10-minute dramatic monologue play: Marsopa's Tale by Tara Meddaugh

Mermaids are the subject of many tales and legends around the world. In my 10-minute one-person play, Marsopa’s Tale, Marsopa, a mermaid herself, confronts the myths surrounding mermaids, as she makes a choice to be more than simply folklore.

Marsopa is the lone mermaid of her sea, but enjoys the company of her best friend and water-sister, a dolphin named Stone. But when Stone considers starting her own family, Marsopa faces the idea of being truly alone. That is - until she makes eyes with an intriguing fisherman... Now Marsopa must call into question the truth of mermaid and human legends, and decide what she is willing to risk for the possibility of creating her own fate.

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17 Suspenseful Monologues

Suspense is a powerful tool in theater. Who doesn’t want to keep the audience on the edge of their seat? Writers and directors can create entire plays or films that center on building suspense, ultimately paying off in the final scene. When you have only 1-2 minutes in a monologue to convey a scene or character, creating this world of suspense can be a challenge, but if you manage it, you’ll have your own payoff.

Here, I’ve compiled over 15 short monologues which cultivate a scenario of suspense, while conveying a memorable story and character. From murdered ferrets, floods and fangs, to guns, sirens and fires—these monologues are sure to keep your audience leaning in.

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New dark comedy/Dramatic monologue: "What My Fangs Are For" by Tara Meddaugh

My new monologue, What My Fangs Are For, is the story of a werewolf child telling his mom about his first squirrel kill; it’s darkly humorous, a bit creepy, a bit dramatic. But…it’s also the story of a boy discovering a new identity, trying to make his mother proud, then worrying, with horror, that his new identity may drive her to not love him anymore.

Maybe the whole “eating a raw squirrel” part is not so relatable, but Sammy is not the only child (or adult) to have to reveal a part of their identity which they worry a loved one may not accept.

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New 10-minute dark comedy, absurdist thriller (perfect for Halloween & outdoor theater): When Marshmallows Burn by Tara Meddaugh

If you are looking for some Halloween theater, perfectly designed for outdoor staging, check out my new play, When Marshmallows Burn:

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Sammy and his mom are enjoying roasting marshmallows by the fire when something very strange starts to happen. Sammy’s arms look a little bit different. His teeth look a little bit different. He has a sudden urge to kill squirrels. What else will he have an urge to kill? Is there anything his mother can do to stop him? And will his mother be able to accept his new identity?

This is a dark comedy, absurdist thriller for 2 actors (1 female, 1 male or 2 female - one role is gender neutral). It’s funny; how often does someone ask, “Can I eat that squirrel over there? You don’t have to cook it. I promise I’ll like it raw.” It’s dark; um...see squirrel line above! There is growing dread at the gravity of the situation, a full moon, suspense, blood. Yet ultimately, it is a story about discovering a new identity, and searching for, or giving, acceptance and love.

It’s an exciting piece to produce any time of year, but especially during this spooky, eerie, Halloween season—this play will fit right into a creepy lineup of shows. What’s also really cool is that this play takes place outside. Around a campfire. So if you’re looking for a socially distanced, outdoor theater experience, this is about as perfectly set up as they come! If you’re interested in performing, make sure to fill out the royalty request form and send it to me.

CLICK for a free excerpt for When Marshmallows Burn by Tara Meddaugh.
CLICK BELOW for the complete digital download to the dark comedy, When Marshmallows Burn.

Engulf The Evil Ashes: A dramatic monologue from the play, For My Silent Sisters by Tara Meddaugh

My full-length dramatic play, For My Silent Sisters, gives voice to four young people who struggle to escape the dark world of human trafficking. *Before I discuss the monologue and play, please note that while I write with great respect and care, this monologue contains references to human trafficking and violence and may not be suitable for all readers.* Please also note that while the play is fiction, there are many experiences, very similar to the ones I give voice to, which have happened to real people. No country is immune to this egregious crime. At the time I’m writing this, criminals are trafficking an estimated 25 million people worldwide. For more information on human trafficking in the USA, how to help or report, visit the Human Trafficking Hotline or Polaris.

For My Silent Sisters journeys how criminals use manipulation, lies, or force to commit this crime. But it mainly journeys how four teenagers survive within this world, hold onto hope, strength, friendship, and how they all eventually leave that world—one way or another.

Engulf the Evil Ashes is a monologue from Marta. Marta, an excellent student from a large family in Romania, sees her way to a brighter future by accepting a position as a translator in England. However, after leaving home with the job recruiter, she discovers the role she thought she would receive does not exist. Instead, she is taken to a “training facility” in the woods in Albania, a place where girls are “trained” for forced prostitution (enslavement), then sent to other countries to make money for their enslavers. While their situation is terrifying, Marta immediately bonds with a confident Romani girl, Tasaria. They share stories, looks, secrets; they become closer than sisters. Tasaria develops a plan for them to escape the facility, but when the moment comes, Marta does not follow her. Tasaria’s escape attempt fails and she is killed. Marta is devastated.

In this monologue, Engulf the Evil Ashes, Marta has been punished, by friendship association, for Tasaria’s escape attempt. She is placed in the ground, simulating being buried alive. Though grieving, her rage and determination give her strength, and Marta comes up with a plan for freedom. She hides sticks from the outdoors and brings them with her when she is placed in an isolated room inside. During the course of a few hours, she is able to start a fire and begin burning down the old wooden building. While the building goes up in flames and smoke, Marta only smells freedom.

This monologue is about 2.5 minutes long, suitable for a mature teenager or young adult looking to sink into a dramatic monologue. It is a moment of empowerment, a moment when a frightened and beaten-down person finds strength in righteous anger, a moment when she finds a powerful voice, not only in words, but in actions. A moment when she changes the fate for herself—and hundreds of other girls.

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Ruby and Millie & The Old Chemical Plant by Tara Meddaugh: A One-Act Play for 2 female actors

If you’re looking for a 15-minute comedy/drama for 2 female actors in their 60s, check out Ruby and Millie & The Old Chemical Plant. Sisters, Ruby and Millie, have been through a lot together. During WW2, 9-year-old Ruby took charge of her apartment building’s rooftop Victory Garden, hoping her patriotic war efforts on the home front would help bring her father back from a prisoner-of-war camp. Teenage Millie, disillusioned as her own boyfriend was fighting in the war abroad, cared for her younger sister as their mother took on a job, working long hours.

Now, over fifty years later, Ruby and Millie still live just down the hall from each other, in a senior living community. They still tend to a community garden. And they still take care of each other. But today, something is different. It’s not just that Ruby sat on her glasses watching Seinfeld last night or that Millie is suspicious someone has been stealing their tomatoes. Today, Ruby and Millie both have secrets and dreams to share which may, after all these years, lead them in very different directions, very far away from each other…

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Spooky Play for Halloween: Free Space, a dark comedy/absurdist thriller by Tara Meddaugh

Even during a pandemic, Summer flies by. And in New York State, something seems to have happened in the last week as temperatures left the high 80s, brown leaves are on the ground, homegrown apples are everywhere, and there is more talk about…Halloween. And that means theater for Halloween. Which means, you can pull out those dark comedies, thrillers, weird, spooky, creepy pieces that might be engaging any time of year, but hold a special kind of place as we gear up toward October 31.

I have several spooky plays and monologues that fit this bill, but a great full-length play for this darker time of year is my absurdist thriller, Free Space. This is a play where a mother pretends she’s her daughter for a terrifying reason. A young woman tries to escape her trapped existence where loneliness and aspirations ache in her bones. It’s a story of a dominating bingo chip (yes, I said “bingo chip”) who becomes increasingly demanding—and jealous. It’s always cold, usually tense, oftentimes eerie. Desperation and stakes are high. Cruelty abounds. And yet—

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New Full Length Play: The Victory Garden Plays by Tara Meddaugh

How many of you decided that Pandemic 2020 would be the year you started your own edible garden? Whether it was in a luscious back yard, an upper story deck, or a window sill (friends and I started seeing how many vegetables we could grow in water jars from mere root cuts!), people all over seemed to be growing vegetation to eat like no other time in the 21st Century. In March, many of us found flour, bread and toilet paper impossible to purchase and there was a panic as we contemplated our food supply chain breaking. Growing our own produce seemed to offer stability, predictability, a tiny sense of control and perhaps even purpose during our unsettling time staying at home. (click below for continued post or click here for The Victory Garden Plays)

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5 Great “Mean-Girl” monologues for teens: Comedy with a sharp edge!

You don’t have to be auditioning for Mean Girls on Broadway to appreciate these monologues. For teens, or young adults, looking to show off their cutting, yet comedic side, these monologues are great for auditions, competitions, and performances. These monologues are funny and, well, kind of mean, operating under the layered humor I find interesting: show your self-absorption and cruelty under the guise of being nice. Check out these monologues about friendships, dance class, high-heeled shoes, Calculus and more!…

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New dramatic monologue: "Birthday Balloons" by Tara Meddaugh

If you’re looking for a dramatic, heartfelt monologue, approximately 2 minutes long, for a female actor (or male), consider my new monologue, Birthday Balloons. Grief has been an uninvited guest in my life the past 5 years, one which has also snuck into my writing in fits and starts. I wrote this a year ago, found it yesterday and edited—and…can I confess something? I almost don’t even want to look at this again. It becomes a little hard to breathe when I read it. Still, I share it with you. Because there are many things we don’t wish to sit in which find voice and connection in theater.

In this dramatic monologue, Adelaide, suffering from a terminal illness, tries to reconcile her desire to give her son a happy birthday next month with the impending hopelessness she feels. She speaks to her friend. You may read the excerpt below and click at the end for a free digital copy of the whole monologue, Birthday Balloons.

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New comedic/dramatic monologue: "The Best General Tso's" by Tara Meddaugh

My short monologue, The Best General Tso’s is about finding old General Tso’s chicken in the refrigerator during stay-at-home measures. While losses are certainly felt in big moments, I’ve often found that it’s in mundane moments that our pains become acute. Because these moments are day-to-day, they’re also frequent and hard to escape. The Best General Tso's is, on one hand, a comedic moment between Larissa and her almond-bag-buying partner, but it also draws on the complex feelings and experiences underlying a simple mundane moment. Sometimes a leftover is not just a leftover.

Enjoy this new monologue for a female (or male) actor, older teens through adult, which runs about 1.5 minutes long. Check out an excerpt below and click at the end for the full piece.

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Climbing the Walls Exhibition: Including new monologue by Tara Meddaugh, The Best General Tso's, featuring Sara Jean Ford

I’m happy to be a part of a joint exhibition between Studio Theater in Exile and Hudson Valley MOCA called Climbing the Walls. Artistic Director of Studio Theater, Mara Mills, envisioned the virtual exhibition as a vehicle to "explore the ways we are experiencing life right now and how we imagine the future” during this global pandemic.

My short (1.5 minute) monologue, The Best General Tso’s features the fabulously talented actor, Sara Jean Ford (you may know her as Christine Daae in Phantom of the Opera on Broadway—and from lots more!). It’s about finding old General Tso’s chicken in the refrigerator during stay-at-home measures. While losses are certainly felt in big moments, I’ve often found that it’s in mundane moments that our pains become acute. Because these moments are day-to-day, they’re also frequent and hard to escape. The Best General Tso's is, on one hand, a comedic moment between partners, but it also draws on the complex feelings and experiences underlying a simple mundane moment. Sometimes a leftover is not just a leftover.

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New dark comedy/absurdist 10-minute play: What's Inside The Eiffel Tower Coffee Mug by Tara Meddaugh

It’s Rebecca’s and Henry’s 10th wedding anniversary. Henry usually has his morning coffee at precisely half past seven, but today, Rebecca can’t wait this long for him to take his coffee mug from the cupboard. She has a secret to reveal to him. And it’s not your typical surprise anniversary gift. It’s a very… unnerving secret… And what Henry finds inside his souvenir coffee mug this morning just might change their marriage forever.

What’s Inside the Eiffel Tower Coffee Mug is a 2-person (1 male, 1 female) 10-minute play that embodies “dark comedy.” We can laugh at absurdities of the couple’s playful interaction of heightened language, but feel a punch to the gut as we discover the darkness that underlies the humor. This play has been described as embracing beauty and the grotesque in one, or finding beauty within the grotesque. It’s a unique journey to act and direct. It will give your audience the chance to laugh, cringe, empathize and ultimately find a sense of peace….

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A Reading of New Plays by Tara Meddaugh: Free Virtual Theater August 7

What are you doing this Friday? Wanna join me for some virtual theater and conversation?

It is not often I can invite you to a performance of my work which is open for all to see, from whatever part of the globe you call home. So I'm happy to share that Tagragg Productions is presenting an evening of four of my 10-minute plays, complete with a short discussion following each piece (we can chat!). The show is FREE and will be performed live via Zoom, 7pm Eastern Time, August 7.

To attend the performances, click the Zoom link here.

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New 10-minute rom-com/dramatic play for Zoom: A Human Body to Hug by Tara Meddaugh

If you’re looking for a 2-person play to perform, or practice, which is specifically designed for Zoom or other video platforms, check out my new play, A Human Body to Hug:

Dana and Cody are on a blind date. On Zoom. During a pandemic. Despite the awkwardness, they strive to find a connection during a very isolating time. And...well, someone has to clean up cat pee...

This 10-minute rom-com-dram play is written especially for video streaming, so there are no production questions you need to ask, like "should we read that stage direction?" or "how do we act out that fall?" Your audience can step into Cody's and Dana's private world for a moment--backgrounds, chats, cats on laps and all…

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11 Great Dramatic Monologues for Children

Finding a dramatic children’s monologue that is thoughtful, relatable, and age-appropriate can be a challenge. Here, I’ve collected ten (10) dramatic children’s monologues for you that are unique, memorable and fun for kids to act. These monologues range from 30 seconds to around 2 minutes. From Goldilocks having second thoughts to Lindsey confronting a bully who took a precious souvenir to Jenna facing an angry sister and a floor of broken glass—enjoy these 10 monologues show which can showcase your child’s dramatic talent and range!

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Honing your Acting skill: Monologues for actors under quarantine

For many of us during this global pandemic, our theaters are closed down, acting classes are held virtually and auditions are video or streaming-only. Theater is a communal art-form by nature, so without the physical community, this distancing can be counter-intuitive and disheartening. However, artists are also resilient and creative by nature, and it did not take long for theater folks to form groups where readings and performances were held online, and actors, in their own isolation, have dedicated unanticipated space to honing their craft during this time of furlough….

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Chat-n-Read: New dramatic read-alouds of children's books

While we were all hunkered down during this global pandemic, I started a project I’ve been interested in for years: a youtube channel called Chat-n-Read, dedicated to connecting with kids, including a little chatting and a little dramatic reading of children’s books.

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The Beanstalk Monologue: Featured on Unknown Playwrights Monologue Monday

Twisting up a classic tale from a new angle is a never-ending well, and I love it as much as the next fairy-tale-raised dramatist or thespian! So here is my monologue, The Beanstalk, edited from the 10-minute play of the same name, The Beanstalk, featured on Unknown Playwrights Monologue Monday series. This monologue has been dissected for years, being one of my earlier pieces, and I’ve loved seeing teachers and students analyze this, and the various unique performances and interpretations of the piece. From Monologue Mondays:

Meddaugh’s monologue is like a snapshot of Jack when he first tries to climb the beanstalk and dude is scared. He talks to a crow for comfort and what follows is a character-rich psychological study of fear with a bit of humor…Any way you cut it, Meddaugh’s monologue is a fresh take on a millennia-old story with a lot of physicality. Let’s see what our brave acting heroes have accomplished…

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Drama in an Epic Disney Star Wars Ride: Rise of the Resistance

I recently visited the “most magical place on earth,” AKA, the place “where dreams come true.” These are some of Walt Disney World’s slogans for a reason. The designers of the 4 amusement parks in Orlando, Florida know that story is important—and not just viewing a story, but being in a story. So it is magical that a deck of cards and a plastic monkey are taller than you in the Toy Story Mania line. It does feel like magic that you can fly on a banshee over Pandora or interact in real time with a cartoon sea turtle you’ve seen from a movie. Your dreams of going to space can come true when you almost throw up on your flight to Mars which simulates g-force….

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