loved one may not accept.

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New 10-minute dark comedy, absurdist thriller (perfect for Halloween & outdoor theater): When Marshmallows Burn by Tara Meddaugh

If you are looking for some Halloween theater, perfectly designed for outdoor staging, check out my new play, When Marshmallows Burn:

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Sammy and his mom are enjoying roasting marshmallows by the fire when something very strange starts to happen. Sammy’s arms look a little bit different. His teeth look a little bit different. He has a sudden urge to kill squirrels. What else will he have an urge to kill? Is there anything his mother can do to stop him? And will his mother be able to accept his new identity?

This is a dark comedy, absurdist thriller for 2 actors (1 female, 1 male or 2 female - one role is gender neutral). It’s funny; how often does someone ask, “Can I eat that squirrel over there? You don’t have to cook it. I promise I’ll like it raw.” It’s dark; um...see squirrel line above! There is growing dread at the gravity of the situation, a full moon, suspense, blood. Yet ultimately, it is a story about discovering a new identity, and searching for, or giving, acceptance and love.

It’s an exciting piece to produce any time of year, but especially during this spooky, eerie, Halloween season—this play will fit right into a creepy lineup of shows. What’s also really cool is that this play takes place outside. Around a campfire. So if you’re looking for a socially distanced, outdoor theater experience, this is about as perfectly set up as they come! If you’re interested in performing, make sure to fill out the royalty request form and send it to me.

CLICK for a free excerpt for When Marshmallows Burn by Tara Meddaugh.
CLICK BELOW for the complete digital download to the dark comedy, When Marshmallows Burn.

Spooky Play for Halloween: Free Space, a dark comedy/absurdist thriller by Tara Meddaugh

Even during a pandemic, Summer flies by. And in New York State, something seems to have happened in the last week as temperatures left the high 80s, brown leaves are on the ground, homegrown apples are everywhere, and there is more talk about…Halloween. And that means theater for Halloween. Which means, you can pull out those dark comedies, thrillers, weird, spooky, creepy pieces that might be engaging any time of year, but hold a special kind of place as we gear up toward October 31.

I have several spooky plays and monologues that fit this bill, but a great full-length play for this darker time of year is my absurdist thriller, Free Space. This is a play where a mother pretends she’s her daughter for a terrifying reason. A young woman tries to escape her trapped existence where loneliness and aspirations ache in her bones. It’s a story of a dominating bingo chip (yes, I said “bingo chip”) who becomes increasingly demanding—and jealous. It’s always cold, usually tense, oftentimes eerie. Desperation and stakes are high. Cruelty abounds. And yet—

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New Children's Comedic 1-Minute Monologue: I Don't Wanna Be A Jedi

For those of you feeling the Star Wars vibe (or for those of you who are not!), check out my new 1-minute comedic monologue for a male or female child (or young teen) actor. Joel has to break some tough news to his Star-Wars-Superfan dad. Is his dad going to cry when he hears the news? Will he stop making BB8 donut hole treats? Joel doesn’t know, but it’s time for the truth, before his dad makes him wear those Jedi pajamas. Ready? Okay. So… Joel really just isn’t into Star Wars. The truth is, he’d prefer Captain Underpants. So. There you have it. Enjoy my new monologue, I Don’t Wanna Be A Jedi.

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Poorly Wrapped, a One-Act Play for 2 actors about Desire, Obsession, Power

We’re less than a month away from Valentine’s Day, so check out the one-act play, Poorly Wrapped, on the topic of Love…or at least, lust, obsession, greed, power, and desire! It has 2 great roles for 1 male and 1 female actor and runs around 25 minutes long. It’s a dark comedy/drama, a bit eerie, a bit funny, some elements of the absurd mixed in with some potential creepiness…

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Parent/Child Theater: Monologue Duo for adult and child actor about halloween candy!

Well, it’s the day after Halloween. Crisp, light candy wrappers in the trash. Piles of crushed red-dye candy coating on the floor. Parents—did you check your kids’ candy last night and “skim” any off the top? Kids—did you do an inventory last night and confirm your tally this morning? Okay, so a lot of families are happily generous with their candy on Halloween (thank you!), but transparency is nice, right?

So today, on the morning after October 31st, enjoy this duo of monologues about disappearing Halloween candy! In the first one, My Missing Skittles, Sal catches his dad, red-handed at midnight, eating his Halloween candy! In the second, A Dad’s Defense, Doug justifies to Sal that he’s never pretended to be perfect in the first place. But he comes up with the resolution that hopefully satisfies both parties (Just don’t tell Mom!).

Enjoy these funny monologues, from child to parent, and parent to child! My Missing Skittles is about 1 minute long and suitable for any child! A Dad’s Defense is about 1.5 - 2 minutes long and great for adults. If you've been looking for a monologue duo perfect for a child and adult to act out together (Parent/Child Theater, here we come!), this is a great match! Have fun!

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Weird or Creepy Plays for Halloween

If you’re looking for some plays with a thrilling, weird, scary or eerie nature, just in time for Halloween, check out my list of 6 GREAT PLAYS FOR HALLOWEEN! From a domineering talking bingo chip to an apartment enveloped in human hair to a line of diamonds which seems rather painful—these dark comedies, dramas and thrillers give you a fun dramatic ride!

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