New Comedic 5-minute Christmas play for 1-3 actors: Why That Walking Snowman Didn't Like Me

Who doesn’t love some good ole fashioned Christmas magic in their theater and film, right? Check out what happens in my new 5-minute monologue for a female actor (with the option of adding 2 additional gender-inclusive silent roles), Why That Walking Snowman Didn’t Like Me.

When Madison goes for a walk with her dog on Christmas Eve, she could never have imagined a snowman she passes by would come to life in front of her very eyes! I mean, talk about Christmas Magic, right? This is super cool. Her IG fans are going to die when they see this… But… Why does it seem the snowman doesn’t want to pose with her? Coming to life is strange. Sure. But not wanting to hang out with Madison is even stranger. Find out how this IG model and her adorbs rescue, Bailey, make sense of all of this, in Why That Walking Snowman Didn’t Like Me. CLICK FOR MORE

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New Comedic Christmas Monologue: "Santa Just Wants You to be Healthy"

Today on an afternoon walk, I spied a silver bell and garland on a friend’s railing, while another friend mentioned she saw a Hallmark Christmas rom-com last night. I’ve been receiving royalty requests for a Christmas play for a few months now, so I think we are all justified to be looking to holiday theater on November 2, right? In the spirit of the holiday season to come, enjoy a new comedic monologue, Santa Just Wants You to be Healthy:

It’s Christmas morning and Vita’s child, Cameron, has just come to her bedroom at 5am to complain that Santa gave him a boring orange in his stocking. Vita tries to make Cameron understand that Santa simply cares about him and is looking out for his good health and happiness. Knowing the orange is a bit less than exciting though, Vita encourages Cameron to dig down deep to find another treat—most likely something spectacular. But what her child finds is (d’oh!) not exactly what Vita had in mind!

This is a monologue for a female actor (could also be male), 20s-40s and runs about 1.5 minutes long. Check out an excerpt below:

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Don't Close The Doors: New 10-minute thriller/dramatic monologue

If you’re looking for a solo thriller performance piece, consider my new 10-minute monologue play, Don’t Close the Doors. There’s no gore, no blood, yet the ominous atmosphere is consuming. This is a perfect choice for spooky Halloween theater, but is also powerful as a dramatic tragedy any time of year.

We’re familiar with the creepiness a bedroom closet can evoke: What’s inside those closed doors when we’re sleeping in our bed, when we’re practicing the violin, talking to a friend…? Does closing those doors keep out whatever it is that might be lurking from within? But what if that presence in the closet doesn’t want to be there any more than we want it there? What if that presence in the closet is the one being tortured, not us? In Don’t Close the Doors:

Abigail, a ghost in Stephanie’s closet, is sorry she must use her powers to freeze Stephanie in place, but what she must share with Stephanie is so dire that sometimes these things must be done. At first, it appears Abigail’s ominous presence is a threat to Stephanie. However, as Abigail relays the tragedies which have left her paralyzed in Stephanie’s closet, we realize it is Abigail who desperately needs Stephanie’s help to end her heartbreaking torture.

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New Thriller Monologue: Where's Your Hand, Chloe?

Let’s be honest - the woods at night can be creepy for even the bravest of us. It’s not quite so bad though if we have someone by our side. But what if that someone suddenly…disappears? And leaves us alone, calling their name, only to find…someone else appear instead?

That is the premise behind my new thriller/dramatic/horror monologue, Where’s Your Hand, Chloe? Addison’s friend, Chloe, disappears on their walk home in the woods (NEVER TAKE THE SHORTCUT THROUGH THE WOODS!). At first, Addison is relieved when she thinks the person in the distance is her friend. But she soon discovers the bloodied soul that is getting closer and closer to Addison is not at all Chloe. Addison’s panic increases as she sees the grotesque Being holds Chloe’s braid wrapped around its shoulder.

As we round the corner toward Halloween and all things spooky, check out my new suspenseful 2-3 minute monologue, Where’s Your Hand, Chloe? This is a great monologue for actors who really want to tap into their horror/frightened/panicking-but-trying-to-stay-calm side. The monologue arrives to you just in time for those awesome Halloween Monologue Slams! Enjoy an excerpt below and check out other suspenseful monologues here or creepy monologues here.

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Over 15 Great Plays for Outdoor Theater

Outdoor theater has always evoked a unique energy to its cast and audience, and throughout the covid-19 pandemic, more people have been taking advantage of staging and enjoying theater outside. The abundance of fresh air and space coupled with the natural environment can be appealing and invigorating. So if you’re looking to stage theater outside, consider these 10-minute and one-act comedies, dramas, and dark comedies for adults, teens and children. From a garden to a campfire, a beanstalk to a forest, a zoo to a parking lot, all of these plays are naturally set outdoors. You don’t need to force a kitchen sink into your local park. The world of these play is already outside. Enjoy!

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21 Mom Monologues

As we honor our mothers for this season (and every day!), enjoy over fifteen (15) “mom monologues.” These monologues are either specifically about moms, spoken to moms, or spoken by moms. From a werewolf’s conflicting feelings about his mother to children asking their mom for a pet skunk, from a mother struggling with her own mortality to a woman adopting a child in her 50s, these monologues range from comedic to absurd to dramatic. Enjoy these children, teen and adult monologues all centering around mother relationships!

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Frog Band-Aid: New dark comedy monologue

What do you do when you’re confronted with a jealous force in your life who demands that you abandon your new and precious human connection? And what do you do when this jealous force happens to be…um…a bingo chip?

Yeeeess…

This is part of the story of my full-length dark comedy/absurdist thriller, Free Space. Amelia views hosting her own Bingo Night as a way to escape her lonely life. Not only does she have the excitement of planning this magical night, but planning this night has led to a growing bond between her and Ricky, a kind-hearted boy who works at the local cannery. But as Amelia starts to envision a brighter future, a talking Bingo Chip begins calling the shots. Amelia is losing control of her own Game—and relationship with Ricky.

Frog Band-Aid is a monologue from Free Space. Ricky has just given Amelia a private tour of the cannery he works at. During the tour, the two joyfully plan the event, and discuss visiting a pet store together. After Amelia leaves the cannery, she walks home, speaking to the mysterious Bingo Chip in her pocket which has become increasingly demanding.

This dark comedy/dramatic monologue runs around 3 minutes and is appropriate for an older teen through adult actor. Enjoy the excerpt below and check out Free Space to learn more about Amelia and her story.

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Todd Etelson's Backstage list of 6 Playwrights Young Actors Can Turn to for Monologues

I’m honored to be included in Backstage’s list, 6 Playwrights Young Actors Can Turn To for Monologues, by top NYC youth acting coach, Todd Etelson. I love writing both comedic and dramatic monologues for children and teens, so I’m grateful to be recognized here.

Regardless of style or content, she [Meddaugh] writes her plays in such a way as they are uniquely theatrical, clearly in her own voice, and truly original pieces that belong on the stage. From comedic to dramatic to everything in-between, you can find her well-written monologues on her website.

-Todd Etelson

Check out the other five (5) playwrights in this list who write awesome monologues for children and teens!

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Snowman Versus Sun by Tara Meddaugh: New Children's Comedic monologue

My son recently gave me a writing prompt which has resulted in this wintery children’s monologue, Snowman Versus Sun. I also have to give him credit as he designed the monologue cover himself (his at-home-digital-design class with Mom: Canva!)

As the title indicates, the monologue is about that age-old problem: snowman v. sun. In this 1-minute free comedic monologue great for young kids, Titus takes on the sun directly himself. Do you think the sun will listen to him? He’s got a pretty big request…

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14 Monologues about Love for Women

How many plays, movies or books center around the main character looking for love? If you reflect back on hit movies, favorite books, or well-known plays (even taking all the Hallmark Christmas rom-coms out of the mix!), you will probably come up with a list that shows at least half (dare I say 3/4?) of popular stories center around the idea of finding or chasing love. There’s a reason for this. Besides the fact that we all need and want some form of love in our lives, pursuing love is dramatic. Characters put a lot on the line hoping for love. Intense emotions make their way to the surface—extreme jealousy, pitiful desperation, raging anger, divine passion. So if you’re looking to make an impact performing a short piece of drama (while showcasing some memorable acting or directing chops), using a monologue about love can be a great option.

A week before Valentine’s Day, I’ve compiled nine (9) unique monologues of female characters who really dig into the idea of love from one angle or another. The love in these monologues is not clean or perfect; these experiences with love are complicated, layered, sometimes funny, sometimes dark, sometimes desperate, hurt, or empowered. But that’s another reason they make for interesting and challenging drama. From a heart made out of fingernails to a jealous iphone to a pregnant newlywed whose husband is fighting in a war, enjoy these unique and memorable monologues about love!

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9 Memorable Monologues about Scorned Love: Monologue Compilation Packet

Some people are lucky enough to hold onto beautiful romantic love all their adult lives, but if you’re looking for a dramatic piece more on the “sadder but wiser” side of love, check out these nine (9) monologues about “scorned love.” That’s right—all of these characters have had their loved one betray them, leave them or never love them back to begin with. ☹ Of course, their responses to a love lost are varied: we have hopeful or pleading, to angry or downright criminal. But in each case, these monologues make for a fun acting challenge. Whether you’re playing a man bleeding out at a hospital, a betrayed woman by a chopped down tree, or a teen whose truck-jumping-stunt did not quite win him the love of his dreams, enjoy these nine unique monologues about “scorned love!”

You can check out each monologue individually below, or you can purchase a monologue compilation packet containing all nine (9) unique, compelling and memorable monologues about “scorned love” (a great value at only $9 for all 9 monologues). Monologues range in length from 1 minute to 5 minutes, or more, depending on performance, and are suitable for adult, or older teen, actors.

Click “READ MORE” below for the 9 monologues about scorned love.

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Fingernail Heart by Tara Meddaugh: a dark comedy monologue about love

Well, folks. It’s that time of year again! With just over 2 weeks away from Valentine’s Day, I’ll be spending the next few blog posts giving you some loved-based theater! (Can you hear the “love” sound effects in your mind? Birds? “Aws?” A glorious harpsichord? ) No guarantee it will be requited love, however. In fact, many of my “love-based” monologues tend to lean more on the side of yearning love, desperate love, unhappy love, a little…weird love… Which brings me to…

My brand new monologue, Fingernail Heart. Um, yes. You read that right. Fingernail heart. What the…??? Okay, I can explain. Well… Maybe it’s better if I let our protagonist, Emily (below), explain. After all, she’s put in the hard work to craft this fingernail heart. But I will say, if you’re a fan of Ferret Envy, then I think you’ll enjoy the quirky desperation of Fingernail Heart. Emily is confronting her ex-boyfriend (who clearly does NOT want to see her), and offering, yes, that’s right, her gift of a fingernail heart. This monologue is a blast for actors who are okay with slightly off-beat roles, because you can really lean into the absurdity, the humor, but at the same time, the gravity, emotional instability and darkness—all with that underlying feeling of “she is reaching a breaking point…she is reaching a breaking point…”. You’ll enjoy finding all those delightful moments to shift the tone, the tactic, while keeping the same basic intention (“will girl get boy?”).

This monologue runs around 1.5-2 minutes, and while written for a female character, as with most of my monologues, it can be suitable for inclusive casting, as long as the actor connects with it.

Enjoy an excerpt below!…

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"Cutting Down the Tree" by Tara Meddaugh: A dark comedy monologue

If you’re looking for a humorous monologue with a dark undertone, check out my new monologue, Cutting Down the Maple Tree. Kari is pushed too far by her (presumably cheating) husband and lashes out in vengeance, cutting down a taunting tree and trapping his drunken legs under it. Now, at least, the tree will no longer have hold over her and she looks forward to a “fresh start” with her husband.

This dark comedy/thriller/dramatic monologue is approximately 2 1/2 minutes long, and is appropriate for adults, 20s to 60s. It is a fun and challenging role for an actor, as Kari’s intentions, emotions and state of mind are complex and varied. Enjoy an except below:

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Clippers by Tara Meddaugh: A dramatic monologue from the one-act play, Seventeen Stitches

If you’re looking for a 2-minute dramatic monologue from a play, check out my newly released monologue, Clippers, from my one-act play, Seventeen Stitches. Clippers is appropriate for tweens, teens and young adults; it is suitable for actors of any gender. In this monologue, Peter struggles to make sense of his father’s actions and intentions. When Peter was attacked by a bully who wanted his bike, Peter’s father rescues his son, but lets the bully take the precious bike. Peter doesn’t understand why his loving father would not punish the bully, and from that moment on, feels abandoned by his father.

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The Meaning of Plants by Tara Meddaugh: A Dramatic monologue from the play, Brush Them Fleas

If you’re looking for a dramatic (slightly comedic) monologue from a full-length play, check out my 2-minute or 1-minute version of the monologue, The Meaning of Plants. In it, Stacy expresses her disdain for pretty flowers which hold meaning from the giver (like, “I love you,” “I’m sorry” or “you died”). She prefers the brightness and freedom of dandelions, but most of all, she loves potatoes. Their existence is hidden below the common world, but while humble, is very important.

Stacy is not entirely unlike the humble, but important potato, lying undiscovered. She is a hard working employee at a dog grooming salon. She’s awkward, a bit uncomfortable in her own skin. She endures harassment and lies from another employee, but has found Mr. Boland, the client she speaks to about plants, to be an unassuming, gentle soul. Through the play, Brush Them Fleas, Stacy struggles against accusations and lies, and ultimately finds her own voice and strength. Click here to read the full-length absurdist comedy, Brush Them Fleas or an excerpt from the play.

This monologue has a 1-minute version here (which ends before Stacy speaks about potatoes), as well as a longer 2-minute version here, including her musings on the potato.

Learn the brief description of the play, Brush Them Fleas, from which this monologue comes, then enjoy and excerpt below from the monologue, The Meaning of Plants.

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Eiffel Tower Keychain by Tara Meddaugh: New dramatic children's monologue

Cruelty continues to be a theme I explore in my work for adults, as well as for children and teens. It’s a theme that will always be examined in many mediums by many people—because, sadly, it happens from cradle to grave—from those with the least power to (quite dangerously) those with the most power.

While my writing often explores cruelty, more importantly, it explores those who experience cruelty and their journey to gain strength. This happens in outwardly large ways and it happens in seemingly small ways. Giving voice to those struggling against oppressors, whether this be from leaders, “frenemies,” manipulating criminals, or schoolyard bullies, is important because these voices are valuable, precious, and inspiring. They are the ones we need to hear.

In my short monologue, Eiffel Tower Keychain, Lindsey gains strength against her classroom bully. Lindsey’s father, who has moved and no longer lives with her, gave her a glass Eiffel Tower keychain, which now a bully has grabbed from her. Lindsey pleads with the taunting bully to give her back the keychain. At first she is meek, then she demands it back with the strength of deserved self-worth. This is a short dramatic monologue, only around 30 seconds in length, appropriate for children or tweens, gender-neutral.

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Butterfly in the Tomato Plant by Tara Meddaugh: New 30-second children's dramatic monologue

If you’re looking for a short children’s monologue with a dramatic bent, consider my monologue, Butterfly in the Tomato Plant. It is a challenge to perform (or write) a monologue which shows arc and range in 30 seconds but rewarding to explore. In Butterfly in the Tomato Plant, Nicole observes an injured butterfly, bullied by the same children who had bullied her the previous day (they ripped her backpack and now they have ripped the butterfly’s wings). She reflects on her own desire to have wings and escape bullies, but then realizes the butterfly’s wings did not end up saving it. She decides to take the butterfly home to care for it in a windowsill plant she has been nurturing herself.

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20 + Christmas Monologues

Check out these twenty (20)+ Christmas monologues below, plus a packet of additional Christmas monologues for children, extracted from my one-act play, Christmas Superpowers and Believing in Blitzen. These monologues range in length from 30 seconds to 5 minutes, great for video/zoom or in person, comedic or dramatic, kids, male, female. Enjoy, be well, and enjoy the extended holiday season! (*This list is always being updated, so check back for new additions!)

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Christmas Kale by Tara Meddaugh: a 1-minute children's comedic monologue

It’s Christmas morning and Sam has a problem. He is outraged that Santa has, yet again, given him oranges in his stocking, despite his previous complaints that he doesn’t like them. Since Santa has not heeded his requests, Sam devises a simple plan that will teach Santa a lesson.

Christmas Kale is a one-minute comedic children’s monologue, for an inclusive cast (not gender specific). It’s suitable for children or pre-teens.

Christmas Kale is from the one-act play, Christmas Superpowers and Believing in Blitzen.

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