Okay--Halloween Theater doesn't ALL have to be scary! Check out these comedic monologues, perfect for this time of year, including:
My Missing Skittles, A Dad’s Defense, I Don’t Wanna Be A Jedi, Apple Pie Pain, The Real Value of Candy, Baby Ants in a Pie.
Click below for more details on the monologues.
Let’s be honest - the woods at night can be creepy for even the bravest of us. It’s not quite so bad though if we have someone by our side. But what if that someone suddenly…disappears? And leaves us alone, calling their name, only to find…someone else appear instead?
That is the premise behind my new thriller/dramatic/horror monologue, Where’s Your Hand, Chloe? Addison’s friend, Chloe, disappears on their walk home in the woods (NEVER TAKE THE SHORTCUT THROUGH THE WOODS!). At first, Addison is relieved when she thinks the person in the distance is her friend. But she soon discovers the bloodied soul that is getting closer and closer to Addison is not at all Chloe. Addison’s panic increases as she sees the grotesque Being holds Chloe’s braid wrapped around its shoulder.
As we round the corner toward Halloween and all things spooky, check out my new suspenseful 2-3 minute monologue, Where’s Your Hand, Chloe? This is a great monologue for actors who really want to tap into their horror/frightened/panicking-but-trying-to-stay-calm side. The monologue arrives to you just in time for those awesome Halloween Monologue Slams! Enjoy an excerpt below and check out other suspenseful monologues here or creepy monologues here.
Read MoreAs we honor our mothers for this season (and every day!), enjoy over fifteen (15) “mom monologues.” These monologues are either specifically about moms, spoken to moms, or spoken by moms. From a werewolf’s conflicting feelings about his mother to children asking their mom for a pet skunk, from a mother struggling with her own mortality to a woman adopting a child in her 50s, these monologues range from comedic to absurd to dramatic. Enjoy these children, teen and adult monologues all centering around mother relationships!
Read MoreDid you know April is National Frog Month in the US? World Frog Day is March 20, but if you missed applauding our amphibian friends that day, rest assured you still have this month to celebrate this awesome creature! Frogs play a vital part in our ecosystem, not to mention they’ve been instrumental in scientific advancements in many fields. They make up about 90% of all amphibians (there are over 6000 species of frogs!), they have adapted to do some really neat things (like survive basically frozen for months in the Arctic or carry around tadpoles in their vocal sacs!), and they are super cute and unique!
So what better way of paying tribute to our beloved frogs than by exploring some frog theater? (Okay, there are lots of other ways to pay tribute to these important cuties. Sadly, “at least 2,000 species [are] estimated to be in danger of extinction," so let’s be kind to them and their environment too. Here are ways to make your yard more habitable for frogs and additional things you can do for frogs.)
Yes, I can happily say I have a whopping (should I say “hopping?” harhar) three (3) theatrical pieces about frogs! A 10-minute dark comedy, a 5-minute children’s play, and a quirky dark comedy/dramatic monologue.
Read MoreHow many of us have ever felt our friends were moving on without us? Or worried that we’d be left out because we were somehow different from those around us? Pebbles and Tails is my new children’s play about frogs growing up, but it’s also a story of acceptance, kindness, bravery and friendship.
Scoot, Wiggles and Crunch have been friends since they hatched from eggs in the pond, hiding from predators together, protecting each other, and playing “Kick Pebble” together. But when Scoot realizes that Wiggles and Crunch have developed into froglets, while Scoot remains a tadpole, Scoot feels left behind. Is their friendship strong enough to endure their changing paths?
Pebbles and Tails is a comedic/dramatic children’s play for 3 actors of any gender. It runs around 5-8 minutes in length. It’s perfect for child actors for performances, workshops or Reader’s Theater in the classroom. It’s great for teen competitions and fun for any age actors to perform for young audiences. It’s also great material for animation projects. And I’m releasing it during National Frog Month in the US!
Read MoreMeet Ari and Quinn. They’re elementary school students, thrilled their current Science Unit allows each child to study their own classroom crayfish! How cool, right? Well, not so cool when Billy accepts a dare which leads to the untimely demise of someone’s crayfish! The unlucky crayfish had a maroon marker dot on its back. These uniquely colored permanent marker dots were supposed to be a way the kids could tell their crayfish apart. But somehow, Juliet used the same maroon color as Ari! Ugh! Now good friends, Ari and Quinn, need to uncover clues which hopefully will determine the crayfish identity. But will their detective work be enough to solve the mystery?
Funeral for a Crayfish is a 5-minute comedic children’s play for 2 actors with flexible casting (any gender). It’s funny, it’s fun to read and perform, and it explores friends thoughtfully working together to solve a problem. It’s ideal to read in the classroom for Reader’s Theater, and also great for workshops, performances, competitions and acting practice.
Funeral for a Crayfish includes a page of fun facts about crayfish. Like—did you know crayfish live 20-30 years? Or that there are recipes for, gulp, Crawfish Cheesecake?
Enjoy an excerpt from Funeral for a Crayfish or get the complete digital play below.
Read MoreHave you ever felt someone was judging you, teasing you, or making fun of you when in fact, maybe they were just, I don’t know, hungry? Sometimes we can see our own insecurities mirrored back in other people’s (or sloths’!) eyes, when they’re not actually there. Self-acceptance and being confident in our own value—independent of what we assume others think about us—are such important qualities to nurture in children, teens, and yup, even adults. It’s one of those bright shimmering keys to happiness. :)
Staring at The Sloth is a comedic children’s play that runs about 5 minutes long. It’s cute, it’s funny, it’s sweet, and come on—SLOTHS! But at its core, it’s a story about a child, Riley, who is insecure, has been teased, and needs to shift perception to assume the best, instead of the worst, out of someone else. Luckily, Riley has an awesome friend who can help ground their perspective:
The sloth at the zoo keeps staring at Riley. Is it Riley’s spiky hair? Long nose? Or chocolate milk stain? Can Jaime convince Riley that the sloth is not making fun, but maybe, just maybe, thinks Riley is cool?
Meet Riley and Jaime in this excerpt from Staring at The Sloth. This short comedy is great for adults or teens who want to play children and perform for young audiences, or for children to try their hand at acting in a manageable play themselves. It’s also ideal classroom Reader’s Theater material for those practicing reading out loud, and for discussion about self-acceptance and being kind.
The play requires 2 actors, and gender casting is flexible/inclusive. It can work for Zoom, Outdoor Theater, competitions, classrooms or the traditional stage. Even in five minutes, there’s lots of room for creativity for actors, directors and designers. Enjoy an excerpt from new 5-minute play, Staring at The Sloth, or get the complete play below:
Read MoreI’m honored to be included in Backstage’s list, 6 Playwrights Young Actors Can Turn To for Monologues, by top NYC youth acting coach, Todd Etelson. I love writing both comedic and dramatic monologues for children and teens, so I’m grateful to be recognized here.
Regardless of style or content, she [Meddaugh] writes her plays in such a way as they are uniquely theatrical, clearly in her own voice, and truly original pieces that belong on the stage. From comedic to dramatic to everything in-between, you can find her well-written monologues on her website.
Check out the other five (5) playwrights in this list who write awesome monologues for children and teens!
Read MoreCruelty continues to be a theme I explore in my work for adults, as well as for children and teens. It’s a theme that will always be examined in many mediums by many people—because, sadly, it happens from cradle to grave—from those with the least power to (quite dangerously) those with the most power.
While my writing often explores cruelty, more importantly, it explores those who experience cruelty and their journey to gain strength. This happens in outwardly large ways and it happens in seemingly small ways. Giving voice to those struggling against oppressors, whether this be from leaders, “frenemies,” manipulating criminals, or schoolyard bullies, is important because these voices are valuable, precious, and inspiring. They are the ones we need to hear.
In my short monologue, Eiffel Tower Keychain, Lindsey gains strength against her classroom bully. Lindsey’s father, who has moved and no longer lives with her, gave her a glass Eiffel Tower keychain, which now a bully has grabbed from her. Lindsey pleads with the taunting bully to give her back the keychain. At first she is meek, then she demands it back with the strength of deserved self-worth. This is a short dramatic monologue, only around 30 seconds in length, appropriate for children or tweens, gender-neutral.
Read MoreIf you’re looking for a short children’s monologue with a dramatic bent, consider my monologue, Butterfly in the Tomato Plant. It is a challenge to perform (or write) a monologue which shows arc and range in 30 seconds but rewarding to explore. In Butterfly in the Tomato Plant, Nicole observes an injured butterfly, bullied by the same children who had bullied her the previous day (they ripped her backpack and now they have ripped the butterfly’s wings). She reflects on her own desire to have wings and escape bullies, but then realizes the butterfly’s wings did not end up saving it. She decides to take the butterfly home to care for it in a windowsill plant she has been nurturing herself.
Read MoreCheck out these twenty (20)+ Christmas monologues below, plus a packet of additional Christmas monologues for children, extracted from my one-act play, Christmas Superpowers and Believing in Blitzen. These monologues range in length from 30 seconds to 5 minutes, great for video/zoom or in person, comedic or dramatic, kids, male, female. Enjoy, be well, and enjoy the extended holiday season! (*This list is always being updated, so check back for new additions!)
Read MoreIt’s Christmas morning and Sam has a problem. He is outraged that Santa has, yet again, given him oranges in his stocking, despite his previous complaints that he doesn’t like them. Since Santa has not heeded his requests, Sam devises a simple plan that will teach Santa a lesson.
Christmas Kale is a one-minute comedic children’s monologue, for an inclusive cast (not gender specific). It’s suitable for children or pre-teens.
Christmas Kale is from the one-act play, Christmas Superpowers and Believing in Blitzen.
Read MoreCheck out my Christmas theater below (one-act plays, a 5-minute monologues, and monologues for kids to adults)! Click on the links to read excerpts from all of the holiday monologues or holiday plays or to get the full versions. Enjoy the holiday season!
Read MorePart of the beauty and magic of theatre is that we can use drama to give voice to an emotion, challenge or experience we might not otherwise express. Below are eight monologues that center around the idea of bullying in some capacity. Whether it is covering your ears in the shower, imagining you’re a shark, or instructing teddy bears to jump out a window, these dramatic, comedic or darkly comedic monologues show different ways people cope with the effects of bullying. ..
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