Happy to have two of my pieces (Forgiveness and Defeat at Pokemon Gym and If I Were A Flower) featured in Performer Stuff’s collection of 10 Monologues for Carefree Kids (article written by Amanda Grace).
Read MoreIf you’re looking to beat (or lean into!) the heat of the season with a summer-themed monologue, check out this list of 17 monologues that go along nicely with Summertime. Whether it’s someone’s connection to growing veggies, a safari vacation that goes amiss (in all the coolest ways), seeing a lame mermaid at the beach, pushing someone in a mud puddle, spooky things that happen in the woods at night, or ice cream your dog can’t have—enjoy these 17 comedic, dramatic, thriller, teen and children’s monologues that are great for Summer!
Read MoreI’m honored that a monologue from my dark-comedy play, WHEN MARSHMALLOWS BURN, has been selected to be published by Smith & Kraus in the anthology, “The Best Men's Stage Monologues 2022” (editor Debbie Lamedman).
In the play, When Marshmallows Burn, Sammy and his mom are enjoying roasting marshmallows by the fire, under the full moon, when something very strange starts to happen. Sammy’s arms look a little furry. His teeth look a lot like fangs. And he has a sudden urge to kill squirrels—and eat them raw. What (or who) else will he have an urge to kill? Is there anything his mother can do to stop him, or can she ultimately accept and love him? This is a dark comedy about a boy becoming a werewolf, but it’s also a story about acceptance and love, in the face of changing identities.
The monologue selected for the anthology (What My Fangs are For) takes place the moment Sammy has returned from his first kill in the woods. He is proud he found his late-night snack without troubling his mom for help. As he relays killing the squirrel to her, he realizes his mother is becoming increasingly scared of him and his pride turns to fear that she will no longer love him as a werewolf.
Read MoreWell, we are less than 2 weeks from Valentine’s Day! If you’re looking for a monologue about love for a performance, monologue slam, audition or anything else, check out these pieces. From dark to hopeful, you can find passionate monologues for women and men (and many for any gender), highlighting love in its various dramatic forms.
Read MoreI’m honored that my dark comedy play, PITFALLS AND TREASURES, has been selected to be published by Smith & Kraus in the anthology, “The Best Ten-Minute Plays 2022” (editor Debbie Lamedman).
In the 2-person play, Mary and Andrew are lonely and troubled parking lot seagulls, each ostracized by their former flocks. When Mary happens upon the injured Andrew, she embarks on the desperate challenge to remove twine wrapped around his leg. This play is about, well, yes, seagulls. And being seagulls, in a parking lot, with a numb leg and no flock, the stakes are high. But it’s also about love and loss, hope and failure, trust and apprehension, desperation and resignation. And of course, a seagull and a french fry! It’s a bit dark, a bit funny and a bit sweet.
Huge thanks to the super talented original team: actors Missy Flower and Rob McEvily, director Mel Nocera, and all those at Westchester Collaborative Theater for its first production.
The play will be published in the anthology toward the end of the year, but you can read an excerpt of Pitfalls and Treasures here or click below for a complete digital copy of the play.
Read MoreSo…you’ve fallen in love with the Mall Santa. I mean, what’s not to love, right? (Well…) But what if you’ve never seen him sans-white beard and velvet coat? Can you be sure you’ve fallen for the real man behind the suit? Will you still be happy to share hot cocoa with him when he doesn’t smell like candy canes?
This is the situation Brandy, and her new Mall-Santa-Boyfriend, Kris, find themselves in. Kris is scared Brandy won’t love him when he doesn’t hold Holiday Celebrity Status anymore. He’s been dumped by women post-Christmas before. In the monologue, More Than Santa, Brandy has to convince Kris that she is not only attracted to his white beard (because, come on—that beard!), but she will keep on being attracted to him when she sees him for the first time tomorrow, December 26, not dressed as Santa.
Read MoreIf you’re looking for a large cast Christmas play for young actors or young audiences, with lots of gender inclusive/neutral roles, check out Chaos in a Christmas Snow Globe. Yup, it takes place inside a Christmas Snow Globe, complete with Christmas Tree, train and ice skating pond. Designers can be as detailed or as representative as desired for this world which leaves lots of room for creativity.
The Christmas Gang loves their place of honor in 8-year-old Stella’s bedroom, come the Sunday after Thanksgiving when all the Christmas decorations are displayed, but they’re also getting a bit bored of the same routine. Luckily, they’re in a Snow Globe with Santa himself who has a pretty cool ability to evoke, oh, I don’t know…a little something called…
Christmas Magic!
Christmas Magic will bring some excitement to the snow globe, for sure! But what the friends don’t realize is that Christmas Magic has a mind of its own. And what it decides to bring is…um… well…
A Jack-o-Lantern (Whaaaa? Yes!) who has been pining away to join the Christmas Snow Globe for years! But can this Halloween decoration convince the Christmas Friends (especially the stickler Elf) that it truly belongs with them? Or will it be booted back to the dusty shelf? Enjoy this family-friendly one-act Christmas play about acceptance and appreciation.
This play runs approximately 20 minutes. The whole class, club, church or company can perform in this show! It has 11 speaking roles (9 gender inclusive/neutral roles, 1 female, 1 male), and an unlimited number of non-speaking reindeer. There’s some group singing (just “Jingle Bells” - don’t worry), opportunities for dancing, and fun scene setting. Check out the list of characters here.
Read MoreHave you ever wanted to spice up a traditional Christmas Caroling outing? Santa hats are fine and all, but how much cooler would you look if you wore…say…an astronaut costume? That is Sam’s small request in this 2-minute comedic monologue, A Case for Astronaut Caroling. But before he can sing into that awesome voice-changing space helmet, he has to convince his mom of his plan… Does he make a compelling enough case to win her over?
Check out my free comedic monologue, A Case for Astronaut Caroling. This monologue comes from the one-act play, Christmas Superpowers and Beleving in Blitzen (check out that play here. It has a lot of other comedic monologues). The character role is a child, so this monologue is great for children actors, or tween through young adults who would like to play children (good audition material for children’s plays). This role is gender inclusive/flexible.
Read MoreWhile some theaters and schools are open for in-person performances, there are many throughout the world which are not able to be open in this capacity yet. (We are all in different situations throughout the globe and my heart is with you all!) If your school or theater is looking for a family-friendly Christmas show which lends itself to social distancing or virtual theater, check out the one-act play, Christmas Superpowers and Believing in Blitzen. Since this is a monologue-heavy play, it allows for increased social distancing in rehearsals and performances and also slides more easily into virtual theater.
Christmas Superpowers and Believing in Blitzen is a comedy great for children, teens or young adults playing the roles of children. It runs approximately 30 minutes with a minimal set, and with doubling, has 5 roles (2 female, 3 male). Without doubling, it has a cast of (3 male, 2 female, 3 gender inclusive/flexible casting—but in reality, most of the roles can be gender flexible).
To four children, Christmas is no simple sleigh ride. Annie’s new best friend is a talking reindeer, and she’s not sure if that’s really okay. Sam is experiencing the pressure of being the Lead Shepherd in the church pageant. Dylan has a very secretive wish he hopes Santa can deliver. And Lauren needs to make sure someone is giving her little brother a very special Christmas. Experience the joys and challenges of Christmas through the eyes of these children in this monologue-driven one-act comedy.
Read MoreWho doesn’t love some good ole fashioned Christmas magic in their theater and film, right? Check out what happens in my new 5-minute monologue for a female actor (with the option of adding 2 additional gender-inclusive silent roles), Why That Walking Snowman Didn’t Like Me.
When Madison goes for a walk with her dog on Christmas Eve, she could never have imagined a snowman she passes by would come to life in front of her very eyes! I mean, talk about Christmas Magic, right? This is super cool. Her IG fans are going to die when they see this… But… Why does it seem the snowman doesn’t want to pose with her? Coming to life is strange. Sure. But not wanting to hang out with Madison is even stranger. Find out how this IG model and her adorbs rescue, Bailey, make sense of all of this, in Why That Walking Snowman Didn’t Like Me.
This is a really fun piece to perform! Lots of humor and action; it’s light and funny but also can generate thoughtful conversation about social media. Why That Walking Snowman Didn’t Like Me is a comedic monologue for a female teen through young adult actor. So if you’re looking for a solo performance piece for this holiday season, this makes a great fit. It runs around 4-5 minutes (always depending on performance).
This short play stands alone as a monologue, but if you’re looking to cast more roles, it also easily affords the option of 1-2 additional roles:
Bailey: A non-speaking, but puppy murmuring, wise reindeer-sweater-wearing dog. Any gender/inclusive casting
Snowman: The chill, nonspeaking, disinterested-in-social-media snowman itself. Any gender/inclusive casting.
If you’re looking for a solo thriller performance piece, consider my new 10-minute monologue play, Don’t Close the Doors. There’s no gore, no blood, yet the ominous atmosphere is consuming. This is a perfect choice for spooky Halloween theater, but is also powerful as a dramatic tragedy any time of year.
We’re familiar with the creepiness a bedroom closet can evoke: What’s inside those closed doors when we’re sleeping in our bed, when we’re practicing the violin, talking to a friend…? Does closing those doors keep out whatever it is that might be lurking from within? But what if that presence in the closet doesn’t want to be there any more than we want it there? What if that presence in the closet is the one being tortured, not us? In Don’t Close the Doors:
Abigail, a ghost in Stephanie’s closet, is sorry she must use her powers to freeze Stephanie in place, but what she must share with Stephanie is so dire that sometimes these things must be done. At first, it appears Abigail’s ominous presence is a threat to Stephanie. However, as Abigail relays the tragedies which have left her paralyzed in Stephanie’s closet, we realize it is Abigail who desperately needs Stephanie’s help to end her heartbreaking torture.
Read MoreLet’s be honest - the woods at night can be creepy for even the bravest of us. It’s not quite so bad though if we have someone by our side. But what if that someone suddenly…disappears? And leaves us alone, calling their name, only to find…someone else appear instead?
That is the premise behind my new thriller/dramatic/horror monologue, Where’s Your Hand, Chloe? Addison’s friend, Chloe, disappears on their walk home in the woods (NEVER TAKE THE SHORTCUT THROUGH THE WOODS!). At first, Addison is relieved when she thinks the person in the distance is her friend. But she soon discovers the bloodied soul that is getting closer and closer to Addison is not at all Chloe. Addison’s panic increases as she sees the grotesque Being holds Chloe’s braid wrapped around its shoulder.
As we round the corner toward Halloween and all things spooky, check out my new suspenseful 2-3 minute monologue, Where’s Your Hand, Chloe? This is a great monologue for actors who really want to tap into their horror/frightened/panicking-but-trying-to-stay-calm side. The monologue arrives to you just in time for those awesome Halloween Monologue Slams! Enjoy an excerpt below and check out other suspenseful monologues here or creepy monologues here.
Read MoreDoes the screech of a seagull symbolize Summer for anyone else here? What is a beach day without a seagull trying to snatch your french fry, right? Well, if you’re looking for a seagull perspective - and if you’re looking for a 2-person dark comedy/drama/comedy that can work for outdoor theater - check out my new 10-minute play, Pitfalls and Treasures. In it, Mary and Andrew are lonely and troubled seagulls, each ostracized by their former flocks. When Mary embarks on the desperate challenge of removing twine wrapped around Andrew’s leg, they both must decide how much to trust each other in the hope of finding a better life. Check out an excerpt or the complete play here.
This play is about, well, yes, seagulls. And being seagulls, in a parking lot, with a numb leg and no flock, the stakes are high. But it’s also about love and loss, hope and failure, trust and apprehension, desperation and resignation. And yes--also a seagull and a fry. It’s a bit dark, a bit funny and a bit sweet.
Read MoreAs we honor our mothers for this season (and every day!), enjoy over fifteen (15) “mom monologues.” These monologues are either specifically about moms, spoken to moms, or spoken by moms. From a werewolf’s conflicting feelings about his mother to children asking their mom for a pet skunk, from a mother struggling with her own mortality to a woman adopting a child in her 50s, these monologues range from comedic to absurd to dramatic. Enjoy these children, teen and adult monologues all centering around mother relationships!
Read MoreDid you know April is National Frog Month in the US? World Frog Day is March 20, but if you missed applauding our amphibian friends that day, rest assured you still have this month to celebrate this awesome creature! Frogs play a vital part in our ecosystem, not to mention they’ve been instrumental in scientific advancements in many fields. They make up about 90% of all amphibians (there are over 6000 species of frogs!), they have adapted to do some really neat things (like survive basically frozen for months in the Arctic or carry around tadpoles in their vocal sacs!), and they are super cute and unique!
So what better way of paying tribute to our beloved frogs than by exploring some frog theater? (Okay, there are lots of other ways to pay tribute to these important cuties. Sadly, “at least 2,000 species [are] estimated to be in danger of extinction," so let’s be kind to them and their environment too. Here are ways to make your yard more habitable for frogs and additional things you can do for frogs.)
Yes, I can happily say I have a whopping (should I say “hopping?” harhar) three (3) theatrical pieces about frogs! A 10-minute dark comedy, a 5-minute children’s play, and a quirky dark comedy/dramatic monologue.
Read MoreWhat do you do when you’re confronted with a jealous force in your life who demands that you abandon your new and precious human connection? And what do you do when this jealous force happens to be…um…a bingo chip?
Yeeeess…
This is part of the story of my full-length dark comedy/absurdist thriller, Free Space. Amelia views hosting her own Bingo Night as a way to escape her lonely life. Not only does she have the excitement of planning this magical night, but planning this night has led to a growing bond between her and Ricky, a kind-hearted boy who works at the local cannery. But as Amelia starts to envision a brighter future, a talking Bingo Chip begins calling the shots. Amelia is losing control of her own Game—and relationship with Ricky.
Frog Band-Aid is a monologue from Free Space. Ricky has just given Amelia a private tour of the cannery he works at. During the tour, the two joyfully plan the event, and discuss visiting a pet store together. After Amelia leaves the cannery, she walks home, speaking to the mysterious Bingo Chip in her pocket which has become increasingly demanding.
This dark comedy/dramatic monologue runs around 3 minutes and is appropriate for an older teen through adult actor. Enjoy the excerpt below and check out Free Space to learn more about Amelia and her story.
Read MoreHow many of us have ever felt our friends were moving on without us? Or worried that we’d be left out because we were somehow different from those around us? Pebbles and Tails is my new children’s play about frogs growing up, but it’s also a story of acceptance, kindness, bravery and friendship.
Scoot, Wiggles and Crunch have been friends since they hatched from eggs in the pond, hiding from predators together, protecting each other, and playing “Kick Pebble” together. But when Scoot realizes that Wiggles and Crunch have developed into froglets, while Scoot remains a tadpole, Scoot feels left behind. Is their friendship strong enough to endure their changing paths?
Pebbles and Tails is a comedic/dramatic children’s play for 3 actors of any gender. It runs around 5-8 minutes in length. It’s perfect for child actors for performances, workshops or Reader’s Theater in the classroom. It’s great for teen competitions and fun for any age actors to perform for young audiences. It’s also great material for animation projects. And I’m releasing it during National Frog Month in the US!
Read MoreHave you ever felt someone was judging you, teasing you, or making fun of you when in fact, maybe they were just, I don’t know, hungry? Sometimes we can see our own insecurities mirrored back in other people’s (or sloths’!) eyes, when they’re not actually there. Self-acceptance and being confident in our own value—independent of what we assume others think about us—are such important qualities to nurture in children, teens, and yup, even adults. It’s one of those bright shimmering keys to happiness. :)
Staring at The Sloth is a comedic children’s play that runs about 5 minutes long. It’s cute, it’s funny, it’s sweet, and come on—SLOTHS! But at its core, it’s a story about a child, Riley, who is insecure, has been teased, and needs to shift perception to assume the best, instead of the worst, out of someone else. Luckily, Riley has an awesome friend who can help ground their perspective:
The sloth at the zoo keeps staring at Riley. Is it Riley’s spiky hair? Long nose? Or chocolate milk stain? Can Jaime convince Riley that the sloth is not making fun, but maybe, just maybe, thinks Riley is cool?
Meet Riley and Jaime in this excerpt from Staring at The Sloth. This short comedy is great for adults or teens who want to play children and perform for young audiences, or for children to try their hand at acting in a manageable play themselves. It’s also ideal classroom Reader’s Theater material for those practicing reading out loud, and for discussion about self-acceptance and being kind.
The play requires 2 actors, and gender casting is flexible/inclusive. It can work for Zoom, Outdoor Theater, competitions, classrooms or the traditional stage. Even in five minutes, there’s lots of room for creativity for actors, directors and designers. Enjoy an excerpt from new 5-minute play, Staring at The Sloth, or get the complete play below:
Read MoreI’m honored to be included in Backstage’s list, 6 Playwrights Young Actors Can Turn To for Monologues, by top NYC youth acting coach, Todd Etelson. I love writing both comedic and dramatic monologues for children and teens, so I’m grateful to be recognized here.
Regardless of style or content, she [Meddaugh] writes her plays in such a way as they are uniquely theatrical, clearly in her own voice, and truly original pieces that belong on the stage. From comedic to dramatic to everything in-between, you can find her well-written monologues on her website.
Check out the other five (5) playwrights in this list who write awesome monologues for children and teens!
Read MoreI’m honored my play, Alfred and Lily and Their Marvelous Tank in the Forest, was selected as one of 30 plays in “The Best New Ten-Minute Plays/2020” published by The Applause Acting Series, edited by Lawrence Harbison. This absurdist dark comedy is about reality manipulation, propaganda, what to accept as truth, or question and fight. It's also about love and sacrifice, and yes, it's about frogs. In a tank. In a forest. All this in 10 minutes!
A high-energy, high-stakes short play with meaty roles for 2 actors and lots of room for creativity for the production team, Alfred and Lily and Their Marvelous Tank in the Forest is a fun play to sink your teeth into (much like Alfred wants to do to Lily’s leg…). Thanks to my original amazing cast at Westchester Collaborative Theater, featuring Missy Flower, Buchanan Highhouse, directed by Nathan Flower.
You can check out an excerpt of Alfred and Lily, get the full play here, or check out the The Best New Ten-Minute Plays 2020.
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